Only two paintings in the show are horizontal, and they are the exceptions that prove the rule — the large - scale Number 88, 1950 (Blue)(1950) has beautifully vibrating color, but feels less individual to Reinhardt, maybe because it evokes landscape in a way that the square and
vertical formats avoid.
Isa Genzken's «Elefant» makes use of
vertical blinds, artificial flowers, plastic tubing and toy figures in a contemporary art show that
avoids popular
formats like painting, installation works, big - screen videos and Dolby - sound films.