It wasn't until her second film Fish Tank, one of the ten best films of the last decade, that she brought us into the life of a rebellious teenager through a 4:3 aspect ratio,
the very edges of the frame closing in on her characters.
Not exact matches
Drones are marvels
of modern technology, packing cutting -
edge engineering and science into a
very small
frame.
The fact that the theater I saw it in just had the 16:9 image, with the
edges of the projector gate
very obvious in the middle
of the larger screen without closing the curtains to
frame it — assuming they even can — probably made it more stark.
From a bent nail posing as Chekov's Gun to damning and life - saving «rockets», Krasinski proves himself a maestro
of suspense behind the camera, holding hostage audiences breathless and on knife's
edge from damn near the
very first
frame, finding room for fine - tuned familial drama and smuggling in a touching coming -
of - age subplot along the way.
Best Actor: Jeff Bridges — True Grit — an amusing, disgusting, powerful presence that makes everything seem possible & REAL Jesse Eisenberg — Social Network — smart, subtle, fearless &
very,
very funny in a
very,
very specific way Colin Firth — King's Speech — appropriately pompous with vulnerability the audience adores — a true star turn and a true joy to behold James Franco — 127 Hours — wild and impassioned and believable with manliness battling it out with sensitivity in almost every
frame Hrithik Roshan — Guzaarish — remarkably vulnerable with an
edge of steel and a level
of frustrated yearning that blew me away
Methadone treatment isn't just a metaphor here, but a
very real medical regime with rules, regulations, lockboxes, and psych evals, all
of which are administered and enforced by the faceless social workers who hover around the
edges of the rigid
frame, abstracted as benignly indifferent voices or anonymous limbs.
The trailing
edge of the wing makes a
very nice horizontal design element, neatly
framing the lamps, tunnels, and tip
of the teardrop - shaped cockpit section.
There is a thin metal
frame surrounding the Xperia Z3 Tablet Compact and while it looks
very similar to the Xperia Z2 Tablet, the new device takes a few style tips from the Xperia Z3 smartphone with a slightly rounder
edge and reduced metal detailing, plus the signature side power button
of course.
HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove paper, signed in pencil, numbered 67/125 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinged to the support in places at the reverse
of the sheet
edges, otherwise in
very good condition,
framed S. 26 3/4 x 39 1/2 in.
Most
of her images, like Web # 1 1999, are painted or drawn
very close to the
edge of the surface she is working on and seem to extend beyond the
frame of the image and into the space occupied by the viewer.
HELEN FRANKENTHALER Radius (H. 234) woodcut in colors, 1992 - 93, on White TGL handmade, signed and dated» 93» in pencil, numbered 30/30 (there were also 8 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, one small area
of surface soiling in the upper left sheet corner, hinged to the support in places at the reverse
of the sheet
edges, otherwise in
very good condition,
framed S. 28 x 28 in.
HELEN FRANKENTHALER (B. 1928) East and Beyond (Harrison 41) woodcut in colors, 1973, on Nepalese handmade, signed and dated in pencil, numbered 4/18 (there were also 6 artist's proofs), with the ULAE blindstamp, West Islip, New York, with full margins, a few soft creases in the upper margin, hinged to the support in two places at the reverse
of the upper margin
edge (slightly showing through), otherwise in
very good condition,
framed B. 23 5/8 x 17 7/8 in.
How to ensure that painting is experienced as a
very different form
of engagement, and
framing as more than the inferred
edges of an iMac screen?
HELEN FRANKENTHALER (B. 1928) What Red Lines Can Do (Harrison 26) screenprint in colors, 1970, on Arches handmade coldpress, signed and dated in pencil, numbered 38/75 and inscribed «ss» (for original silkscreen), (there were also 24 artist's proofs), published by Multiples, Inc., New York, the full sheet, hinged at the corners and at the center
of the sheet
edge, in
very good condition,
framed S. 38 1/2 x 26 in.
HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet
edge, otherwise apparently in
very good condition, not examined out
of the
frame S. 32 x 54 in.
Helen Frankenthaler (b. 1928) Sky
Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 57
Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle
edge to left and right, apparently in
very good condition, not examined out
of the
frame L. 545 x 385 mm., S. 759 x 57
frame L. 545 x 385 mm., S. 759 x 571 mm.
HELEN FRANKENTHALER A Page from a Book: Plate III etching with aquatint and pochoir in colors, 1997, on TGL handmade, signed in pencil, numbered «AP 13/16» (the edition was 60), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, small rubbed areas on and below the signature, hinged to the support in places at the reverse
of the margin
edges, otherwise in
very good condition,
framed P. 4 13/16 x 21 1/2 in.
It is in excellent vintage condition consistent with age and
very light signs
of handling to the
edges, it will not be visible when
framed.
Color shading is also
very visible indoors, and sometimes outdoors, too, with color tones shifting from green in the center
of the
frame to pink at the
edges.
Color shading (when the color changes between the center and
edges of the
frame) is
very noticeable on the Lava Z25, which impacted its overall color score.
The
very subtle curve around the
edges of the glass, the grooves all around the metal
frame and the textured notification profile switch all help add purposefulness to the aesthetics.
Especially with a
frame that will hide a big chunk
of the
edge so it is
very forgiving.