Sentences with phrase «very idea of art»

Beneath Monk's playful take on art making, however, is a serious scrutiny of the very idea of art, as well as the myth of artistic genius.

Organized by Elisabeth Sussman, a resident curator, it emphasized political art over all else and included considerably less painting than in previous shows, leaving critics to shriek that the Whitney had abandoned the very idea of art as a visual medium.

But then I ran into these artists — I mean also going back to Sol [LeWitt]-- for whom the very idea of art was on the level of intellectual or critical propositions and said, «Well, you know, there are people in the world who are driven by thinking about art as an ideational space.»

Others mix up the very idea of art now — like Sanya Kantarovsky, whose mother and child evoke Art Nouveau but also the graphic novel, or Pierre Huyghe, who adds the voice of a poet to film of a deathly sleeper by Andy Warhol.

Did Marcel Duchamp, May Ray, and others rebel against the very idea of art or engender all of art to come?

Not exact matches

But as that gap has narrowed and disappeared with the commodification of culture and our loss of a sense of the holy, art must become the void itself in order to re-establish the very idea of the sacred.

But as one matures and develops the art of holding two apparently opposing ideas simultaneously in the mind, paradox is understood at a very deep level.

This is a very elegant flip - side to the ideas in Francis Shaeffer's work, in which the arts anticipate and even lead changes in our societal condition through the connection of the artists to the spiritual to create their «great» works.

We love the idea of piquing baby's interest in exploring the world from the very beginning, so gather your treasures from your past trips and choose art that encourages your little one to spread his wings.

So here I am... at the very least looking for other artists to bounce ideas off of and hopefully get more involved in the art community.

From night clubs to art galleries, drag shows to dock side attractions, there is a bit of something for everyone in this grand old Northern gem of a town, and you will see this as soon as you start to look at our best date ideas for Liverpool suggestions list, coming very soon to a web page near you (it's right down there... yep, you got it!)

This movie is very quiet, no dialog, no disturbing scenes, and no script, so I easily say that it's beautiful movie that brings good idea of art.

True «outsider» art is a rarity in any age, but more so in the plugged - in present, when technology makes the idea of privately cultivating an idiosyncratic style very nearly obsolescent.

I find myself tempted to call it the «Gay Straw Dogs» (gay in spirit if not in character) but that's not quite right - it is very much its own fascinating thing; it is very much the work of one man, one artist, grappling with his own art and the idea of himself as an Artist.

Like any animated feature there are surely many talented people who worked on it, but it's very obvious that the direction at the top came from a bunch of clueless executives who just had no respect for the audience or the art form, and no idea what the fuck they were doing.

So undefined and eccentricity - free are these men and women that their pre-film status as art historian and university lecturers is implausible, even unthinkable: When Blanchett's curator offers Damon the mother lode of archival keys, a little journal with index numbers matched to stolen artifacts, he seems surprised by the very idea of librarianship.

For the «Mad Max» lover, the «Mad Max» unfamiliar and even those non-savvy with the art form of cinema, «Mad Max: Black & Chrome» is bound to make you the ultimate Santa of your loved ones» holiday, if for the idea of presenting people with one of the very best films of 2015 or giving them the gift of Doof warrior but in black - and - white.

At the very heart of this work is the idea that we can not consider our notion of literacy complete until we have embraced the power the language of the arts brings to our lives.

Umberto Boccioni was also one of the most passionate Futurists, defending and developing the Futurist ideas in very vivid art debates with the Parish Cubist artists, and attacking them as old static and classical cubist artists.

«I've seen work done with high school students that can convey very complicated ideas or allows space to grapple with huge community or social problems through the arts that students aren't able to do in conventional models of education,» she says.

«I think in many ways (Common Core is) a very good idea,» said UW - Madison associate education professor Catherine Compton - Lilly, who has studied the language arts half of the standards (the other half is math) and described the Core as a set of benchmarks.

A: I think that Loris Malaguzzi, the principal architect of the Reggio approach during the early years, found my general approach to children sympathetic (I am very interested in the visual arts, for example, and I am a follower of John Dewey and democratic education) and thought that my idea of» multiple intelligences might connect to his «hundred languages of children.»

When I taught at the Art Center College of Design (Switzerland) nearly 30 years ago, there were some intriguing international students with very strong ideas about what they intended to accomplish in car design.

I'm beginning to come up with some very intriguing ideas for the distribution and sale of indie comics, prose novels, and art books.

I had the initial idea for how to tell the story and wrote the script while Dan created all the art and lettering but, for lack of a better term, the «storytelling» part was very mutual and cooperative.

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It does, however, almost feel like stealth is viewed as a lesser option seeing as how something like a silencer is hard to come by but huge assault rifles are available from the very start, but I feel like that was a deliberate choice to replicate the idea of a crew becoming more experienced, moving from the much simpler strategy of going in all guns blazing to the far more subtle art of sneakery.

Kojima could very well be pointing out how, despite constant advancements in technology within the video game industry, most games are themselves hypertextual in that they are not completely original, but amalgamations of established thematic ideas borrowed from literature, cinema, history, the arts, and other games.

I love Dungeon Keeper with its micro-management and general upkeep of my minions, yet I also love Prison Architect for its unique art style and fun building mechanics — if only you could combine the two in a sort - of Frankenstein experiment... Wild Factor also had a similar idea and has made me very happy by bringing us MachiaVillain on PC.

Konami seems money hungry and very very unaware of what makes good art, I have no Idea how they managed to get Kojima or Team Silent but I do know that now, they can not make a good game without Kojima, he was their last good revenue stream.

Even as one very visible portion of the art world becomes ever more soaked in money, artists like Steiner are picking up the ideas of first - and second - generation institutional critique and adapting them to the needs of the present.

The project is very close to the artist who came up with the idea as a way of representing feelings of regret for choosing art as a career instead of medicine.

The mainstream art market in general has been very slow at catching on to online business trends — a lot of professionals scoffed at the idea of utilizing the Internet for exposure and marketing.

I think as an artist it is very important to create a structure because the idea of I can create art «anytime» can turn into «never» because it's not scheduled into the day.

@CoryHuff Not necessarily «easy» — and I do believe Kiva works with artists, too (so I / we could ask how they do it)-- but I wonder if the beginning could look like this: a trip (by you or you and Melissa) to a country / town / village that is having a well dug through the water charity project — with eyes to see what the art of the area is, who the artists are — very face to face... I like the idea of broadening the vision and helping others.

I think that the intial outrage is the idea that art takes a lot of time and in some cases money to create and there really is very little return on a five $ investment.

To state it very roughly, Hantaï's work begins with the Abstract — Expressionist idea that abstract art can carry metaphorical meanings, and links that sensibility to the reductive physicality of Minimalism and the process - oriented, anti-illusionist materiality of Post-Minimalism.

But unlike some postmodernists, who see their resurgent representational impulses as a reaction against modernism and therefore the next step in a historical progression, Gabriel rejected the very idea of progress in art.

As this dialogue indicates, Fontana was working at the very forefront of avant - garde art even late in his career, and advancing the ideas of the generation of artists who would succeed him after his death in 1968.

We're very lucky to be living and working in a time when the rapid change in the cycles of art - making — coupled with souped - up systems of information - sharing — has made it easy to follow the trajectory of some of the many ideas, languages, techniques, politics, and passions that shoot in and out of one or another art discussion.

«Thanks to further largess from the arts community, Pratt Institute's Flameproof student exhibition will be coming to Bushwick Open Studios... «I think the idea of participation in the art community is much more in evidence in this context, it feels very real, participatory,» [Pratt professor Greg Drasler] said.»

Terry Morgan, Chair, Crossrail said: «This fantastic new exhibition showcases the creative ideas of leading British and international artists who are working with Crossrail's architects and engineers to integrate public art into the very fabric of the new Elizabeth line stations.

As the artist has stated, «I hold a very Romantic ideal of what's possible in art, and I hold to the idea of the «personal universal.»»

But at the very foundation of the show is an idea which has somehow remained secondary in both the reporting on the glamor of Chalet in Los Angeles and the pre-press of Chalet Dallas: as funding, interest and ticket sales for arts organizations of all kinds decrease, there is a need now, more than ever, for the various arts communities to unite in claiming their common ground, and with Chalet, Golia attempts to facilitate just that.

Mark Khaisman:» I love this art fair and I think that this concept, this idea of a solo show is very interesting.

It's an inconvenient truth, but much of art history is based on that very idea.

From the very first, Modernism dismantled the whole idea of fine art.

Pollock was never really concerned with diffused light, but he was very interested in Tobey's idea of covering the entire canvas with marks up to and including its edges, something not done previously in American art.

The very occupation with time and the idea of transition has been present in art history for quite a long time.

Rail: So much about the reaction against Neo-Expressionism is there's a whole constellation of things that we're trying to sort through, one of those is «authorship,» and now everyone gets very uncomfortable at the idea of art expressing the feeling of an artist.