Sentences with phrase «very beautiful film»

«A very beautiful film... definitely informed by a transcendent sensibility, which means filmmakers who make films about things that are beyond us, things that are beyond the physical world that we're in, filmmakers that acknowledge that there's something more than this....

Kundun is a very beautiful film filled with rich scenery, intricate costumes and Scorsese's lyrical camera.

Nocturnal Animals is a very beautiful film.

However, whether you love or hate music, you can not deny that Whiplash is a very beautiful film.

It is a very beautiful film to watch, and is very entertaining.

Come see three very short, very beautiful films about the swirling world inside our cells.

Not exact matches

«And I was in that film with Ellen Page, who wrote something very beautiful recently and very strong and thoughtful recently.»

I also wanted to talk up what is perhaps John Sayles» greatest film, the very play - like Sunshine State, as a beautiful illustration of the fact that in modern times especially, some need to heed the Berry-esque call to stay (or return) and build the community, but others need to sell and go, and get free of a community, or mere arrangement, that is holding them back.

This year, the creative, controversial filmmaker Paolo Sorrentino took home an Oscar for best foreign film (for his very odd but very beautiful La Grande Bellezza) and now he's setting his sights on the small screen.

The theme of the film is very beautiful - lifelong, committed and loving friendship.

This is beautiful film, and a terrible one: devastating to stick out, and yet one of the most remarkable romances ever made, for it takes The Movies» pursuit of love straight through to the very end, through its most profound expression of adoration.

I would not recommend this film to most people - but if you're up for a VERY non-narrative film (think two and a half hour poem) about life's most serious questions, then you might find Tree of Life (especially the 2nd act) one of the most beautiful and moving films you'll see this year.

This is quite a beautiful and very involving film.

This is a very raw, sad, and beautiful film about faith and fatherhood, and it feels just as grounded and big - hearted as the other films Nichals has made.

Garland, who also adapted the screenplay from the book by Jeff VanderMeer, has crafted a beautiful film that visits an alien terrain while remaining very human and personal.

All in all, the film is plenty conventional, even in a portrayal of Ancient Rome that is about as thin as a lot of the characterization, and as contrived as the melodramatics which slow down the impact of momentum almost as much as dull and draggy spells, thus making for a script whose shortcomings are challenged well enough by a powerful score, immersively beautiful visual style, solid direction, and strong lead acting for Henry Koster's «The Robe» to stand as an adequately rewarding and very intriguing study on the impact Christ had even on those who brought about his demise.

The film can be smothered by the obligations of its plot, but it's still beautiful and original, extremely funny, and sometimes very moving.

A very simple, and yet beautiful film, about the life of Doug Glatt (William Scott), a bouncer turned hockey enforcer.

A lot of the scenes are also very visually beautiful, and that's good because the film often pauses the story to have the audience briefly reflect on the interviews.

Clouds of Sils Maria is a very good film from Olivier Assayas with fantastic acting, a compelling story, and beautiful cinematography.

Is a very good movie, because it has a beautiful story that infects all who watch the film.

Miyazaki indulges himself in his passion for seaplanes with this very enjoyable project of most personal interest, an always entertaining film that benefits from a beautiful soundtrack, a spot - on sense of humor and, even better, a lot of heart.

The result is a film that hovers just beyond our grasp — mysterious, beautiful, and, very possibly, a masterpiece.

I thought the film had a great soundtrack and integrated it well in the film (I think that unless you knew that Tip was voiced by Rihanna, you wouldn't find the songs that distracting; it might even give you a better apprecation for Rihanna's spunky vocal performance) and the film had a unique, bold, and very beautiful visual style.

This film by Jacques Perrin and Jacques Cluzaud — the team behind Oscar - nominated Winged Migration — is nothing if not a beautiful 84 minute clip reel of the nature's very own CGI.

Ford made his directorial debut six years ago with A Single Man, a beautiful and often painful film about love and loss, and now he's back with a very different type of movie.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

This Asian (South Korean / Chinese) film made good use of that figure, with sometimes disturbing, but very well done fight scenes and in general, beautiful cinematography.

There are a few good things about it, the gunfights were gritty and non exaggerated proving that Mann can still do decent gun play that is more accurate opposed to the infinite clip that we are used to seeing in many other movies, the cinematography is also very good and it was really nice to just look at the beautiful landscapes and backgrounds of the locations they filmed in Hong Kong and Jakarta.

Leave it to famed rock «n» roll photographer and visual director for Depeche Mode and U2, Anton Corbijn, to make his second feature film an achingly beautiful event and so very European for its American production company.

But it's true that this film is so beautiful, and so funny, and so very real, with drama borne of desire instead of manufactured conflict.

Beasts he had to sort of find the film in what he had, and he also cut Winter's Bone, which has a very beautiful rhythm to it.

But that's when I heard the very beautiful music of RACHEL PORTMAN for the first time, and rejoice that there's a living film composer able to craft thematic material that contributes so wonderfully to the scoring gestalt.

A very transportative sea - bearing action film, beautiful score and the last great Russell Crowe performance.

by Walter Chaw A very small story set on a very large stage, Phillip Noyce's affecting Rabbit - Proof Fence is perhaps the most visually beautiful film of the director's career, proving between this and his other movie from this year, the Graham Greene adaptation The Quiet American, that not only is it possible to go home again (as in Noyce to Australia) but also that it's often wise.

All of the film's creatures are beautiful [sometimes in very disturbing ways] and the sets are enthralling.

7:50 am — Sundance — Summer Hours In what sounds like a very beautiful and meditative film, Olivier Assayas explores a French family as the matriarch prepares for her own passing and then the actions of her family after she does.

The film was given more attention for the off - screen shenanigans of its lead stars than anything else, which is a slight pity because Brad Pitt and Angelina Jolie aren't just beautiful people, they're very fine actors - rarely credited for the latter because, I suspect, of the former.

Every single shot, and car chase, and intimate moment looks beautiful in this very dark, harrowing, chilling but thrilling film.

This Blu - Ray Dual Format edition from The Criterion Collection boasts a truly beautiful black and white image, with authentic natural film grain, surprisingly good fine object detail, and very little scratches or other anomalies.

I was expecting more from this film (after watching the engaging trailer, and knowing the screenplay is by Nick Hornby), so I got a little disappointed... It is a very decent film, the acting is flawless (Saoirse Ronan can definitely carry a film), the colours, the sets and locations, the costumes are all beautiful and the story does grab your attention... and then it ends: when it seemed the real drama would happen.

The sound mixing was wonderful and kept the film suspenseful because it was very easy to get lost in the beautiful landscapes.

This leaves him with plenty of energy to devote to his newest project: Albert (Kevin James, very funny), a nervous, fumble - thumbed accountant desperately in love with one of his clients, the ridiculously wealthy and beautiful heiress Allegra (Amber Valletta, who comes closer to approximating an actual actress in each film she's in) and needs help getting her to notice him.

At the press day for Beautiful Boy, actress Maria Bello did this exclusive interview with Collider, where she talked about choosing roles very instinctually, how she was drawn to exploring the levels of grief for this role, how much she enjoyed collaborating with co-star Michael Sheen, and that she thinks this is ultimately a hopeful film.

The only concern that people might have is the brightness level, but it's no fault of the disc, The Void is a very dark film, and the Blu - ray beautiful recreates that experience.

Big Fish & Begonia Visually dazzling and made very much in the mode of brilliant Japanese animator Hayao Miyazaki, but as co-directed by Xuan Liang and Chun Zhang, this surpassingly beautiful film marks a major step forward for Chinese feature animation.

Laurie Anderson's undeniable knack for beautiful lyricism and turns what could've been a very pretentious film into an unspeakably sad yet hopeful meditation on love, life and what may come after it.

After directing film versions of two novels, Jane Austen's Sense and Sensibility (1995) and Rick Moody's The Ice Storm (1997), Taiwanese - born Lee and his producer - screenwriter James Schamus made a beautiful film from another novel, Daniel Woodrell's Woe to Live On, first published in 1987 (a very valuable first edition these days!)

And especially this film, because it starts in sunlit, beautiful nature and ends with this very dark and damp slaughterhouse; I thought of Bernardo Bertolucci's STEALING BEAUTY - it has very beautiful Neapolitan sunshine on Liv Tyler's body, on the beautiful locations - and at the same time, he shot DELICATESSEN and SE7EN, and he is called the «Prince of Darkness» -LCB- Due to his expert Chiaroscuro technique -RCB-.

It's a small, unassuming film and not sexy despite the presence of some very beautiful women, one likely destined for limited theatrical exposure before finding a more takers in assorted home markets.