Sentences with phrase «vertical scales in»

One problem I have with the temperature record is when it is presented without a vertical scale in the media, which seems to happen much more often than one would expect.

Not exact matches

For Harry's, vertical integration was driven by one crucial factor: There are only a few manufacturers in the world that can make what it sells — high - end razor blades — at scale.

This so - called «vertical integration» requires entrepreneurs to «marry a large - scale agricultural business to a small retail location,» says Gehring, who owns Patients Choice of Colorado, a company which operates four dispensaries in the state.

It lacks vertical integration in subsea drilling but otherwise has the global scale needed to compete, industry analysts said.

The commodity price series is from the Bank of Canada; note the differences in the scale of the vertical axes.

Arguably, the greatest relatively recent advancement in business (online) is the ability to use tracking and analytics which allows for a greater ability to scale a successful online business, but competition is very high in some verticals.

Accenture is one of very few companies that can serve customers in both capacities globally, with scale, and across most industry verticals.

The report estimated there were 15 commercial - scale vertical farms and rooftop greenhouses in North America at the time of publication.

Skip ahead several weeks or a few short months, though, and the happy feeling might be gone as you watch your toddler trying to scale every piece of furniture or vertical structure in his path.

The new Department of Agriculture pyramid is dubbed «MyPyramid» and differs from the 13 - year - old USDA food pyramid in a number of ways: It has vertical slices of color representing the food groups but no words or images, except for that of a stick - figure energetically scaling the pyramid to symbolize the importance of physical activity.

Hicks, Jennifer HIRKANI»S DAUGHTERS: Women Who Scale Modern Mountains to Combine Breastfeeding and Working La Leche League International, 2005 The title of this book was inspired by an ancient Indian tale about a young mother, Hirkani, who scaled down a 1,000 - foot vertical cliff in order to get to her baby to breastfeed.

Large - scale vertical farms, like the «Type O2» design seen here, are still only theoretical, but certain cities have expressed a serious interest in making them a reality.

For example, there has been much interest in the potential of large - scale, indoor agricultural production - often referred to as vertical farming - as a means to produce high quantities of produce.

To remove this difference in magnitude and focus instead on the patterns of change, the authors scaled the vertical profiles of ocean temperature (area - weighted with respect to each vertical ocean layer) with the global surface air temperature trend of each period.

Session Description: Clouds adjust to the presence of absorbing aerosols in myriad ways, depending on the large - scale meteorological conditions, the relative vertical location of the clouds and aerosols and aerosol properties.

When he's not in the clinic or writing, he's probably in the backcountry balancing on a mountain unicycle or scaling up a vertical wall.

The wide camera angle that automatically kicks in when you're galloping across open fields exists to create the illusion of breadth, a horizontal counterpart to the vertical scale that engulfs you everywhere else in the game.

Managed large scale projects in a variety of verticals including...

A vertical score scale is needed to measure growth across multiple tests in terms of absolute changes in magnitude.

Furthermore, New London's vertical scale scores for economically disadvantaged children in reading actually outpaced both Trailblazers and the state.

Perhaps a more reasonable explanation, though, is that there is some bias in the tests upon which the TVAAS scores are measured (as likely related to some likely issues with the vertical scaling of Tennessee's tests, not to mention other measurement errors).

Its vertical scale scores were better than Trailblazers in reading.

There was a presentation of test results with some narrative, particularly of the vertical scale scores offered as evidence in the final resolution to approve the charter renewal.

Some students may merely struggle with creating an appropriate scale for their vertical axis, and these students could be placed in a small group for some practice in this skill.

Taking place across an array of diverse, themed environments, your journey will see you scale over 60 vertical levels in a bid to beat the clock and reach the top in the fastest time — and with the most bananas — possible.

Features • Sci - Fi action / adventure combines aerial and on - foot combat for a totally unique third - person shooter experience • Will's jetpack delives total freedom of movement allowing players to race against UFOs in high - speed chases and rain death from above onto unsuspecting otherworldly foes • Speed and scale unmatched by any other action title: send Will zipping through tight corridors and then out into immense canyons and futuristic geoscapes • Gravity - defying vertical combat system, where moving up is the only way to bring your enemies down • Seemless transition between jetpack flight, ship - to - ship dog fighting and third - person shoot - «em - up action all exists within the same level — not broken up into different «areas» • Unique grip system that allows the players to scale walls by jumping from surface to surface and hijack UFO's while in mid-air • Huge bosses that require fast reflexes and aerial barnstorming manoeuvres to defeat • Developed by Airtight Studios, a new group featuring team members from the Crimson Skies series of video games

The scale and scope to do this was previously unparalleled in the Metroid series, at least in terms of the reward: in crisp, gorgeous 3D, vertical and horizontal distances that incited exhilaration, and still do.

Both of these tools allow players to scale walls, cross near - impossible jumps, and ambush players on a vertical level, which is paramount to your success as a pilot in multiplayer.

The one thing that stood out to me in this one is there was more vertical scale than in prior LEGO games, at least that was my impression.

Created in close collaboration with the artist, the publication's beautifully produced color plates offer a selection of the iconic works, including Riley's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette, and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

His canvases look almost like vintage TV screens on the fritz, only in a vertical format and on the scale of a wide screen today.

These include the artist's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette — a «narrow chromatic range that recalled natural phenomena» — and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

Buren's vertical stripes, made from paper, fabric, paint, or tape, have become his artistic signature, appearing in a variety of scales and forms in site - specific installations that reimagine the social and physical implications of architecture.

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

It will discuss key issues, including those of scale, tiny to huge; the use of different formats; the use of the rectangle; the vertical axis and its significance; the compression of space and depth; space and its meaning; functions and the different kinds of space in abstraction.

The most noticeable, and therefore notable, features of Keltie Ferris's well - lavished paintings are their two most immediate strata: Ferris finishes off her large - scale abstractions with arrays of spray - painted dots and dashes and then returns with a brush loaded with a higher - intensity, contrasting color to lay down short, chunky strokes tightly packed in vertical, parallel arrangements around the previous layer.

He was only 23 when he arrived in New York, straight out of Princeton, and produced his now - historic «Black Paintings,» a series of large - scale, austerely monastic canvases divided into right - angled patterns of horizontal and vertical stripes.

This work abstractly recreates a scrap - yard merchant's office and includes two vertical wounds in the gallery wall exposing a tangle of copper piping, a copper - plated measuring scale and window grille where traders in a real - world scenario would receive payment.

Doomsday Boogie by Keltie Ferris includes two large - scale paintings in dialogue with a series of thin vertical paintings — physical realizations of the zips whose form originated in Barnett Newman's The Wild (1950).

The vertical orientation in the composition engenders a physical identification with the paintings that is enhanced by their scale.

In addition to horizontal works for which McCall is most known will be six vertical works that are rarely exhibited owing to requirements of interior size and scale.

The freestanding structures activate a self - awareness of one's own presence and corporeality in the room enacted by the scale of the works, their horizontal and vertical positions, as well as their spatial configuration which determines one's movements in the room.

In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large - scale paintings that was to occupy him continuously for the next 20 years of his lifIn 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large - scale paintings that was to occupy him continuously for the next 20 years of his lifin vertical views with a Japanese bridge as a central feature, and later in the series of large - scale paintings that was to occupy him continuously for the next 20 years of his lifin the series of large - scale paintings that was to occupy him continuously for the next 20 years of his life.

In the late 1990s, Riley began to make large - scale paintings in which curved blocks of colour are positioned using an underlying grid of verticals and diagonals, creating a sense of joyous movemenIn the late 1990s, Riley began to make large - scale paintings in which curved blocks of colour are positioned using an underlying grid of verticals and diagonals, creating a sense of joyous movemenin which curved blocks of colour are positioned using an underlying grid of verticals and diagonals, creating a sense of joyous movement.

Among the works included are Jonathan Borofsky's Untitled ping pong table, which all are encouraged to play, it posits the opponents at odds with each other as one side of the table is a «plus» and the other is a «minus»; Andreas Gursky's large scale photograph depicts a soccer match between the Dutch and French teams, however with no ball in sight and a player injured on the field, the image speaks to the larger nationalistic ideas of sports; Mike Kelley's Arena # 2 (Kangaroo) is comprised of tattered stuffed animals on a used children's blanket, creating a tableaux about loss of innocence; Kirsten Geisler's interactive female cyborg beckons the viewer with sound recognition software to engage in a dialogue of sorts; Yinka Shonibare's sculpture Hopscotch incorporates a classic children's game with headless mannequins dressed in Colonial attire and Sol LeWitt plays a game of chance in his wall drawing # 716 from 1991 in which there are eight possible lines (vertical lines, horizontal lines, arcs, etc) to be placed in each square of a grid covered wall.

By taking a square and dividing it this way, Whitney establishes a tension between the container and its interior, which he further heightens by filling the bands edge to edge with endearingly painted, almost lopsided vertical or horizontal rectangles, each a single color, that shift in scale and number of rectangles from one band to another.

The breadth of the exhibition — chronologically and stylistically — is illustrated when comparing a work such as Greene's # 10 (1935), composed of densely layered papers on a small scale in a variety of textures, shapes, and palette of muted hues, to Vicente's Untitled (1980), the expansive picture plane dominated by emphatic vertical and horizontal linear forms in deep greens, purples, and reds.

The syntax and pacing of this elegantly hung exhibition includes not just the polysyllabic nouns of the large verticals (90 1/2 by 59 inches) but small - scale conjunctions of shaped canvases (a mere 11 by 8 1/4 inches in one case).

The works in «Earth Muse» lead the way to «Walden Revisited,» a stunning installation of large - scale vertical photographs of the trees at Walden Woods by Canadian artist Thaddeus Holownia.