Sentences with phrase «vertical rectangle»

The A360's display is a vertical rectangle, similar to the Microsoft Band, with a color touchscreen.

At 2 x 1.2 x 0.4 inches and 1.35 ounces, the Pebble is the lightest of the three watches and has more of a thin, vertical rectangle shape than its squarish competitors.

Both prints include a thin black vertical rectangle containing a swirled pattern.

This is conjured in the connection between an oil painted block on the wall and a light block, projected via dedolights installed on the exhibition room ceiling, forming a vertical rectangle.

Done during the»60s, this selection shows Lukin moving quickly and confidently, from rectangles which protrude along a seam, to rectangles to which another rectangle is attached, to a loopy pink calligraphic form abutting a corner and hugging a wall, to what looks like a big blue tongue with red sides hanging down from the vertical rectangle to which it once belonged, to what looks like an odd model for a table in a upscale diner, but which is clearly non-functional.

They were inspired by Kazimir Malevich's painting, which depicts a black vertical rectangle with a blue triangle stuck into its left side.

Some of the later works by contrast look achingly simple: Accord (1985) is a clean, vertical rectangle of aluminium, bolted to the wall at its four corners, with one part of it, near the top, projecting towards you into a Malevich - like white, oil - painted square.

They should be vertical rectangle - shaped (the height is greater than the width), not squares, and must be a minimum width of 1,400 pixels.

If you observe what appears to be empty vertical rectangle boxes in your Word file when you have Show / Hide turned on.

If you are looking for a way to elongate your room, look for a vertical rectangle mirror.

Now unfold two diapers and put them in front of you like a vertical rectangle.

Larger vertical rectangles housed the parking lamps between wide spaced headlamps which had square bezels but round lenses.

Mark Rothko's paintings typically comprise two or three horizontal or vertical rectangles of different colours, varying in width or in height, on an even coloured background.

This particular canvas is somewhat representative of the group, as it is defined by rough - hewn vertical rectangles, their edges jagged and vague, their dimensions irregular.

Not exact matches

These rectangles create a very good grip while moving your hand vertical or horizontal along the handle.

At this point, I folded the dough the same way as before: from top to middle about 1/3 of the way down matching your vertical stripes, and then bottom up to form a rectangle.

Using a pizza cutter, cut the rectangle into 6 vertical strips of equal size.

Worksheets: Worksheets 1 +2 - Reflection (black blocks) Worksheets 3 - 5 — Reflection (coloured blocks) Worksheet 6 — Partner activity - Reflecting blocks Worksheet 7 — Draw the reflection of rectangles in mirror line Worksheet 8 +9 — Draw the reflection of shapes in mirror line Worksheet 10 — Drawing the mirror line for given rectangles Worksheet 11 — Drawing the mirror line for given shapes Worksheet 12 — Partner activity - Reflecting shapes Worksheets 13 +14 - Drawing reflections in horizontal / vertical mirror lines (black blocks) Worksheets 15 - Drawing reflections in horizontal / vertical mirror lines (coloured blocks) Worksheets 16 +17 - Drawing reflections of shapes horizontal / vertical mirror lines Worksheet 18 — Partner activity - Reflecting in different mirror lines Worksheets 19 +20 - Reflection test style questions Worksheets 21 - Translating rectangles using 1 - step instructions Worksheets 22 - Translating rectangles using 2 - step instructions Worksheets 23 - Translating shapes using 1 - step instructions Worksheets 24 - Translating shapes using 2 - step instructions Worksheets 25 - Describing translations of rectangles Worksheets 26 - Describing translations of shapes Worksheet 27 — Partner activity - Translating shapes Worksheet 28 — Translating rectangle puzzle using given points Worksheet 29 — Translating shape puzzle using given points Worksheets 30 - 31 - Reflection test style questions Worksheets 32 - Reflection or translation identification

Even then, the early paintings are sometimes rectangles, either vertical, but more often horizontal.

Partly through close friendships with artists such as Ellsworth Kelly and Ad Reinhardt, Martin began to experiment with symmetrical compositions of rectangles or circles within a square, then from around 1960 — 61 to work with grids of delicate horizontal and vertical lines.

Gottlieb's was a vertical pairing, much as Mark Rothko often paired his floating rectangles.

The end result is a pale beige rectangle with specks of short, brighter, vertical drips that look like light spots in a photograph.

As George Woodman, the artist's father, has pointed out, «Modernist abstract art devotes itself to the form of the square, the rectangle, the box, the intersection of streets, the whole right angle world of horizontal and vertical.

It will discuss key issues, including those of scale, tiny to huge; the use of different formats; the use of the rectangle; the vertical axis and its significance; the compression of space and depth; space and its meaning; functions and the different kinds of space in abstraction.

Rothko is known for his signature color field «multiforms»: rectangles of bright color and layered hues, often rendered with minimized evidence of the painter's hand on monumental vertical canvases.

Brown commented that the vertical black rectangle troubled her, so Rauschenberg suggested that they hang the painting as shown above, rotated 90 degrees counterclockwise from its gallery orientation.

While the McNay show traces the development of Diller's art through various grid and primary color preferences to a drawing of a simple black rectangle encompassing four vertical yellow lines («He gets very minimal,» Williams says), an «anomaly» from 1938, during the time the artist was an administrator with the WPA, features a curving, flowing central image that echoes the human form, probably influenced by Stuart Davis.

Almost without words, but instead with page numbers, vertical lines, mountainous perspectives, and steady horizons near sepia rectangles of paper, a new, quiet topography is born.

Pink Area (1965), the first work on display, made with sprayed oil on Masonite on plywood, is a square picture made of two vertical panels, with a rectangle removed from its bottom right - hand corner.

His installation at Max Hetzler last autumn consisted of sixteen «N - paintings» based on the same composition: a black top half, containing a horizontal white stripe, balanced on another black rectangle in the bottom right corner containing a vertical stripe.

The edges of his vertical bands are saturated with lucid color as they give way to other patterns — chevrons, rectangles and zigzag designs of varying widths.

In addition to insisting only on primary colours (or non-colours), it advocated solely squares, rectangles, and straight horizontal or vertical lines.

The surface's horizontal and vertical grooves form a grid of different sized rectangles.

«Zig V» is a vertical sequence of steel elements: an upright, bisected cylinder standing on three flanges supports a set of rectangles and disks, including a small tank end, above it.

Despite his lofty goals, at his first solo exhibition in 1950, critics and colleagues alike were baffled by his rectangles of colour split by vertical stripes.

By taking a square and dividing it this way, Whitney establishes a tension between the container and its interior, which he further heightens by filling the bands edge to edge with endearingly painted, almost lopsided vertical or horizontal rectangles, each a single color, that shift in scale and number of rectangles from one band to another.

Horizontal and vertical lines, rectangles, and squares achieve the form of bars and windows.

But it took the experience of working with radical kinds of symmetry, not just a rectangle, but a diamond shape, as well as extreme extensions of shapes, before I finally came to the idea of everything being unbalanced, nothing vertical, nothing horizontal, nothing parallel.

Neo-Plasticism A rigid Dutch style of Abstraction, based on rectangles, horizontal and vertical lines founded by Piet Mondrian in the early 1920s.

While I am very familiar with painting on the conventional rectangle or square I also greatly enjoy the challenges of painting on different formats whether they are large scale, on long vertical and horizontal panels, or on circular, fan - shaped and multi-panel compositions.

Another, a horizontal rectangle with raised vertical lines, reminds her of tree forms...

Though abstract in nature, the vertical bands suggest prison bars, while the rectangle, suggests the outline of a window.

McLaughlin's # 5, 1974 is remarkable and is just two vertical black rectangles on a white field.

Comprising built up layers of torn white paper and PVA glue in loosely alternating rectangles of horizontal and vertical lines and resembling ploughed fields seen from the air, the structure is both accentuated and denied by the way the light and shadow is distributed over the uneven surface.

I wanted it to look like art and decided on long, thin, vertical staggered polished carrara marble rectangles.