Not exact matches
It can never quite figure out what kind of film it wants to be, however, mixing deep thoughts about artificial intelligence (A.I.) with crazy drunken synchronized dancing (which, I will admit, was extremely fun to watch), and although it has fine
cinematographic elements that are reminiscent of the best of Stanley Kubrick (slow tracking shots, some on steadicam), if one ponders the subject matter for more than a minute or two, it all seems
very dumb.
I love also photographers as Gregory Crewdson, who creates
very artificial and
cinematographic scenes, and I love especially the Robert Adams black and white work.
In conceiving her work, indeed, Cornelia Parker was inspired by some
very «
cinematographic» archetypes, namely the paintings of Edward Hopper, the traditional American red barns, and the sinister house Alfred Hitchcock imagined as the perfect family abode for the disturbed character of Norman Bates in Psycho (1960), which was clearly inspired by Hopper's painting House by the Railroad (1925).