Sentences with phrase «very flat wall»

This can be a really bad thing if you have wide shoulders and normally lean into the window space, as it's a very flat wall here.

Not exact matches

The paint and unsanded tile grout mix quickly and this wall was flat and unobstructed so it made for very quick painting.

That's why, in addition to the extraordinarily large cargo space and very wide cargo area, you also get a flat load floor and near - vertical side walls - creating a space with ultimate versatility.

This is a very clean (like new) 33 foot thor super c on a ford super duty truck chassie 6.7 diesel motor with 6k onan diesel gen set, auto leveling jacks, power awning, residential frig, dual a / c units, two flat screen tv's, king size bed, full wall slide on drivers side, power awning, tilt wheel, cruise control, power windows, 10 k hitch with brake controler, 15 k milage on coach, 237 hours on generator, still has warranty on drive tran 5 years or 100k milage, tires are great shape, kept under cover when not in use, call 214-676-8574 thanks

From almost flat, wide spread reefs to steep rugged walls the East Coast offers a great variety of dive sites that are very different from the west side dives.

The Business Class seats turn into true lie - flat beds of ~ 79 ″ in length (6ft 7 ″)-- that's a very good size for a business Class bed but it's worth pointing out that, because the seats have high walls on either side, the 22 ″ of seat width can feel narrower than similarly sized seats that have been designed differently (like the Qatar Airways 787 Business Class seat).

There is a painting on the wall and also large flat screen TV that very comfortable to...

There is a painting on the wall and also large flat screen TV that very comfortable to watch from the bed.

One example of this was when I was covering up against a brick wall and one part of the wall looked fine and textured with some detail and the other part just looked very pixelated and flat looking like it hadn't loaded in the full texture properly, it was pretty bad and something that became more noticeable as time went on in the game, one minute the visuals would be fine and the game looked good and then the next minute it just looks downright terrible with ugly muddy textured visuals.

Dungeon Defenders had enough variety that you could usually work your way around any walls you hit, but that's another issue with levelling: it creates a weird geography of difficulty peaks and troughs to navigate instead of a flat plane, pitched perfectly with a very deliberate and considered flow.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

1982 Zabriskie Gallery, New York, Flat and Figurative: 20th Century Wall Sculpture The Aldrich Museum of Contemporary Art, Ridgefield, CT, Homo Sapiens: The Many Images (catalogue) Mead Art Museum, Amherst College, Amherst, MA, When They Were Very Young Semaphore Gallery, New York, Another Look at Landscape Butler Institute of America, Youngstown, OH, 46th National Annual Midyear Show

There's something very flat - footed and predictable about this work — sub-Currin yes, but the insistent frontality, the patterns to floors and walls also made me think of the Leipziger, Ruckhaberle.

The three - dimensional black spheres that make up this work are in some ways distant relatives of the pixels of that original, two - dimensional photograph, but instead of being transcribed into a flat image as micro dots of ink on paper, here they well up into great waves that crash against the very walls of their original subject matter.

Whereas all of the artworks routinely hang on the wall and are created on canvas with flat surfaces, they lack the very presence of the medium that has come to define them, paint itself.

I chose a very soft, buttery cream for my walls and the crown is flat un-tinted white to highlight the soft sky blue on the ceiling.

clapboard walls, painted floors, vintage décor along with flat screen TVs and stainless steel appliances; the very best of both worlds!