Sentences with phrase «very early writers»

Read the writings of very early writers / apostles / Fathers.

Not exact matches

The comedian, writer, actor, movie director, and lover of jorts and hockey jerseys shared a very lighthearted and optimistic post on Twitter early this morning, offering a hospital selfie and writing, «After the first show this evening, I had a massive heart attack.
One writer describes it as «still dark» (John 20:1), another says it was «very early in the morning» (Luke 24:1), and another says it was «just after sunrise» (Mark 16:2).
Some writers have pointed out that the name «India» has been very loosely used by some early writers.
«St Paul, a very early Christian writer and the most influential saint of Christianity, wrote in 1 Thessalonians 2:14 - 16»... the Jews, who killed the Lord Jesus and the prophets, and persecuted us.
You will find that a good many Christian - political writers think that Christianity began going wrong, and departing from the doctrine of its Founder, at a very early state.
These writers believed themselves to be inspired by the Spirit and called as teachers, and their writings, argues Wright, «were not simply about the coming of God's Kingdom into all the world; they were, and were designed to be, part of the means whereby that happened... Those who read these writings discovered, from very early on, that the books themselves carried the same power, the same authority in action, that had characterized the initial preaching of the «word.»
The second epistle of Peter is very poorly attested by early Christian writers.
Very exciting, it's been 8 years since Primer (a science - fiction favourite in these parts), and while the writer / director's screenplay for «A Topiary» never got made into a film, he whipped out this surprise to many earlier this week by way of the festival announcement and a very shiny bit of key art which confirms that Carruth will star in the film along with Amy Seimetz (A Horrible Way To DVery exciting, it's been 8 years since Primer (a science - fiction favourite in these parts), and while the writer / director's screenplay for «A Topiary» never got made into a film, he whipped out this surprise to many earlier this week by way of the festival announcement and a very shiny bit of key art which confirms that Carruth will star in the film along with Amy Seimetz (A Horrible Way To Dvery shiny bit of key art which confirms that Carruth will star in the film along with Amy Seimetz (A Horrible Way To Die).
Yet somehow, Maya would overcome her humble roots and checkered early career to become an African - American icon and a very respected writer in her own right.
For his romantic roundelay Trust the Man, a New York - set movie very much in the vein of Woody Allen, Edward Burns and early David O. Russell (see review here), writer - director Bart Freundlich did his best myna bird impression — «gathering stuff from my life that I thought was funny, about the way you relate to your wife and kids, or conversations with friends about the ways that they relate to those topics,» he explains by phone — and then shaping and pruning them down, grinding them up against the age - old pressures of temptation and fear of commitment.
So much so, in fact, that in addition to putting it on the cover of our May / June issue, we're hosting a very special early preview screening of the Danish writer / director's latest (and career best) on the evening of Wednesday 1 June in central London.
By the time the 38 - year - old actor - turned - writer / director brought the author's 1996 historical novel Alias Grace to the small screen — the six - hour miniseries began streaming on Netflix in early November — she had no idea she'd end up discussing the very same issues taking place in the 21st century.
«I don't know what they let you do over there, but you in Mississippi now...» Netflix has unveiled a full - length trailer for the highly acclaimed indie drama Mudbound from very talented writer / director Dee Rees, which premiered at the Sundance Film Festival earlier this year.
A Writer's Notebook by Somerset Maugham was a very interesting early read for me.
The very last question Don Maass asked us at the end of the Writer Unboxed UnConference earlier this month, was: How do you want your novel to change the world?
I am also a writer, which shouldn't surprise anyone because some of my early games were text adventures, and throughout the years, many of my games have been very story driven.
Most of my knowledge of the field was from a very good regional writer's group in the late 1980s and early 1990s.
The very last question Don Maass asked us at the end of the Writer Unboxed UnConference earlier this month, was:
I knew very early on that I would be a freelance writer and editor.
Mainly our services are used by the students of US, UK, Germany, Ireland and other allied states, but as mentioned earlier, we are not limited to these territories only and can be accessed and contacted from literally any part of the world.We have established a network across the globe and have selected the very best of the professional writers of every discipline, who provide you genuine content of the best quality precisely written as per the demands and needs of your order, taking care of all the instructions provided by you.
These are very early stories, written largely when Capote was a teenager, only recently discovered among the writer's papers in the New York Public Library.
I have friends who are writers / photographers / artists in their early 30s and are very accomplished but certainly are not «high achievers» in your book.
Speaking to Polygon, series writer Kodaka Kazutaka (who is currently attending GDC, and will be hosting a panel discussing the series) explained that the next game in the series is in the «very early» stages of development, with little details «really set in stone.»
It is still very early and no director or writers have been announced for...
Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.
This is a very - up - to - date book (it covers events in Detroit and Washington, DC through early 2009), by a veteran business writer.
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