Join us for the opening of the exhibition Wilder LIC, where we have been commissioned by the Flux Factory to create a new permanent living sculpture «Plantarium - Tea Garden» at the Windmill Community Garden located across the street of the Flux Factory which Flux co-founded with neighborhood partners in 2016, this marks the opening of
the very first group exhibition in this new location.
Not exact matches
Whiteread, in both her work and her public persona, might now seem remote from some of her peers, but — like that of Damien Hirst — her work appeared in the
very first of the Young British Artists
exhibitions at the Saatchi Gallery in 1992, a show that gave the
group its name.
Tim Gowan & I am
very excited to curate our
first exhibition for Trans - cen - der Art
Group, Titled: «Transcendence of Us» during Bushwick Open Studios 2017.
Ayres has always wanted this
group to be shown in a public institution — this
exhibition sees this wish coming to fruition, with the works being shown together for the
very first time, alongside the 80 - foot - long mural that she created for South Hampstead School for Girls in 1957.
She has shown in major solo and
group exhibitions around the world for over forty years, and was a co-founder of A.I.R. (Artists In Residence) Gallery in New York City in 1972, the
very first collective of women artists in the U.S.
Saturday night, AM attended the opening of Joshua Liner Gallery's summer
group exhibition, which collects solid works from a
very strong roster of artists, some of whom the gallery has shown previously and others of whom the gallery is working with for the
first time.
Founder of the Bushwick Art Crit
Group, Christopher Stout is now the head of his own gallery, which has its
very first art opening with sculptor Phoenix Lindsey Hall's solo
exhibition, «Shepard.»
The
group exhibition at the Gallery Marian Goodman in Paris, although it does not seem to have any meaningful concept, is really
very good, because the viewer has the opportunity to see works of great artists which are either complementary, like the «Spiegel» (1989) by Gerhard Richter with Dan Graham's «Pavilion Influenced by Moon Windows» (2000), either as stand - alone well - known artworks like «Oltremare» (1979 - 2017) by Giovani Anselmo, which every time you see it, it looks like you are seeing it for the
first time.
Following the Catholic League's pearl - clutching over Mark Ryden's perceived «
very anti-Christian and anti-Catholic» paintings at the Virginia Museum of Contemporary Art's
exhibition Turn the Page: The
First Ten Years of Hi - Fructose, a
group of local Georgia politicians are up in arms over Art AIDS America at the Zuckerman Museum of Art at Kennesaw State University [NSFW image featured]