Sentences with phrase «very earliest image»

A dad — a protector — and in many ways the very earliest image of God that a child can conjure, isn't supposed to yell and hurt and show no remorse.

Not exact matches

The images that surround the sites of early Christian baptism, therefore, not only conveyed interpretations of the rite, but also contributed to the believer's very experience.

Yet at the founding of Protestantism and in its early decades its leaders were very much aware of the power of religious images and did all they could either to remove the images entirely — the iconoclasts» solution — or to recast them in a way that exalted word over image.

For the Jewish rabbis and for the early Christian theologians «Adam» is a prophetic image of the messianic Son of Man, which means that Christ is prophesied and prefigured not just in the age of innocence before sin, but in the being, in the very flesh and blood of Adam before he fell.

It offers a very particular image of America: of suburbia, of the early 1960s, of what it once meant to be a teenager.

Praasha Desire Praatika Image / Symbolic Pracheeta Origin / Starting point Pradyuta To begin to shine Pragnika Clever lady Praharsha Happy girl Prahasini Continues smiling girl Prajisha Morning Pramik Best / Fulfilling desires Pranal God Pranamya Offering obeisances Pranani Most beautiful Pranavee Goddess Parvati / The first sound of universe Aum (Alternate Spelling: Pranavi) Pranaya Leader Pranidhi Spy Pranika Goddess Parvati Pranisha Love to life Pranja Very cute Pranusha Prathama Usha — first rays of the morning Sun Pranvi Forgiveness / Goddess of life / Maa Parvati Pranvuta Praised Prasheila Ancient time Prashi Accomplishment / Fame Prashvita Parvati / Lord Shivas wife Prathulya Incomparable Prathusha Saisudha / Early morning / Dawn Prathysha Saisudha / Early morning / Dawn Prathyumna Victory Prathyusha Saisudha / Early morning / Dawn Prati One who appreciates and loves music Pratichi West Pratika Image / Beautiful / Symbol / Symbolic Pratitha Well known Prattusha Beautiful / soft Prattysha Morning Pratusha Saisudha / Early morning / Dawn Pratushya Morning Pratyaksha One who is real Pratyaya Perception / Thought / Intention Pratyusha Bright morning Pravara Eminent Prayukta Experimented Prayushi Pure Prayuta Mingled with Saadhvi Religious women / Courteous / Polite Saahana Raga Saarya Name of a pious woman Saatvika Goddess Durga / Calm (Alternate Spelling: Saatwika) Saavi Goddess Lakshmi / The Sun Saavini Pertaining to the month of Saavan / One who prepares Soma Sabrang Rainbow Sachita Consciousness Sadhvi Religious women / Courteous / Polite Saesha With great desire and wish / Truth of life Sagnika Fiery / Passionate / Married / With fire Sahuri War / Powerful / Victorious / The earth Sahya A mountain in india Saisha With great desire and wish / Truth of life (Alternate Spelling: Saiyeisha) Saketa Lord Krishna (Alternate Spelling: Saketha) Samanvi One who has all the best qualities Sambhwi Durga Samiha Generous Samika Peaceful Samiksha Analysis Samita Collected Samithra Good friend Sanchana Gathering of good habits Sanchaya Collection Sanha Skilful / Radiance / Elegance / Conciseness Sanheeta A compilation or a bunch of vedic hymns / Code (Alternate Spelling: Sanhitha) Sanmaya Equal / Removal of obstacles / Etc Sanmita Goddess Parvati / Prasanna Lakshmi Sanoja Eternal Sanrakta Red / Pleasant / Beautiful Sanwari Dusky Sanya Eminent / Distinguished / Born on saturday Sarasvi Water / Saraswathi Goddess Sarayu A holy river Sarisha Charming Sarit River Sarjena Creative Sarunati Nobleminded Sarvani Durga / Universal / Complete Sarvari Night

We can't consciously call up images from our infancy, but we surely learn important, lasting associations at very early ages.

This image shows a supercomputer simulation run at the Department of Energy's SLAC National Accelerator Laboratory in Menlo Park, California, which revealed that double stars with relatively low masses might have formed very early in cosmic history, just 200 million years after the Big Bang.

Led by astrophysicist Paul Crowther of the University of Sheffield in the United Kingdom, the group sifted through observations taken by the Hubble Space Telescope earlier in this decade and combined them with new images by the European Southern Observatory's Very Large Telescope (VLT) in Cerro Paranal, Chile.

But within days of the work being published, critics on the PubPeer website and other blogs pointed out problems with some of the images in the papers, including some that were very similar to those in earlier papers by first author Haruko Obokata, a unit leader at the Kobe, Japan - based RIKEN Center for Developmental Biology.

So, this image shows the very early stage of planet formation around a baby star.

This new image not only confirms the formation of an accretion disk around a very young protostar, but also reveals the vertical structure of the disk for the first time in the earliest phase of star formation.

These range from visual stimulation experiments that allow us to tap into the specific sets of retinal ganglion cells that are most vulnerable early in the disease, to the evolution of new imaging techniques, largely thanks to Alf Dubra and Vivek Srinivasan's work in those areas, and the ability to image retinal ganglion cells and their component parts like their axons which degenerate very early in glaucoma.

So for example, we are looking at ways to image the retina in the living eye and identify cells that become reactive very early on in the disease.

Astronomers now have very strong evidence that the peculiar colors of early galaxies seen in the Spitzer images originate from a very rapid formation of massive, young stars, which interacted with the primordial gas in these galaxies.

Because children without symptoms are not tested for the HD mutation, it is very difficult to obtain enough MRI images to understand how the HD brain changes during early life.

Nude female figures called Venus figurines are found in very early prehistoric art, and in historical times, similar images represent fertility Welcome to New York City's easiest, most enjoyable way to meet other singles - speed dating with New York EasyDates.

Like in the earlier films where the space for personal monologue and storytelling is expanded for even very minor characters, Elvira's brutally honest tape - recorded interview in the final moments combines with the image for one of Fassbinder's most moving and penetrating moments in one of his best films.

xXx: The Return Of Xander Cage has been shooting for a week now, and earlier on this week, we brought you the very first set images from the very first day on set, and now we can share more xXx 3 photos courtesy of its star, Vin Diesel.

These images are basically early promo shots, to give us our very first look at the character as filming continues.

After a very brief teaser and some new images earlier in the week, EuropaCorp has now released the first trailer for Luc Besson's hotly - anticipated sci - fi adventure Valerian and the City of a Thousand Planets, starring Dane DeHaan (The Amazing Spider - Man 2) and Cara Delevingne (Suicide Squad).

The early images show a style very similar to both the console and handheld versions of previous New Super Mario games, with polygonal figures in a 2D world.

In the earlier films, particularly in Days of Heaven, the constant flow of images has very little spatial continuity, thereby making each image a discrete world existing on its own (or an emerging - abiding sway, one would say) rather than a small bit of perceptual information.

Styling is an evolution of the company's current design language and the early image suggests a shape very much like the larger LS luxury saloon, with slim headlights and a predictably dramatic interpretation of the firm's «spindle» grille design.

Earlier this month we saw some very blurry images making the rounds that were said to be from a commercial that someone has happened upon while it was filming.

It reveals an F - Type that looks very like the original C - X16 Concept the F - Type was heralded by, but with the glass roof we saw in an earlier tease, although the haunches and the transition in to the tail gate look a little rounder than they did on the C - X16 (but that could be an illusion in the images).

They aren't really much to look at, since once you've seen one black rectangle with a screen in the middle, you've seen them all, but above are thumbnail images of the new Amazon Fire and Fire HD 8 tablets that are very likely going to be announced as early as tomorrow.

Earlier we posted up an image of one but it came with very little details and many people speculated it was just simply custom parts.

Barnes & Noble execs may want to turn away their face to see the very iconic image appearing on the blog to mock the earlier praise.

This whale looks very thin — Sue Arnold First Gray Whale South of Equator on Record May 17, 2013 Images of the stray gray while sighted off the coast of Namibia in early May 2013.

Earlier today, Konami tweeted the below image and statement, referring to a Metal Gear Solid 5 1984 Collection: Step back into the 80's with our new MGS collection coming very soon!

Due to release on Steam Early Access for PC this summer, Assetto Corsa Competizione is shaping up very nicely if this latest batch of images released by developer Kunos Simulazioni is anything to go by.

Thierry Bornier: «This image was captured very early in the morning after climbing Yellow Mountain at 3 am and waiting for few hours in the cold and wind at -4 degrees.

Nor do I think, like Sam, that «Red Label» is a flat image; I think it has, along with quite a bit of Smith's very early, freely - brushed but clearly structured work of the late fifties, more spatial «life» in it than much of the stuff that came later, work that attempted to wed painting to literal three - dimensionality.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

«For me, early on, art was painting landscapes... then a guy showed me images of a Pollock painting [in a book] and it shocked me; it felt very liberating that the world accepted that as art.»

Since the early «60s, appeared in contemporary art with a peculiar, very personal visual vocabulary, as we all know, originally projected an and then reached to the creation of artworks composed of images of the most recent industrial - urban past.

In his own words, «Right now I'm very conscious of nature and the Earth and everything, but I've been that way even from the very early things — forest and land and man... Now the people have kind of disappeared from my work, but the images of the Earth and nature are still there, coming up stronger, and the people are going back; maybe the people are less important to me now than the Earth is.»

In his early work these basic, literal images were presented in a fashion that stressed, not their appearance as such, but the very seductive surfaces in which they were embodied.

In its very early roots, image making was a craft done by hand.

According to Chilvers (2004) «earlier in 1966 the British art critic Lawrence Alloway had coined the term «Systemic art», to describe a type of abstract art characterized by the use of very simple standardized forms, usually geometric in character, either in a single concentrated image or repeated in a system arranged according to a clearly visible principle of organization.

Though she has taken very few photographs since 1967, her early work — including some of the most iconic images ever taken of the Beatles — has been exhibited internationally.

* As an artist working with collages, I find it very interesting as an early example of how you can manipulate the motive and squeeze more information into the image than what you can actually see in the viewfinder.

It's true that my earlier paintings had a very compressed image — the diptychs actually depict a very repressed image and then the «Interior Ghosts» become more hyperbolic — but they're about the idea that we're not quite able to see what we think we're seeing.

This early and very poetic work was based on an iconography that included isolated brushstrokes, color charts, words, and crossed - out images.

The sway between a structured, observational approach to image making and the free - form, improvisational gestures of his interventions is very much at the crux of Divola's practice and can be traced from his earliest foundational work of the 1970's to more recent bodies of work such as Dogs Chasing My Car in the Desert (1996 - 2001), where Divola documents the dogs that chased his car while working in the Southern California desert; As Far as I Could Get (1996/1997), where Divola sets up a camera and runs away from it during a given exposure; and Dark Star (2008), where his melding of intervention and observation continues to be in the foreground in large - format, color work made during the last decade.»

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

The Pop Art spirit of the early 1970s is very much in evidence in these vibrantly coloured images.

Rail: So many of your paintings are in dialogue with early painting from art history — it's very clear that there is a deep awareness of the history of images and how they function.

It's tempting to attribute all this to the differences between the drug that shaped the image - repertoire of pop culture in the 1990s (Ecstasy), and the drug that did the same job very differently in the 1960s (LSD), but this still doesn't account for the exhibition's ability to teleport the viewer to that earlier era.