Sentences with phrase «very early papers»

There were some very early papers in the 1930s that proposed using supernovas — really, really bright exploding stars — to measure the universe's expansion because it appeared there was consistency in how bright they got.

Not exact matches

It takes a very long period of time, so we could have some luck with money that was raised last year, but I'm reminded of the fact that, as an example, Carlin Trend exploration in Nevada began in earnest with the publication of that famous paper, Alignment of Mineral Deposits in Northeast Nevada, in the early 1970s.

Had Ron and Shamir done even rudimentary research into the identities of said addresses, such as a search on the Bitcoin - OTC site, Bitcoin Talk forums, or even via a simple Google search, they could have easily found that the original very early source address in question (12higD) is, very publicly, one of mine and not one of Satoshi's as they insinuate in their paper.

I am indebted also to Robert Neville, Houston Craighead, Lewis Ford and Charles Hartshorne for their very helpful and gracious comments on an earlier draft of the paper.

I am very grateful to Martin O'Neill, Matt Matravers, Joerg Tremmel, and Stuart White and many others for their comments on earlier drafts of this paper.

«MUSE has the unique ability to extract information about some of the earliest galaxies in the Universe — even in a part of the sky that is already very well studied,» explains Jarle Brinchmann, lead author of one of the papers describing results from this survey, from the University of Leiden in the Netherlands and the Institute of Astrophysics and Space Sciences at CAUP in Porto, Portugal.

However, others dispute this; a paper published in Science earlier this year suggested that the region is still very much alive.

In 2011, another Nature paper featuring Dr Katerina Douka of the Oxford team obtained some very early dates (around 45,000 years old) for the so - called «transitional» Uluzzian stone - tool industry of Italy and identified teeth remains in the site of the Grotta del Cavallo, Apulia, as those of anatomically modern humans.

«It is a strong paper that combined a very clever design wrinkle of a field experiment and a survey experiment to show that the effects of the conversation persists over time,» says Green, co-author of the earlier withdrawn paper.

«This paper shows that our sensory systems are shaped by the environment from a very early age,» Cusack said.

«It is still very much the early days,» he adds, but the paper is «a very important blueprint for where the field needs to go.»

But within days of the work being published, critics on the PubPeer website and other blogs pointed out problems with some of the images in the papers, including some that were very similar to those in earlier papers by first author Haruko Obokata, a unit leader at the Kobe, Japan - based RIKEN Center for Developmental Biology.

The Vacanti lab's technique includes what they call an «extremely important step» that was not described in the Nature paper or updated protocol published earlier: forcing the mature cells through very small pipettes for at least 25 minutes before exposing them to the acid solution.

Dr Peter Rugg - Gunn, group leader in the Babraham Institute's Epigenetics research programme and a senior co-author on the paper, explains: «One of the exciting aspects of this study is that we were able to capture naïve stem cells at a very early stage of their reprogramming — these early cells had switched on a subset of naïve - specific genes, but they had not yet fully matured.

It seems very strange that the journal allows for authors to retract their names from the paper, especially since this seems to include also the «Contributors» section, wherein is said who did what (I don't see their names there and I know that they were there earlier).

«Our paper provides very solid evidence for the existence of very cold oceans on early Mars.»

This paper discussed the possible formation of cosmic strings and other topological defects at phase transitions in the very early history of the universe.

It doesn't sound like much on paper, but the early buzz on this heartwarming series is very strong, including some «Gilmore Girls» comparisons and descriptors like charming and poignant.

In the early days of his career, he was responsible for everything from writing and marketing his work to printing and shipping his finished books and he took the process of choosing a printer and the right paper very seriously (Mother Earth News).

One early version of electronic paper consists of a sheet of very small transparent capsules, each about 40 micrometers across.

These are very early stories, written largely when Capote was a teenager, only recently discovered among the writer's papers in the New York Public Library.

It's still very early for Super Paper Mario, but it's already owned by 1,582 people.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Of course, the exhibition will include some representative works — mono - prints of and on found materials, paper reliefs, videos, modular wallpapers, kinetic sculptures, a very early optical work.

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

This has been documented since (at least) the very earliest model papers by Manabe and colleagues and in the observations since at least a 1994 paper by Christy and McNider in Nature.

I like this paper, and I find it great to draw attention to the evolution of the North Atlantic, which has shown very interesting variability in the 20th century (early 20th century warming, the great salinity anomaly with cooling that Dave's paper highlights, recent relatively strong warming).

-- a paper valuably demonstrating that the modern concept of the Anthropocene, focused on disrupted Earth systems, is very different from earlier conceptions, some dating to the 1800s, of a human - shaped environment.

Very early on I said the purpose of presenting the paper was to ask others here to deconstruct it, then to provide their own calculations.

In other words, I always focused on the negative result in those papers, which to me is very convincing, especially since natural causes could explain a lot of the climate variations early in the 20th century.

I think Arrhenius, 1896 was a very thoughtful & intriguing study for the time, and I agree that it can often be useful to re-read and / or revisit papers from the 19th century (or earlier).

The author would like to thank Connie Campbell, Reginaldo Castela, Arthur Leite, xxxxxx Rego and Ronei xxxx for comments on a very early draft of this paper while the author was conducting research in Acre.

I admit that I have nor read the paper, but based on earlier similar calculations, it's very likely that this is the nature of that paper.

An the other hand a very large majority of papers is built on earlier knowledge.

Simpson began with a gray - body calculation, Simpson (1928a); very soon after he reported that this paper was worthless, for the spectral variation must be taken into account, Simpson (1928b); 2 - dimensional model (mapping ten degree squares of latitude and longitude): Simpson (1929a); a pioneer in pointing to latitudinal transport of heat by atmospheric eddies was Defant (1921); for other early energy budget climate models taking latitude into account, not covered here, see Kutzbach (1996), pp. 354 - 59.

In the paper I linked to earlier (http://www.itia.ntua.gr/en/docinfo/923/) Koutsoyiannis shows that this conclusion applies even to very simple systems with small numbers of inputs.

Epstein is someone you would very much want to listen to on the subject: now 81 years old, he created the Anchor Book imprint in the early 50s, launching the trade paper format; in 1963 he co-founded the New York Review... [more]

Epstein is someone you would very much want to listen to on the subject: now 81 years old, he created the Anchor Book imprint in the early 50s, launching the trade paper format; in 1963 he co-founded the New York Review of Books; and most recently he has founded On Demand Books, which has created the Espresso Book Machine [vid].

Like we said earlier, both devices come with their good and bad points when it comes to the displays being used, though the Vivo 5's better touch responsiveness, vivid colors, and better protection due to Corning Glass make it a very compelling option for those that are willing to look past its on - paper resolution.

This paper hypothesises that the population of children receiving a clinical diagnosis of ADHD is aetiologically heterogeneous: that within this population, there is a group for whom the development of ADHD is largely genetically driven, and another who have a «phenocopy» of ADHD as a result of very adverse early childhood experiences, with the prevalence of this phenocopy being heavily skewed towards populations living with poverty and violence.

Some couples work out their issues very early on (before they even file divorce papers).