I'm
a very hybrid author, but that one appeals to a larger readership, I think, so I've been going in that direction.
Not exact matches
«It remains to be seen whether the HLB tolerance in some scion / rootstock combinations permit reasonable production of fruit of commercial quality,» the
authors said, «but it is promising that several mandarin
hybrid / rootstock combinations displayed markedly greater growth and cropping compared with sweet orange / rootstock and grapefruit / rootstock combinations under
very high HLB pressure.»
«While
hybrid plant species are
very common,
hybrid species among vertebrates are exceedingly rare,» says Associate Professor Jason Weir, senior
author of the research.
The focus is the
author: whether it's a
hybrid author with multiple books published, a brand new
author or one who wants to make their reverted backlist available in digital for the
very first time.
With the rise in popularity of the
hybrid publisher and publishing consultants, however, the lines between legitimate and scam have become
very blurry, and plenty of
authors have felt the pinch of an unsatisfactory and expensive mistake.
I find it
very interesting that there are many new types of publishers who — for one reason or another — are calling themselves «
hybrid publishers» and still attempt to charge
authors some kind of «package» of services.
A
very successful
hybrid author I know just hit the top 100 in China today.
I am a
hybrid author, meaning I write for traditional publishers as well as have my own self - publishing empire (though it's a
very small empire at that).
One nice thing that I didn't mention is that
authors don't have to necessarily to do one or the other — the
hybrid route has been a
very exciting, and lucrative, option for so many writers.
Spoken from a
very narrow perspective and with absolutely zero knowledge of how successful Indie and
Hybrid authors operate.
The vast majority of traditionally published and
hybrid fiction
authors see a
very different mix — one that skews much more heavily toward ebooks and online print sales.
Many of my
author friends are
hybrid writers and are
very happy with it.
As a now
hybrid author, I like to see solid evidence to help me make choices (and to remind me of why I made those choices, when the self - publishing sales are
very slow).
I'm now a
hybrid author but I've had to be work
very carefully with my contract language for the two series I've signed traditionally.
Hybrid publishing is
very much about taking the best of several worlds to create a brand new publishing model that involve an agent and a publisher working with an
author (and illustrator) to take a non-traditional route to get a book published.
I keep thinking that after the initial conversation you have lined out, I would have a lot of questions about where an agent saw my book going and how they might help me navigate the question of whether I want to be a full - on traditionally published
author or a
hybrid, both because I don't want to get stuck with low royalties at a publisher that isn't promoting my work and because I work
very quickly and I'm not sure if one publisher could keep up with me.
As someone who has both been traditionally - published and self - published, Richard is a
hybrid author and thus has a valuable perspective on the self vs. traditional debate that's become a
very big focus in the publishing industry, especially in recent months.
As a
hybrid author, I have one foot each in two
very different worlds.
And Justine, you know this
very well, and you mentioned the
hybrid authors.
Second, the Discover Your Brand
authors state at the
very end of the chapter that if you do discover differences between what you prefer to write as an
author (and wish to reflect you brand) and the preferences of your target reader, then you may «want to consider a
hybrid approach to genre».
I am them a
hybrid author in that respect, but
very much on the traditional side of things in terms of percentages, and I will probably stay that way as much as anything, because I really prefer to focus on the writing.
«The book sprint method was adopted in order to understand this
very moment in art, science and technology
hybrid practices, and to mirror the ways Internet culture and networked communication have accelerated creative collaborations, expanded methodologies, and given artists greater agency to work fluidly across disciplines,» says lead
author Andrea Grover.