Sentences with phrase «very film process»

Deren's interest in trance, dance and Haitian voodoo, led her to develop a specific body of work defined as «ethnographic surrealism,» aiming at blurring the boundaries between performance, ritual and the real world, and incorporating the primitive and magic worldview within the very film process.

Not exact matches

This type of solar cell is lightweight and affordable, but requires very careful processing so the materials used mix and crystallize properly into thin films.

«We found that a very simple process and a tiny bit of gold can turn a transparent film black,» said UC Irvine chemistry professor Robert Corn, whose group has created a patterned polymer material based on the findings, documented in recent papers.

They also point out that making films is a very collaborative process, one in which you have to be willing to give up a certain amount of autonomy and to trust the people you work with.

When the film focuses on the wine - making process, in the progression from vine to bottle, it's a fascinating and detailed look at a very specific subculture.

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

Abandoning the 48 frames - per - second process he used for «An Unexpected Journey» (a process that gave the film an amazing clarity but was very distracting), Jackson and his crew have fashioned a two and a half hour thrill ride that takes audiences into Middle Earth and the secrets enclosed inside.

We quickly realized that that Marty and De Niro really thought that the aging process was going to be a very important aspect of this film.

The disc is packed with extras, including some deleted scenes that add very little, a blooper reel and a featurette detailing how Wonder Woman fits in with Batman and Superman as a DC flagship character that are all fairly throwaway, but there are a few neat production featurettes that detail how director Patty Jenkins approached making what could have been a potential disaster given the negativity towards the DCEU's previous movies, and also interesting effects details about the lighting, costumes and the chosen colour palette that may not sound like much but actually prove to be quite enlightening about the whole filming process.

A fascinating, offbeat portrait of a distinctive artist, this film offers very little commentary, merely observing the work as well as the creative process.

As we watch the main character studiously examining the sound and trying to connect it to the photographs of the crime scene, he engages in a process of creating a narrative in a way that echoes the very production of films.

So inventing the world of the characters is clearly very important to you, but is there a moment in the process of making a film when you are happiest?

What's left is this appreciation of a film that is delighted with cinema and experimental without being a jerk about it (very much like Lars Von Trier's Zentropa, specifically in a black - and - white rear - process cab ride with none of that feeling that Tarantino's trying to make a point as opposed to recognizing something that looks cool and feels right)-- a film that is Tarantino in all his gawky, hyperactive, movie - geeking, idioglossic splendour, fully - formed and trying only a bit too hard.

He even sets Return to Waterloo's narrative to the album's music, incorporating very little dialogue in the process, and as such the film suggests a visual LP.

«The one thing we've always really admired about Kevin Feige and Marvel is they have a very, even though they're building an interconnected narrative through many, many films over many years, they have a very disciplined one movie at a time attitude, as well, which I think is very very helpful to the creative process of fashioning the individual film,» he continued.

The Player is a film that is very film literate, and although it can be enjoyed as a straightforward tale of murder and cover - up, the more you know about the various allusions to Hollywood films of yesteryear and the mechanics of the moviemaking process today, the more rewards you will reap from Altman's complex presentation.

Pitt, whose career has bounced erratically from mainstream and auteur - driven films to TV and obscure indies, carries I Origin very capably, demonstrating fine range, thoughtfulness and sensitivity in the process.

The Playlist's 2015 pick for the best film of 2015 didn't dominate to the extent that «Under The Skin» did last year, but from very early on in the voting process, it was clear what was going to come top.

It was kind of unnerving, because it was very instinctive, the whole process of making this film.

They were very helpful in getting the picture financed and getting agencies behind it and they are very busy doing their own films but their input has been invaluable throughout the process.

She initially proffers a fastidious, Melvillian crime picture with special attention given to manual processes rather than human drama, but then elegantly pulls the focus back (with the help of a very subtle twist) in the second half to reveal that the caper at the film's centre was only included for context.

«I'm very interested in the editing process — in all aspects of film - making, really,» she says, adding that she'd consider getting behind the camera at some point.

A cast of entirely local people are clearly very much at home with the filmmaking process, and most had never even seen a film before.

In fact it's one of the very first films to have ever gone through that process.

The primary flaw I see in the process is that unless the novels have some literary value beyond some sort of mass - market appeal, most will never achieve very much in sales or have the chance for the real payday of film rights or, better yet, actually being made into a film.

George Lucas: A Life — As an avid fan of filmmaking and the process itself, this biography on Lucas was very detailed and in - depth, which a lot of information about his young life and early film work.

The film was an experimental work that led to Keane evolving and learning new technology: she said that she «invented the techniques to show the concept... the process of making the work was very important.»

In quiet, highly concentrated images, the film gives us a fly - on - the - wall perspective of a very personal, tension - filled process of artistic creation.

Both the film and exhibition reflect on the artist's journey into the creative process and very nature of collage, a medium that for Letscher represents both a personal aesthetic, and a language with which to find structure, beauty and serenity within chaos.

With very different backgrounds and individual perspectives on artistic activity, both artists have made heartfelt works that are simultaneously process - based, conceptually vigorous and seamlessly span across mediums: writing, sound, film and more.

As one of the simplest geometric figures, the circle is subject to huge variation, in nature and in art, and this exhibition considers the ways in which artists have gravitated to this universal and recurring form, and to the very idea of «roundness», through a variety of processes and media including paintings, sculptures, film and photographic, alongside design objects and historical artefacts.

Making solar panels, (according to this very thorough film) is a very wastful energy depleting process.

A very gifted Prepress Technician with vast experience in using process camera in groundwork for film negatives and for development and processing of negatives through the completed activity; using desktop publishing software and hardware to design, proofread, type set, layout, produce graphics to produce newsletters, forms and other material.