Sentences with phrase «very moving film»

That, at least, is my thought as I consider the ending of a very moving film.

«Prince Avalanche» is a very moving film.

I didn't want to make the same thing because you can't do more than this film, because it was real and it's a very, very moving film.

* I was surprised to see such mixed reviews for this one, as I thought The Railway Man was a very moving film with great performances.

«It's a very moving film about self - delusion — something that we all suffer from.»

Most filmmakers would freak out about making a movie about either subjects, but Daldrey has made a very moving film that manages to treat the material with respect, and possibly boost the profits of tissue manufacturers.

This week - long odyssey adds up to a very moving film which is surprisingly human considering the lead characters.

A very moving film.

Jason's choice to direct such a different kind of film gives him great merit... and the result is a multi-layered, rich very moving film that takes one in a myriad of emotional directions.

It is a very moving film, I think everyone should go to see it.

So I just saw (for the second time) the very moving film ONE TRUE THING.

Not exact matches

«Elysium ``, the theme song by Hans Zimmer, Lisa Gerrard, and Klaus Badelt from the film «Gladiator ``... a very moving piece, started playing.

But if you can get past the overly - symbolic scenery and slightly dodgy accents, the portrayal of the tragic central relationship in this film is very moving.

«It turns out that creating an accurate biological model and creating a believable computer - generated depiction of life in film are very similar, in that you're constantly troubleshooting and modifying your virtual object until it fits the way things actually look and move,» says Reilly.

I have decied to make or brak option in life and I have give it the word tacofic it is a learing experince the machine whats me to give what I am ok im an artist righter I read I love waiching moves but some of my tasts can be very cheesey in film film is a love of mine cooking is...

It's a very moving indie drama that, as the directorial debut of screenwriter Oren Moverman, could be the start of a very great career for him as something other than a writer.You should definitely give this film a watch.

Essentially the problem is that the film clumsily moves between very broad (and mostly unfunny) comedy and really earnest emotional pleas for change without any consistency.

I would not recommend this film to most people - but if you're up for a VERY non-narrative film (think two and a half hour poem) about life's most serious questions, then you might find Tree of Life (especially the 2nd act) one of the most beautiful and moving films you'll see this year.

Everything about this film moves at a very solid pace and you feel like it is giving you a slice of life at this moment in their lives.

The first few years of his career following the departure from the show were somewhat lackluster, but Smits eventually landed the role of Senator Bail Organa in the second and third Star Wars prequels, a move that would permanently cement him in film history in the minds of at least one very large fanbase.In addition to his work with the Star Wars franchise, Smits also made an inevitable return to the small - screen mid-decade with a prominent role on NBC's The West Wing during the show's 2004 - 2005 season.

That aspect of the film is clearly in a fight with all the «why did you come here» Syd Field motivational padding between its troubling setpieces, and it's a very studio - suit move to assume that the only way to give «meaning» to a film is to have people talk about it.

The question of whose disobedience, and what kind of disobedience it is, are at the heart of this absorbing and moving love story from Chilean director Sebastián Lelio, his English language debut, following very quickly on the heels of his film A Fantastic Woman which has been a festival - circuit hit this year.

Fish - out - of - water stories can become tiresome very quickly if they're not anchored itoeither a witty script or good performances, but at the very least., most films which go down this route at least make an effort to emphasise the differences in culture, even if it's just a passing, off - hand comment about how fast people move or the fact that there's no phone signal.

The film can be smothered by the obligations of its plot, but it's still beautiful and original, extremely funny, and sometimes very moving.

A very deep and moving film about the Detroit riots.

Honestly, I felt this to be a very slow - moving and pedestrian film about the Vatican during the 60s.

B -: Brilliant acting / directing but extremely slow moving and very depressing... who needs this kind of angst at a film?

Overall, though LaBute's dialogue is very good and the actors are fantastic, there isn't a substantive story or a guiding theme to move the film along; it remains a character study, stagnant, like many of the lives it depicts.

The great writer / director Michael Haneke's ongoing commitment to an unblinking, deeply aware, and brutally honest cinema goes to new, more intimate and personal places in Amour, and while it's not always easy to watch (nor should it be; even at its most painful, it always feels precisely and ineffably right), it's tremendously moving and powerful in a way very, very few films are.

Like in the earlier films where the space for personal monologue and storytelling is expanded for even very minor characters, Elvira's brutally honest tape - recorded interview in the final moments combines with the image for one of Fassbinder's most moving and penetrating moments in one of his best films.

Once Radcliffe signs on things outta get moving pretty quickly for the film so expect much more out of this very soon.

Added Lundberg: «The film is an incredibly moving account of a very dark time in history, but still shows how society has come together and supported these victims of a war.»

In his post, he shared a photo of a very familiar looking living room to fans of the Bluth family and said «The Bluths move back in on the 8th» — presumably meaning that filming will begin next week.

I'll admit that going into Gridiron Gang, I was very skeptical that it would have anything to offer that I haven't seen before, but it surprised me, not because it did have anything unique, but that, for a formula film, it is competent, efficient, and until the final game, shows excellent restraint at not trying to overplay anything beyond what is necessary to move the plot along.

«Syriana» and «ZD30»: The two films are very similar in that they have a procedural, investigative quality, sharing minimal information in moving the story forward.

As well as being visually rich in colour detail, it is a genuinely moving film and an important example of covert subversive filmmaking since it contains a very strong anti-racist message at a time when racial segregation was still very much alive in the USA.

The hauntings in these films are very moving.

So, since the film does nothing but observe Finbar's daily interactions with other characters, and since he changes very little by the end, the movie ends up moving nowhere fast.

l loved the way the director moved between each character showing their foibles and lies and sense of self destruction.The 13 year old is the star of this film with her sad, cold desperation but allied to a very sharp intelligence..

Truly a delightful film and despite the amateurish acting in supporting roles, very moving as well.

Over time, my tastes have evolved enormously - I went through a very long phase of listening to nothing but John Barry; then moved on to Jerry Goldsmith; and these days like an enormous range of film music, both new and old.

They weren't catching the wave of excitement Selma's mere presence brought to audiences — not because history was about to be made with the first black female director in the Oscar race, but because Selma was such a very good film, such a moving film, such a sensual, breathtaking, wholly original work that no one really knew what to do with it.

and other mythological creatures and then confronting a very pissed off Ares — before the heroes finally have to find their way into the Underworld through a very odd, three - dimensionally moving labyrinth — a kind of Greek - Deco - Escher construct that houses the film's best practical effect — a completely physical, GC - unenhanced minotaur.

That she's played as thoughtfully and open - heartedly as she is by an Oscar - winning Alicia Vikander makes the film more moving than it might have been otherwise, but it remains a thoroughly cautious study of a very brave act.

Suggesting that it maybe hasn't talked to (or judged the overall judgment of) the average American movie - goer of late, Fox sounds very excited to announce today that it's moving forward with plans for films that allow the audience to control how they ultimately play out.

More importantly than anything, it cuts close to the bone, with much of the film feeling like Gilliam confronting his own mortality: «for all the film's flaws, it feels like a very personal and moving piece of work as Qohen moves towards some kind of acceptance that his time on Earth will be brief in the grand scale of things... it's not so much a film about a search for a meaning, as an embrace of meaningless, and it's fascinating in that respect.»

Youth is at once a miraculous, moving and searingly funny film that's right up there with the director's very best work.

There are one or two small marks on the film near the beginning that couldn't be removed but once some colour is introduced and characters are moving around then the difference in picture quality is obvious and very pleasing to the eye, just as the Ennio Morricone score is to the ears.

Next week, we'll skip Best Original Song (which we're saving until the end) and move onto the sound categories — a very different way of perfecting a film's aural landscape.

To make it slightly more manageable, however, we've excluded the following films because we've already seen them very recently in either Venice or Telluride (titles are linked to reviews): Jason Reitman's «Labor Day,» Jonathan Glazer's «Under The Skin,» starring Scarlett Johansson; Alfonso Cuaron's «Gravity»; the Michael Fassbender - starring «12 Years A Slave»; Kelly Reichardt's «Night Moves»; Ralph Fiennes» «The Invisible Woman ``; Ti West's «The Sacrament ``; David Gordon Green's «Joe» starring Nicolas Cage, John Curran «s «Tracks, «and Hayao Miyazaki «s alleged last film, «The Wind Rises.»