Sentences with phrase «very modern context»

Cervelli was interpreting ancient rites and symbols in a very modern context.

Not exact matches

The modern issue of «judicial activism» is, accordingly, tied up with a very different set of historical and legal assumptions, specific to the American context.

They are proud that their concepts are very modern but they are superficial and transitory because they lack rootage in a historical context.

One of the greatest crises that the modern church has been polluted with, is the very little importance correct context (in its original meaning) has.

«4) Had Durkheim lived longer, he very likely would have pursued the religious significance of societal integration in a modern context.

Modern realism must indeed acknowledge that «all knowing [is] context relevant in much the same way as» the physical realm discovered by modern science - and all creation is immediately dependent upon and contextualised by, for its very existence and intelligibility, the Mind oModern realism must indeed acknowledge that «all knowing [is] context relevant in much the same way as» the physical realm discovered by modern science - and all creation is immediately dependent upon and contextualised by, for its very existence and intelligibility, the Mind omodern science - and all creation is immediately dependent upon and contextualised by, for its very existence and intelligibility, the Mind of God.

«It is important to note that depression is a very complex disease and also defined in the context of modern human societies, so we certainly can't say that our ancestors or Neanderthals were depressed in the modern sense.

As you can hear for yourself, a modern, high - quality Text To Speech voice can sound very realistic, and a big part of that is because Julie's Text To Speech engine analyzes every piece of text it receives to understand the meaning and context of the text.

B & B in the... Read more context of modern taste very old, built in 1900 and renovated in 2008.

Nintendo walked an unbelievable tightrope in recognizing the franchise's core values and dropping them into a new (and very modern) context, creating an experience both nostalgic and fresh.

In bringing to light the historical context of modern and traditional interplay, a new forecast of possibilities revealed itself as Brian and I discussed the show's very apt setting in the burgeoning Bushwick / Ridgewood arts scene.

Some people suggested showing it at Tate Modern, but I wanted it to have a very different context, not with my contemporaries, or in a «best of British» kind of selection.

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

Of course the term «black» can arise in a wide variety of different contexts that have absolutely nothing to do with racism, which is what could be described as «noise,» there is a small increase where Jim Crowe laws were enacted, followed by a more substantial increase in the interwar era which precedes a very sharp increase during the Civil Rights era up to the modern day.