Sentences with phrase «very character focused»

The main difference between the two is that Persona 4's plot is very character focused compared to 3's.

Not exact matches

This procedure has been very effective in helping us shape our church character and build our ethos and hone our practises as well as curtail our expenses to focus on and meet only the requirements of these eight basic building blocks.

What I would say is that in terms of the personality, the character and the focus they have, they're very similar.

In the end, this is again a very good horror comedy which needs to focus less on the main characters (lets face it, they are cliches and the interest of this whole movie is to the idea behind it) and more on the variety of monsters that were created for this film.

It was made before Philadelphia, focuses on characters that are almost entirely gay men, it covers the entirety of the 1980s, offers a very honest portrait of the AIDS crisis, is a better movie, but Philadelphia is heralded as the definitive film about this subject.

Very much a character study, with most of the focus mostly on Bjorn Borg (played by Sverrir Gudnason)-- notably, the film was titled Borg in Sweden — and his meticulous, robotlike preparation pitted against the wild - child spirit of John McEnroe, who was seemingly perfectly stunt cast with real - life powder keg Shia LaBeouf.

This worked very well as a way to focus on the characters unwittingly treating real scenarios as a game.

We do get a few newer characters such as Thranduil (Lee Pace), the elf king and father of Legolas, but he is really just a big cliche in terms of the «villain that you know you can't trust and has way too much power and seems evil just for the sake of being evil,» But again, he doesn't get a whole lot of focus, and to be honest, how he is portrayed is not very interesting, the character has this interesting backstory that is somewhat brushed over, and again, he doesn't get a whole lot of screen time.

I really really dislike the main character like he's actually in real life gonna get the girl of his dream, are you serious??? He has a crooked smile, wears pajamas all day outside of his house and talk's like a gay poet, I just think he sucks as an actor, uggh I don't know why I dislike him so much after this movie.On the other hand Rachel Bilson is very cute and not as bad of an actor This movie solely focuses on telling the story and making us like the characters for themselves.

This initial reaction is very quickly quelled however, and with many very difficult scenes focused solely on him, Fiennes brings this brash and obnoxious character breathtakingly to life.

The new central narrative focuses on all the new characters and very little on the original cast.

A few minutes ago, Nintendo uploaded one more trailer for Xenoblade Chronicles X. Called «Battle Trailer», it doesn't focus just on battles: it also mentions the character editor (allowing you to create your very own avatar), the various classes, the online features, and more.

One of my biggest issues is that the last film forgot to focus on character development / relationships and these are some very cool comic book characters in the Lantern Corps., we just didn't get a chance to see this properly explored.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

Little Accidents is very low - key, focusing more on character relationships than the more high - energy «WE HAVE TO BRING THE GUILTY PARTIES TO JUSTICE!!!!!!» tone that another movie might have gone with.

It would be easy enough to find both of them obnoxious in similar yet very different ways, but to the movie's benefit, both Gisondo and Holt make their characters» respective idiosyncrasies of secondary focus.

The decisions this season have been very focused on the characters, who - after the events of the first season - are all seeking Jesse's approval.

Hoffman keeps his wintry film focused on those four earthy and very real characters.

For the first and third acts, World War Z focuses on that dynamic and lets the shock felt by both the characters and audience at seeing civilization crumble before their very eyes work on a psychological level.

A new trailer for Disney Infinity's Toy Box focuses on the mashing - up of characters from two very different canons.

The first trailer didn't do a very good job of showcasing everything the film has to offer (focusing mainly on the budding relationship between the title character and his pupil's sister), but the cast is great and Steven Soderbergh is usually reliable.

From here you can access the story missions (of which there are very few) and after you beat the game there is a set of extra missions that focus on the Justice League characters.

Her character speaks very little and is perfectly foiled against her aunt Wanda (performed with equal brilliance by Agata Kulesza), which gives Pawlikowski and his cameramen Ryszard Lenczewski and Lukasz Zal all the time in the world to focus on Trzebuchowska's ethereal presence.

The show is very focused on my character, before we start to bring in Miranda Otto, John Ortiz, David Harbor and all these other great actors.

Where Peter Berg's Patriot's Day took the action movie tack, focussing on law enforcement and an admittedly ridiculous compound character played by Mark Wahlberg, here the focus is very much on a single individual's own response to the events and how they both physically and spiritually shaped him afterward.

One could trace his films, from his debut (Kicking and Screaming) to his most recent (Greenberg) and see a slow but steady focus on the individual, as well as his abandonment of an ironic, sometimes caustic stance against the very characters he writes.

As Jack plows ahead recklessly in a frantic search, the episode begins another flashback focus on the character, depicting, as the title implies, Jack's very uneasy personal and professional relationship with his father, who is the chief neurological surgeon in the hospital Jack works at.

There's an almost unmanageable number of characters in the film, but this works in its favor because there's very little time to reflect on how two - dimensional they are, with the focus shifting so much.

Like his miniseries Penance, Journey has a de-saturated, very digital look, which only underscores the theatricality of Kurosawa's direction, which often focuses on two characters traipsing around a room as though it were a bare stage.

Still, it is also very much Allen's film, focusing on deeply neurotic, introspective characters unable to get outside their own heads for long enough to form really true relationships.

Still, it is also very much Allen's film — his first straight drama — focusing on deeply neurotic, introspective characters unable to get outside their own heads for long enough to form really true relationships.

All the supporting cast are great and take full advantage of a very witty script that has a lot of heart and focuses on character development rather than action.

While highly charming and very funny, the film feels simultaneously stuffed due to the many characters, and wispy due to the lack of focus in dealing with their story arcs.

The story was very confined to a minimal amount of sets, often claustrophobic, and focused more on the characters than the set - pieces.

Much of the focus is on the dwarves and even then, very few of them actually get to really bring their characters forth, with the exception of Armitage's Thorin and the fragility of his strong facade.

Riley is our guide through this story but when we focus on other characters and see that their lives are dominated by fear and other emotions it's a beautiful and very relatable touch.

But most of this work makes way for very little reward, because Ayer's script focuses less on the actual characters in the tank and more on what they do with the tank.

-- Courtney Small [LOVED] The plot plays out very much like a play, with the film only focusing on a very small cast of characters.

It did start well and the focus of the characters was admittedly well done but it totally lost its way and even though the actor were good and their rivalry interesting, neither of the characters were very likeable.

Sexy Beast has a distinct feel to it within the very first frames - a blurring camera focusing on the sun above with the following shots presenting the central character in his natural habitat - he his literally baking out in the sun a la baby oil with the gut sticking out.

Considering the specific focus on its white characters, and with Keith described later as being treated like a child despite being very much an adult, there's a compelling hint to his societal privilege, the way that American culture can baby grown white men like Mark Zuckerberg or Jared Kushner when they're in trouble.

Excepting «musician», these other characters are very much relegated to the sidelines in favour of focussing solely on Evie.

At times, it seems as if the makers of the movie share this view, as the movie will shift away from Paula and Tripp for very long spells in order to focus on the shenanigans of these «minor» characters.

Much of the contemporary literature on the topic focuses on the domestic factors that enable these competitive authoritarian regimes to stay in power, however I focus on the global ontology, or the character of the world as it actually is, and how it has proved to be very conducive to this type of political system over the past decade.

This booklet has enabled me to teach a very serious subject in a fun way to keep children focused and interested, while the characters have armed children with thinking time about the dangers on the roads.»

There aren't any exclusive kindness focused cartoon characters as such — so by introducing these two with the hope of generating interest and developing more interesting stories for the children to enjoy and learn from, I hope to slowly change behaviour from the very starting point — until unkindness becomes a thing of the past.

The teacher merely states, «It is very important to understand the characters because a key idea of the novel is the focus on the characters» psychological development..»

In our focus areas — bioethics, business ethics, campus ethics, character education, government ethics, Internet ethics, journalism ethics, leadership ethics, and social sector ethics — we work with scholars and professionals to apply ethical ideas to the very real problems people encounter.

Likewise, despite concerns from some of my fellow editors that the normally aspirated Focus engine is a bit meager for this application, I felt its output was very well balanced with the character of the car.

«Exciting new design treatments at the front and rear give the ST a more dynamic and purposeful character, making it very clear this is definitely a sporting Focus.»