Sentences with phrase «very much a dialogue»

«I see very much a dialogue with Manet, the Olympia, with the white nude with the black maid.

Not exact matches

Much of the value of this dialogue for process philosophers lies in following along precisely the sorts of things that Hausman and I said, for these are the sorts of things nearly all process philosophers say about Bergson, even those such as Hausman and I, who are very sympathetic to Bergson and try to study him closely (although admittedly, Hausman is really more a Peircean and I am more a Whiteheadian, and Gunter is really Bergson's true apologist).

I have invested quite a bit of dialogue in this thread very much on subject and you just keep sticking your fingers in your ears like a school girl saying I can't hear you.

«Mere ethical / social dialogue is useful, and is very much needed.

Schleiermacher has always been a theological model not so much in the content of his thought as in his basic approach to faith, which is a very rational, historically oriented approach within a tradition, with the understanding that one can not simply swallow the tradition but has to enter into a reasonable dialogue with it.

It's not that Elon Musk has said very many inappropriate things, it's that so much of the dialogue about colonizing Mars — inspired, initiated and often influenced by Musk — uses language and frameworks that are a little problematic (and I'm being -LSB-...]

Since there's very little dialogue in the movie, the physicality of our characters became that much more important.»

This may seem like a knock on Rowan Joffe's screenplay (adapted from Martin Booth's novel A Very Private Gentleman), but it could say as much or more about the director's decision to shoot in a moody, meditative manner — and cast characterful Euro faces who deliver dialogue as if it were carved in stone.

There is so much bad dialogue, boring character moments, and the whole army setting makes it feel very distant from the series.

Very worthy - but it could have been so much better - the characters are too black and white, some of the situations they find themselves in are too twee, all of the stereotypes are levered in there somewhere and the dialogue is not clever.

It doesn't try to show some drastic change, but it does attempt to convince others that change can indeed happen, it also never puts blame on one person, because obviously with marriage it is a joint effort, there will be trials and on other occasions it simply won't work, but time and commitment can change that, rarely can a simple film like this address so much in such limited issues, but sharp, often improvisational dialogue and strong performances create a very real and insightful piece that underplays everything for maximum effect, which works.

In the end, this is a very interesting true story that should have had much more dialogue to explain some of the actions of the characters.

Everything about «American Ultra,» from it's dumb dialogue, to it's ridiculous story, to it's very unfunny cast, there really is not much to enjoy about this film.

Similar to Drive, one of my favorite films of Cannes 2012, the power of The Rover is in its silence, and it uses that silence (and minimal dialogue) very effectively to convey so much, to speak loudly without being loud.

Generally my style would be very much out there in terms of dialogue.

This is very much in the mould of Pulp Fiction, where we are treated to a plethora of memorable characters and priority is given to dialogue over action.

Audio: Again, what's on offer here is very subtle; you aren't going to hear much in the way of sound effects (or dialogue, or anything else, for that matter).

, contains very little dialogue that isn't reminiscent of other, similar Hollywood blockbusters; and the acting is pretty much of the same, lowest - common - denominator variety, although Ishirara uses his boyish, cherubic face effectively to convey conflicting emotions.

So the onus must fall on the material adapted, Robert Harris's follow - up to his much - lauded Fatherland, which promised a Ken Follett romantic espionage page - burner while delivering a staid and occasionally incomprehensible period bodice - ripper crushed under the dual gorgons of the sophomore jinx and the Tom Clancy «guess I'm not very good at dialogue» bogey.

Largely set within Packer's high - tech iLimo, there's a very stagey feel to proceedings; dialogue is adeptly scripted but highly self - aware, and much of the film feels like a play imperfectly adapted.

WHY: «Sausage Party» isn't a very subtle movie (the dialogue is laced with so much profanity that it feels like it was written by a bunch of prepubescent boys who just learned about swear words), but what the comedy lacks in maturity it makes up for with some clever commentary on faith, sexual temptation and the Palestine / Israel conflict.

Most of the scripts chosen for live reads are oriented very much around character and dialogue; the event is just a bunch of people sitting on stage, after all.

Very violent yet hilariously funny, superb acting from all corners - Waltz and Jackson steal the show while Leo shows up in an awesome turn as a plantation owner and superb visuals... and then there are the Tarantino trademarks - sharp dialogue, humor mixed easily with fear and so much more...

The Dolby 2.0 stereo track lacks much punch in the directional department with some very minor atmospheric noise during its first rally scene and a few moments in its second half; dialogue is well modulated in the centre channel.

The Shallows shows how much can be accomplished with very little dialogue.

predilection for dick and fart jokes is very much in evidence (though, thankfully, there's nothing here approaching the scatological nadir of Dogma's Golgothan), yet while he may have gained a fair amount of notoriety for that lowbrow brand of humor, his greatest strength has always been the rapier wit of his dialogue, whenever raunchy or not.

The attendant 5.1 DTS - HD MA track is a 360 ° wall of sound whenever the offices of Stratton Oakmont erupt in mayhem, although dialogue is always very clear above the fray, including much throwaway ADR.

Line after line of dialogue rolls by and almost nothing strikes the funny bone, and in between the attempts at wit come some very tired gags, like Steven's girlfriend, played by Callista Flockhart («Ally McBeal»), taking a Pomeranian hostage for barking too much.

It was nice to see the dialogue choices introduced in this game, and I very much welcome innovation in this regard.

Cannes 2018: Without much dialogue, director Matteo Garrone lets his story play out in the confrontations between two very different criminals

Given the nature of the movie, this could have very easily been a three - act play, as we get much more dialogue than action.

Dialogue showed a little edge at times, but not much, and the speech appeared very good for the age of the material.

Samantha, voiced by the lovely Scarlett Johansson never appears physically but in her perfectly written dialogue, she feels very much a part of this world.

In that case, you'll very much appreciate the script and dialogue in Three Billboards.

There are very few formal side quests with dialogue and objectives, and while there's quite a bit you could do on the map there's not much incentive to strive for 100 % unless you're committed to finishing it on Hard.

Very much in the vein of The Hangover, only this time it's a makeshift family as opposed to a group of four guys, this rude and crude comedy has some real snap to the dialogue and a real chemistry emerging slowly between the fake fam.

Nonetheless, Weaver and the rest of the stellar cast — which also includes Julianne Moore, David Strathairn, Arliss Howard, and Chloë Sevigny — do their best, even while saddled with some very «movie» dialogue (e.g., a sobbing Moore laments, «It's amazing how much a person can cry!»).

The script, which while akin to his masterpiece, Pan's Labyrinth fails to engage or entertain us anywhere near as much as that movie did, and the dialogue, particularly some of Hiddleston's lines, are very clichéd and corny, and you can also almost guess where proceedings are going to lead to next.

I very much look forward to continuing to learn about Singapore's remarkable achievements in education reform, and to a rich dialogue with leaders of thought and practice, as well as students, in that beautiful country».

I am excited to participate in and to contribute to the very much - needed dialogue concerning assessment literacy for all educators from Pre-K through higher education.

The story itself is very interesting... but the author has her fingerprint all over which I find it distracting and rather annoying... Much of the dialogues, especially between the young Saaed and Sara are not believable.

Annoying dialogue and poor characters are very much an issue in the manga adaptation of Reki Kawahara's The Isolator.Title: The Isolator: Realization of Absolute Solitude Genre: Sci - Fi, Action Publisher: Kadokawa (JP), Yen Press (US) Story / Artist:...

The game has no spoken dialogue, and very rarely displays text, so it is very much up to the player and their interpretation of the events on screen to fill in the blanks of the story.

The option to skip dialogue is there, but this is one of the very few times in a game with so much recorded chatting that I've never wanted to use it.

The dialogue here — what little of it there is — flows far more naturally, while the over-the-top nature has been toned down quite a bit, although long - time fans shouldn't feel worried as this is still very much a Metal Gear Solid game and thus some weirdness still exists.

«There's a very different vibe between the two sessions, and Telltale is so story and dialogue heavy and so much of what we've done so far in Injustice is combat heavy.

I'm very close to wearing out my A button due to my countless attempts to skip through these moments, much like skipping through the Nurse Joy dialogue in any Pokémon game.

This is a small addition, but one that's very much welcome, even if it does open the door to a lot of «Captain Obvious» dialogue.

This game is a unique as far as puzzles go, a lot of I haven't come across before, and I enjoyed them very much... some took me quite a while to solve The game opened in widescreen... a definite plus, hate having to change things There are 3 modes of play: Easy - Expert - Pro... Expert players will love this game as there is no hand holding at all... no sparkles, no hints and no skips I played the Easy mode where hints charged in about 15 seconds and not much longer for skips I quite like the HOS as well... lists, silhouettes and find one thing to open or find another object but done differently than the norm There are no voice overs, which I didn't mind for a change, not an overly lot of dialogue to read either Graphics were good without being spectacular.

It wasn't shoved into your face that much, being limited to very brief cutscenes, but the main problem with them was the insane amount of dialogue present in each speech bubble, being a visual hindrance to anyone reading it.