Sentences with phrase «very detailed shots»

Louis finally gets lucky and films the end result of carjacking with some very detailed shots of a shooting victim on a stretcher and offers the video to a local news station.

Not exact matches

Its high - dynamic - range — HDR — feature works very well, bringing out great details in the shadows of brightly lit shots.

On a technical level, the Mate 9 captures tons of detail, produces very little noise, and is consistently great at getting the right amount of light into a shot.

With every detail crisp, a very artistic use of a narrow depth of field and lots of shots of each item buyers are instilled with confidence — no wonder Caroline's shop is approaching 400 sales!

CLICK HERE for contest details, plus a behind the scenes clip of Liv Tyler at the Very Irrésistible Givenchy shoot.

The FBI hasn't shared details of the algorithms it is using, but its technology could be very accurate if applied to photographs taken in controlled situations such as passport photos or police shots.

The team has built its first machine and has carried out 200 shots during commissioning and applied up to 1 kilowatt of heating, but McGuire declined to detail any measurements of plasma temperature, density, or confinement time — the key parameters for a fusion plasma — but said the plasma appeared very stable.

(This could get very detailed so if you have questions feel free to post below or shoot me a message)

I see People in all likelihood basically demanded shots connected to 50 % the very details truth be told there.

With gorgeous natural tones and rustic style, this folk inspired shoot is full of wild flowers, whimsical details and a very stylish boho couple.

I have a very limited photography knowledge base & thought macro was primarily for closeup / detail shots, but I am looking to upgrade from my current lens.

As I mentioned above the shoot was a retro 70s inspired elopement session that included a very simple setting with fun little daisy details.

In fact, if you look very very closely at the last detail shot, you can see that the grainline is diagonal.

So the review ended up being very scatter shot and covering inane details like why John Hurt was in the cellar (when he'd already appeared earlier in the film) to the point that it felt like Reed looking for boom mics in Star Trek.

The «Select Scenes Commentary with Sally Potter» is not an audio commentary track but a ten - minute featurette of Potter discussing a few elements of the film in detail, such as the scenes of Orlando's asides to the camera (her cinematic version of the direct address sequences from the novel, but pared back through the shooting until there are only a few, very brief addresses, «a sort of complicity» she calls it) and the casting of Quentin Crisp («He is the true queen of England, he's my idea of royalty,» she confesses, as she describes his presence as way to turn the idea of sex and gender on its head right from the beginning).

Detail is very sharp in the 2.35:1 anamorphic transfer, though colours are on the muted side and there's a big blotch of red during one dissolve that isn't endemic to either shot.

That visit has led to two very interesting bits of information — our first real plot details about the 2015 film and speculation about Allen shooting a film in Chicago.

* The Cinefamily Q&A with Gareth Evans, Iko Uwais & Joe Trapanese (44 mins)-- A detailed discussion session that goes into a lot of detail of how «The Raid 2» came to be (English subtitles are also included) * Violent Ballet: Behind the Choreography (19 mins)-- A detailed featurette looking into the film's fight choreography and shooting it (with optional English subtitles) * Fan Q&A with Gareth Evans, Iko Uwais and Yayan Ruhian (UK Exclusive, 9 mins)-- A very candid brief Q&A filmed after a UK showing of «The Raid 2».

Once the plot proper begins, the violence becomes more straightforward (This is either for better or for worse, depending on one's disgust / admiration for inventive visions of killing), save for a few slow - motion shots that show in very digital detail bullets ripping through flesh.

DVD Details: VCI Entertainment released The Shooting on a very nice, letterboxed DVD in 2001 with a Hellman commentary track and other extras.

The 84 - minute film feels very rushed (it was shot and in theaters in a 7 - month period) and many important details of the already miniscule story are left behind.

Here's the lowdown on the Omega HD's camera: - Excellent shots in decent to good lighting - Great low light shots, with very good color detail and quick focusing - Excellent macro shots - Excellent panorama shooting mode - Plenty of manual controls and options - Decent 720p video recording - Auto - focus is a bit aggressive The Omega HD one - ups the Titan TV by having a 2.0 megapixel BSI front facing camera.

Sample 4: (outdoor, focus mode set to infinity): https://www.youtube.com/watch?v=8CCJT0NRESw Here's the lowdown on the Titan TV's camera: - Excellent shots in decent to good lighting - Decent low light shots, with relatively low noise levels and good color detail - Excellent macro shots, with sharp focus and closer shooting distance - Excellent panorama shooting mode - Plenty of manual controls and options - Video recording is decent for 720p - Getting a sharp focus in low light mode is very difficult For a change, the front facing camera of the Titan TV is actually 2.0 megapixels.

Although shots from the front - facing camera were bright, they were very grainy and lacked detail.

The front camera is a 1.2 MP jobbie, and using a third - party camera app we found the shots it produces are packed with chromatic aberration, and lack any refinement or detail beyond the very basics.

In all of the Display Technology Shoot - Outs we take display quality very seriously and provide in - depth objective side - by - side comparisons of the displays based on detailed lab measurements and extensive viewing tests.

For example, the first shot is very clearly Endor, which was created in excruciating amounts of detail for Star Wars Battlefront (2015).

We also got the news that Burnout developer Criterion Games is working on a new Star Wars game for PlayStation VR, but aside from the briefest of shots from the inside of an X-Wing cockpit details were unfortunately very light.

Captioned first as «framer,» «Fedex courier» or «darkroom assistant» and then identified with the location and date of the shoot, together his models form a nonhierarchical, kaleidoscopic yet very detailed «facebook» of the art world, following in part the tradition of great American anthropological photographic surveys.

Dynamic range is very limited when shooting in tricky high - contrast lighting outdoors, but also in indoor conditions, where highlights in the brighter areas are often overexposed and lacking in detail.

Detail preservation is also very good, but there's noticeable blur and loss of detail in some handheld shots compared to those shot on using a tDetail preservation is also very good, but there's noticeable blur and loss of detail in some handheld shots compared to those shot on using a tdetail in some handheld shots compared to those shot on using a tripod.

With advances in dynamic range and detail capture, as well as significantly reduced artifacts and very good image stabilization the iPhone 7 performs particularly well in bright light conditions, making it a great smartphone camera for outdoor enthusiasts shooting landscapes, street scenes, architecture, or portraits in good light.

HDR essentially composites several shots into one image for the ideal photo — the resulting images often have very striking color details.

Evidently, the Pixel 2's shot is superbly detailed and very crisp.

Some exposure failures did occur when shooting high - dynamic scenes, resulting in the loss of detail in the very brightest parts of a scene.

But when it does work, the iPhone X's camera is out of this world — it delivers stunning shots that are rich with detail, and while it's not the best smartphone camera on the market it takes natural - looking photos very well, and that's something a lot of people will celebrate.

The primary camera performed very well in broad daylight and we managed to click some pictures with great detail and color and it even threw a bit of bokeh in some of our close up shots.

In general, shots taken with the iPhone 6's unit are amongst the sharpest you can find on a smartphone, with precise exposure, accurate colors, very little noise, and surprisingly high amounts of detail for a camera with a mid-range resolution.

Detail in macro shots is very good, as is autofocus.

On crops of test chart images shot handheld in the lab, the Vivo X20 Plus doesn't quite resolve as much detail as the Google Pixel 2, especially in very bright light.

Its HDR — high dynamic range — feature works very well, bringing out great details in the shadows of brightly lit shots.

Digital zoom shots at 4x are also very good when shooting outdoors, and are acceptable at 8x, but good detail preservation in lower light conditions using the digital zoom remains challenging.

The front camera has a 13MP sensor, and takes shots with a very good amount of detail in reasonable lighting.

Monochrome shots prove to be very detailed and we love taking pictures as the lines are so detailed, and there's a lot of sharpness in all areas of the pictures.

Outdoors, daylight: Outstanding natural colours, sharp images, good shadow detail (regardless of HDR on or off), very fast autofocus - a very accurate shot.

The rear camera proves to be very capable, with the shots rich in detail and very sharp, even if the colors did lack some punch.

Shooting at ISO 1600, which is high for even some entry - level DSLRs, the Lumix CM1 captured images that were virtually free of noise (graininess) and thus very detailed even at 100 percent magnification (which is enormous for a 20MP photo).

This extra processing wreaks havoc on detail though, and zooming in even a little bit will reveal very muddy details in most shots.

But when it comes to low - light performance, the Alpha lacks detail and shots often come out very blurry and out of focus.

A good photographer should pay very close attention to details, and this is what helps them compose the best shots.