It is further distinguished by a dense composition of black and silver splatters offset by bursts of brick red, bright orange, sunflower gold, and vibrant sea green that extend to
the very edges of the paper.
By printing only on
the very edge of the paper, images are formed on each side of the sculpture through the accumulation of stacked sheets of paper.
Not exact matches
To get a smooth finish, dip your spatula in a glass
of very hot water and quickly wipe it with a
paper towel before running it around the
edges of the cake.
Spread the batter almost to the
edges of the parchment
paper, the batter does not spread
very much.
Yes, but it may just look like that on
paper as when watching barca in their pomp Xavi would be
very much central midfield whereas Inniesta would be more in beetween a left winger to an
edge of box striker who is completely adaptable.
To start, draw a large circle on a large blank piece
of paper, put a dot in the
very center
of it, then add lines from the dot to the outer
edges of your circle to create «spokes» for your wheel.
It is
very difficult to print exactly to the
edge of a sheet
of paper so, to achieve this, it is necessary to print a slightly larger area than is needed and then trim the
paper down to the required finished size.
The creator
of panoramic vistas stretching to the
very edge of a canvas, he showed on
paper a fondness for the largest mountain, tree, or rock at a compositional dead center.
HELEN FRANKENTHALER Flirt screenprint in colors, 1995, on wove
paper, signed in pencil, numbered 67/125 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, hinged to the support in places at the reverse
of the sheet
edges, otherwise in
very good condition, framed S. 26 3/4 x 39 1/2 in.
HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade
paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet
edge, otherwise apparently in
very good condition, not examined out
of the frame S. 32 x 54 in.
Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches
paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle
edge to left and right, apparently in
very good condition, not examined out
of the frame L. 545 x 385 mm., S. 759 x 571 mm.
HELEN FRANKENTHALER Essence Mulberry (H. 57) woodcut in colors, 1977, the colors fresh, on buff Maniai Gampi handmade, signed and dated in pencil, numbered 21/46, published by Tyler Graphics Ltd., Bedford Village, New York, with their blindstamp, the full sheet printed to three sides, soft rippling throughout (characteristic
of this
paper) stronger along the upper
edge, several vertical hairline fissures in the center
of the image (common to this edition), soft crimping at the extreme lower
edge of the sheet, otherwise in
very good condition S. 39 1/2 x 18 3/4 in.