Sentences with phrase «very interesting exhibitions»

On an industrial estate in Redhill Surrey artist run space Dynamite Projects have opened two very interesting exhibitions.
This week's must - see exhibitions Several very interesting exhibitions have opened in Chelsea this past week and we selected 4 that you should definitely...
Several very interesting exhibitions have opened in Chelsea this past week and we selected 4 that you should definitely put on your gallery tour schedule this week.
One of them is very interesting exhibition of photographs taken by IB Putra Adnyana (Gustra) entitled «Face Landscape»
Very interesting exhibition to see if you are in London.

Not exact matches

Ali Muharremoðlu stated that they reached a record - breaking number of exhibitors and visitors at this year's autumn exhibitions, and emphasized that the interest shown to Eurasia Packaging, Food - Tech Eurasia, and Wood Processing Machinery - Intermob exhibitions was very promising
The part of the exhibition dedicated to the sculptures in bronze is very interesting.
As he explained in an interview with dis magazine during the MoMA exhibition, «An idea that is very interesting to me right now is to adopt a model and stay as closely as possible to that model... to inhabit a way of seeing.»
Both parts of this exhibition of fifteen small paintings by Eilshemius and twenty - two by Thompson are very interesting.
I was very proud, because it was my first exhibition in New York, and I felt the project was also a very interesting approach to Surrealism.
He was interested in art and painting very early and had his first solo exhibition already with 19 years in a gallery in Münster.
I think he is one of the most interesting artists of his generation and I am very proud to be able to present the first exhibition of his work in the Netherlands.
Although the interest in his work has always remained very strong in Europe, his presence over here was limited to a very strict number of institutional exhibitions.
I am very pleased to introduce our new website, which informs you better than ever about our exciting exhibitions, artist visits and fun and interesting new programs for all ages, as well as many other features.
The disappointment about the exhibition is that it was very quiet and if you don't have a real interest in abstract painting you would lose interest really easily.
Once we reached out, many of these collectors became very interested in the exhibition and were very generous in sharing their works.
That's why I found it very interesting in «Urgent Painting» how a lot of artists revisited the idea of wall paintings, which are basically works that disappear with the exhibition.
Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.
His work can be seen in the files of Museo del Barrio, N.Y.; Drawing Center, N.Y.; the flat files at Pierogi 2000, Brooklyn N.Y.; and Heskin Contemporary, N.Y. Currently he co-manages «Rumpelstiltskin,» an exhibition art space for aesthetic research in south west Guadalajara, Mexico, where he has curated Paranormal Bureu, a multimedia show with three artists from Brooklyn N.Y. My unorthodox practice links me to a generation of artists with a very wide range of approaches to art, that question the interest of the establishment particularly in museums and commercial venues.
Cross-pollination in Philadelphia is an interesting new development, and we are very happy to announce that gallery artist Anthony Campuzano will be appearing at the Cerealart Project Room in»25 x 25,» an exhibition of 25 works from the last 25 years by 25 artists who have shown with or are associated with White Columns, New York.
Pilar Ordovas, owner of Ordovas Gallery, who mainly programs historical exhibitions, considers Frieze Masters a very interesting fair due to the variety and the scale.
The Warehouse Gallery November 13, 2008 — January 3, 2009 Both components of the exhibition accomplish in very different ways the artist's ongoing interest in the intersection between architecture, sculpture and performance art.
For me, it was interesting to give the Grimm exhibition a seemingly very boring title, along the lines of a 1960 / 70s territorial survey — there was actually an exhibition of the same name at the Tate in 1967, so I guess you could think of my title as an act of appropriation.
ED: «Jasper was very interested in how we were going to present the exhibition, and he became quite involved in its preparation, which of course is what we wanted.
AMCDThinking about your work in its entirety, it is very interesting to me that you work simultaneously on both the portraits and your more abstract works, in the case of this exhibition that would be the Dome paintings.
«I've been very interested in how space, defined as two - dimensional (a plane, like a painting), can move into form, three dimensions,» Richard Tuttle states in the catalogue for 26, an exhibition presented at Pace New York in 2016 that spanned fifty years of the artist's career.
The virtual reality being created mainly in film production, for example, the 2015 New Frontier exhibition Ocular Evolution at Sundance is very interesting to us and so called post-internet art, some of the artists represented in the 2015 New Museum Triennial titled Surround Audience.
5/1/14: Minimal Resistance Between late modernism and globalisation: artistic practices during the 80s and 90s, a very interesting group exhibition...
What's interesting about this exhibition is that works are offered in a variety of (very manageable) sizes.
He added that while the public appetite for temporary exhibitions has grown, the audience for serious art has shrunk, and that the financially interested people like collectors and dealers are a very small group.
I find the incidents or accidents that happen very interesting; they give life to the exhibition.
This being the first comprehensive exhibition of his work to be staged in Istanbul, Grayson Perry expresses that he finds the city very interesting and states:
Both are very striking and interesting works and similar to one included in the current exhibition at the Whitney Museum of American Art, «The American Century, Part 2.»
No matter how casual, her pictures almost always feature rock - solid axial structures... At a time of renewed interest in an era that was formative for Gross — explored in books like Judith Stein's biography of dealer Richard Bellamy, Eye of the Sixties (2016), and the exhibition «Inventing Downtown: Artist - Run Galleries in New York City, 1952 — 1965,» now at New York University's Grey Art Gallery — it's worth looking back at an artist who witnessed much and made vital work, but received very little recognition, due in part to the all - too - common combination of art world trends and sexism.»
If you've always admired the pioneering work of Lucio Fontana, one of the most influential Italian artists of the mid-twentieth century and the very founder of Spatialism, then a groundbreaking exhibition in Milan will no doubt be of interest.
In my own art practice I am very interested in issues of the borderlines between private and public space, so when I look at the exhibition platform NLHspace I think of the art work potentially situated on both sides of the window glass.
As someone who works on photography, I've been really interested in the presentness of the past and I think that different pasts are very present in this exhibition in a way that I find really exciting and engaging.»
While the title of the exhibition seems to indicate a survey across the decades, the MCA seems to be following its program once called «Artists in Depth,» a not very thrilling title for a nonetheless interesting series of presentations that showed a number of an artist's works.
In this exhibition, we introduce three very interesting artists represented by Tomio Koyama Gallery.
It's very interesting to see how the Sunroom artists develop their projects in the time between their selection (in this case, August of 2008) and their exhibition.
Access to the exhibitions organized by the Carré Sainte - Anne events is free and offers an occasion to see very interesting contemporary art events surrounded by a magnificent architecture.
William Morris Gallery, Walthamstow Exhibition review by Dr Christine Checinska I am very interested in identity, in history and understanding...
Our announcements are formatted very similarly to e-flux mailings, but the content puts a stronger emphasis on advertising events that may be of interest to the professional readership interested in art education, symposia, conferences, discursive events, exhibitions taking place within the context of an academic institution, or being held at museums affiliated with academic institutions, etc..
However where Thompson brought a more academic attitude to his exhibition, sculptor Stephen Claydon's Strange Events Permit Themselves the Luxury of Occurring at the Camden Arts Centre last winter offered a very interesting example of how an artist thinks about art.
«The very concept of the exhibition is interesting from a curatorial perspective, since the show brings together so many fabulous masterpieces for a truly astonishing result.
The show is not advertised as a joint event, but as the running times are exactly the same and the gallery divided into two where normally one whole exhibit is in place, one can't help but view them with reference to one another and the gap in - between the times of the artworks» creation, 1963 to 2013, which adds very interesting dimensions of pushing and pulling of the past and present throughout both exhibitions.
The Center for Advanced Visual Studies (CAVS) was founded in 1967 by Gyorgy Kepes and immediately went about funding exhibitions and visits for some very interesting artists.
Yet, as the exhibition reveals with some very fine examples, he began taking photographs as a secondary interest in the late 1960s after purchasing a Nikon camera with several close - up lenses.
Co-curator (alongside Pamela Alper, Associate Curator at MCA Chicago, and João Ribas, Curator at MIT List Visual Art Center) Julie Rodrigues Widholm acknowledges the importance of this piece as a starting point, although it can't be represented in the exhibition: «Pica's references to childhood stem from an interest in how our imaginations are shaped from a very early age.
Tom Messer said an interesting thing to me at my current exhibition — your paintings come from inside you, they're very peaceful and quiet, as if you've found a way to put aside whatever is going on in your life.
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