Sentences with phrase «very minor colors»

The former was achieved on the Ultimate Groove (its 7.52 Mb / sec average bitrate slightly conquers this disc's 6.5 Mb / sec average) with some detectable evidence (one might notice very minor color banding and edge ringing on large displays), while the latter awaits a high - definition format like the industry's impending frontrunner Blu - Ray for potentially even more visual beauty on capable TV sets.

Not exact matches

For many people, the color gamut is going to be a very minor issue.

Helen Frankenthaler Sunshine After Rain 1987 Etching, aquatint and drypoint in colors, on Fabriano paper, with full margins, I. 33 3/8 x 27 3/8 in (84.8 x 69.5 cm); S. 46 1/4 x 36 1/2 in (117.5 x 92.7 cm) signed, dated «87» and numbered 62/67 in pencil (there were also 8 artist's proofs), published by 2RC Edizioni d'Arte, Rome (with their blindstamp), minor soiling in the margins, otherwise in very good condition, framed.

HELEN FRANKENTHALER A Page from a Book: I - III three etchings with aquatint in colors, 1997, on TGL handmade, all signed and dated in pencil, all numbered 11/60 (there were also 16 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, all with full margins, very minor surface soiling, a few lightly skinned areas in the margins, one with a very pale moisture stain at the upper right margin edge, otherwise all in very good condition all P. approx. 4 1/8 x 18 1/4 in.

HELEN FRANKENTHALER Un Poco Màs (H. 140) lithograph in colors, 1987, on White Arches Cover paper, signed and dated in pencil, numbered 46/60 (there were also 12 artist's proofs), published by Ediciones Poligrafa, S. A., Barcelona, the full sheet, minor rubbing in the lower corners, pale foxing on the reverse, otherwise in very good condition S. 27 x 37 in.

HELEN FRANKENTHALER (B. 1928) White Portal (Harrison 10) lithograph in colors, 1967, on Arches, signed and dated in pencil, numbered 18/18 (there were also 4 artist's proofs), with the ULAE blindstamp, West Islip, New York, with full margins, 6 tiny pin holes in the blue areas, time staining at the extreme margin edges, minor remains of old tape at the reverse of the margin corners, otherwise in very good condition.

Helen Frankenthaler Air Frame, from New York Ten portfolio 1965 Screenprint in colors, on Arches double - weight watercolor paper, the full sheet, S. 22 x 17 in (55.9 x 43.2 cm) signed, dated «65» and numbered 179/200 in pencil (there were also 25 hors commerce lettered A-Y), published by Tanglewood Press, New York, the sheet slightly toned, occasional scuffing, minor creasing in the corners (with slight cracking in the inks), otherwise in very good condition, framed.

HELEN FRANKENTHALER (B. 1928) Plaza Real (Harrison 139) etching and aquatint in colors, 1987, on BFK Rives, signed and dated in pencil, numbered 1/60 (there were also 12 artist's proofs), published by Ediçiones Poligrafa, S.A., Barcelona, with full margins, a scuff in the yellow, minor surface soiling in the upper margin, soft handling creases, otherwise in very good condition P. 20 x 26 1/2 in.

HELEN FRANKENTHALER (B. 1928) Solar Imp screenprint in colors, 2001, on wove paper, signed in pencil, numbered «AP 13/18» (the edition was 126), published by Lincoln Center / List Poster and Print Program, New York, the full sheet, a very minor scuff at the upper sheet edge, otherwise in very good condition, framed S. 39 1/2 x 30 in.

HELEN FRANKENTHALER Air Frame, from New York Ten (H. 6) screenprint in colors, 1965, on Arches, signed and dated in pencil, numbered 196/200 (there were also 25 lettered hors commerce), published by Tanglewood Press, New York, the full sheet, minor soft scuffing in the lower right corner, a few tiny ink losses at the sheet corners, mat staining on the reverse, otherwise in very good condition, framed S. 22 x 17 in.

HELEN FRANKENTHALER (B. 1928) A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and stencil in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 42/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, very minor surface soiling in the margins, otherwise apparently in very good condition, not examined out of the frame P. 5 1/4 x 21 1/4 in.

Some minor color shading also becomes visible in low - light shots, but it's most noticeable in our studio test chart shots and very difficult to detect in any real - life shots.

In fact the viewing angles on the Moto Z are some of the best on any AMOLED panel on the market, exhibiting only a very minor rainbowing effect when viewed at extreme angles but no actual color shifting or visible dimming.