Sentences with phrase «very kids its film»

Not exact matches

I don't like hearing my own voice and I had an eye infection when we filmed this but there are lots of cute kids in the footage and the topic is very close to my heart.

Besides, she adds, it's hard for very young kids to follow the story of a feature - length film, and this can make the challenge of sitting still for two hours even greater.

And of the female characters, specifically in G - rated films, which are for very young kids, we found that there are no CEOs, no politicians in high positions, there were no female characters in medical science or in law.

No doubt, there is an uncomfortable number of logos being marketed to kids in the The Lego Movie, along with the obvious one that's in the title, but the film as a whole is very much in the spirit of Cloud Cuckooland: It's a place where the use of X-Acto blades and Krazy Glue breaks the rules but almost everything else goes.

Now going by written dialogue in the film Diana «Gets very excited by Hospitals», «I'm a princess and I get what I want», and wonders if «Did they publish the pictures of the kids with all their arms and legs blown off».

The drab feel to this kids film was ballsy and I do not think it worked very well.

Maybe very young kids don't care about subtext in films like this, but I'm not writing for kids and this film is pitched at a broad audience.

Naturally its still a full on kids film so its very comical, silly and a bit camp at times but that's to be expected.

(She seems to ignore her last two films, «Homeless: The Motel Kids of Orange County» and «The Trials of Ted Haggard,» which both explored very dark sides of the American dream.)

A cinematic time capsule of sorts in that you're essentially watching a kid (both the character and actor playing him) grow up before your very eyes, the film has some really poignant things to say about adolescence, parenting and life in general.

THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 release.

A very literal title indeed that recalls recent films like The Dardenne Brothers» The Kid with a Bike.

The Book Of Henry is a very bizarre affair, stuck in treacherous waters between kids» movie, terminal illness melodrama and hardboiled film noir.

A spry, sun - bleached and often rather sexy study of what makes a family in modern America, «The Kids Are All Right» breezes by so pleasurably it's easy to forget what a daring and very necessary film it is.

As a kid I had a huge crush on Shue (and the film does everything it can to prop her up as a girl - next - door sex symbol), but even without that today, it's still a very enjoyable romp back when we'd believe in the power of pre-pubescent teens in the face of hardened criminal scum.

Much of the comedy of Bad Moms (Jon Lucas and Scott Moore, 2016)-- a film that is predicated on the very real, paralyzing fear mothers have about being not good enough to their kids (and being judged by others for it)-- falls flat because it starts from an unbelievable place, pushes only some details to their extremes (not really abiding by an «if x, then y» logic), and lurches forth with its plot.

Set entirely during the course of one eventful day, the film opens with a very artificial - looking CGI deer invading the home of Lenny Feder (Sandler) and urinating all over him and his kids.

Other oddities: how Jackson sets up each segment in a very overdramatic way, how the other commenting celebrities appear in a moving parchment of sorts, how some of the questions are either no - brainers or a stretch in relating to the movie, how the ordinary kids are strangely posed and filmed, and how the whole thing is both bordered by oak and letterboxed.

Struggling to communicate with your parents, deal with girls, assert your independence... these are all very real concerns for a kid who's 14 years old, and the film treats them seriously.

The plots of those two films revolved around the «Games», and a very mature subject: kids murdering other kids for the entertainment of society.

Though Robert Redford may be the very platonic ideal of a movie star — a matinee idol from films such as «Butch Cassidy and the Sundance Kid,» «The Sting,» «The Way We Were,» «The Electric Horseman» and «Out of Africa» — he has of late been involved with smaller - scale, socially conscious dramas.

Based on a children's book of the same name by Judith Viorst, Alexander and the Terrible, Horrible, No Good, Very Bad Day is packaged as a kids film with Alexander kicking off the story as the main protagonist.

Shot for $ 1.5 million over 30 days, Laughlin's film, while heavy on extended takes and a few awkward edits, overall looks very nice, and Elite's transfer marks the first time the film's been available with its original, evocative Technicolor - styled cinematography by Louis Horvath (who also photographed «Chandler,» and Laughlin's other directorial efforts); and in its original aspect ratio, which, in previous full screen versions, chopped Condon's second appearance as a «dead kid».

Right now, I'm still only a kid, but I've been making films with my friends since I was very little, when we used teddy bears as actors.

At first, he's just a caricature — a thirteen - year - old kid who thinks he's the next successful rap artist — but as the film continues, he very quickly becomes the best character onscreen.

Supporting Actor (I really try, but don't always succeed, to focus on the SMALLER parts that blow me away): Christina Bale — The Fighter — amazingly appealing and interesting as a real scum bag — he makes him fascinating, understandable, and sympathetic AND he does so with flair and power Andrew Garfield — Never Let Me Go — I know, I'm supposed to prefer him in Social Network, but I didn't — in fact, he sort of didn't do it for me in that film but in Never Let Me Go he was moving and had a lost, hopeless but yearning aura about him that I found very haunting Mark Ruffalo — Kids Are All Right — very joyous, very charming, very sexy, and totally believable — he made me want to sleep with him and then have a nice long heart to heart with him too!

* Asked how he feels about going from very small indie films to a massive, effects - driven fantasy / comedy, Green said: «Well, just like probably all of you guys like to see different kinds of movies every week — a little of this, a little of that — it's fun professionally to, like, get in the ring and design creatures and have guys in suits and puppets and just, y ’ know, bring in all this stuff... I remember when I was a kid, and if something like «Behind The Scenes of Return of The Jedi» would come on, I'd just be glued to the screen, wishing that one day I'd be able to get my hands dirty doing something like that.

Her refusal to compromise is a trait very much shared by the main character of the Dardennes» 2011 film The Kid With a Bike, out now on Blu - ray and DVD.

The film isn't up to much, but Melissa Rauch makes an impact with «The Bronze,» while Caren Pistorious shines in «Slow West,» Milo Parker is excellent in «Mr. Holmes» and the kids of the excellent «Sleeping Giant» are all very good.

A very entertaining animated film that made me feel like a kid again.

Very young kids might beware, there is one gnarly scene involving a kidney operation, not to mention the fact that Atari spends the entire film with a piece of scrap metal in his skull.

The film starts from a familiar premise — a kid, Chris Smith (Emile Hirsch), who gets in over his head with some very mean men hatches a selfish and nefarious scheme to pay off his debts.

Yet, against the odds, this film has garnered very good reviews, being called a faithful remake of the much - loved original film (apart from, erm, not being about karate at all, but kung fu)-- but of course something today's kids might relate to a little more closely.

After proving that MA (or R - rated in the US) films do make money, Snyder was able to make a very adult film — and indeed this is not for kids.

The story is also very predictable, which is fine for a PG - rated kid's film, if it's done properly.

The film centers on a group of college kids who are unlucky in speaking into existence a dangerous entity that threatens their reality in some very spooky ways that will follow you home.

Here are my kids wanting to remind you all that this Fantastic animated film is very, very, very re-watchable.

or had very bad voice directing... i would rather have someone cut up audio files from the cartoon and overlap it LOL then listen to them... the film looked great and moved well with the story... it was only rushed due to film time limitations... but the kids just sounded horrid... but that is my opinion im sure lots of ppl enjoyed the film...

A cinematic time capsule of sorts in that you're essentially watching a kid (both the character and the actor playing him) grow up before your very eyes, the film has some very poignant things to say about adolescence, parenting and life in general.

«Once Bitten» (1985) Let's not kid ourselves, people: despite the fact that Lauren Hutton was the headliner of this film at the time of its release, the reason people remember the flick is because it stars a very young Jim Carrey.

The first two Spy Kids films were the rarest of commodities — two movies made by a very talented filmmaker which were aimed at pre-teens, combining action, comedy, and a positive message.

One report from a behavioural support worker in Gloucestershire said that the film had been used, «very successfully in 1:1 sessions with the kids... one boy in particular has stopped his daily fighting as a direct result of seeing the film».

Fatheree and Lindvahl are very proud of the high - quality film their students produced, but they're more impressed with how the kids worked as a team while employing a wide range of skills.

«It's very important for the kids to hear authentic, natural speech,» says Glass, who uses a beginner - appropriate BBC site with man - on - the - street video interviews filmed in Spain.

I'd seen this film a long time ago but when I saw it again this time, I had a much better appreciation of the Aboriginal way of being and the thing that really struck me in this film was there was a section of the film where they were going to do this aeroplane song and dance corroboree and they were getting ready for it and you know there are all these Elders and you know very wise and respected Elders you know making their costumes they were gonna wear, talking about how it was gonna be and in amongst all these people there's little children you know of one 1 or 2 or 3 years old who were just crawling around and you know watching and listening, trying on their head - dresses and they were completely welcomed into that adult community, there was no sense of, you know this is grown up business, you kids go off and play which is very much the western model.