Sentences with phrase «very much screen»

It was very much screen based, and then I moved much more towards the, kind of, serialise online, but collect in print model that a lot of people have.

Not exact matches

You might not use the Surface Pen very much (though I bet you will), and you might not touch the screen often.

The brain is very sensitive to light, and too much of it just before bed — from computer screens, televisions or bright reading lights — can trick the brain into thinking it's daytime.

The documents show that Cruz was very much on the radar screen of mental health professionals and the Broward County school system, yet very little appears to have been done other than these evaluations.

Translation: I seem to be very much on the mind of this troller, who has made many different screen names and many comments centered and focused around me.

This Saturday, when college football teams finally burst from the locker room and out onto America's collective big screens, they'll be joined by the much - hobbled, much - maligned, but very much still...

Not with all the commercial hoopla of people rising before dawn the day after so they can shiver in dark parking lots to be in line for some amazing - never - to - be-offered-again deal on a big screen TV, thank you very much.

With no net, coaches actively encourage physical contact: «Screen out» is commonly uttered at a very high volume in basketball games, and it means one player should make as much contact as possible with the other, and shove her away from the basket.

Once you've accessed an event, instead of the very low key live scores screen along with the odds in the main content area, you now get much more detailed game stats and live odds.

My style has just developed from there... I always loved silk screen printing and Adobe Illustrator allows me to produce illustrations very much in that style.

The 8.9 inch screen makes this a little smaller than some tablets, but still very much a top contender.

Although screen time can be very enjoyable for you and your child, too much screen time can lead to negative behaviours and emotions.

In a game very much like Pong, a ball bounces across a screen, and participants use a joystick to block the ball with a paddle of varying sizes, making the task easier or harder.

On the other hand, I am very much used to things moving on the screen.

And atmospheric scientist James Screen of the University of Exeter in the United Kingdom warns that the «link between blocking and Arctic amplification is still very much open to debate.»

However, since high - resolution digital screens are refreshed at a much higher rate, reports are increasingly surfacing of pooches who become very interested in newer technology HDTVs when a nature show contains images of animals moving.

Now, as a result of 10 years work, Huang and her team have created a cervical cancer screening technique that, based on an analysis of a very large dataset, has the potential to perform as well or better than human interpretation on other traditional screening results, such as Pap tests and HPV tests — at a much lower cost.

Eating on the run, skipping breakfast, too much take - away food, stressful and busy lives, not chewing foods properly (very common), eating in front of TV or computer screen or IPhone, poor food choices, and several other reasons can account for this.

Gwyneth Paltrow isn't on screen very much, but every scene she's in is great.

ill start off by saying that the graphics are gorgeous, the gameplay is pretty similar to donkey kong returns, the game is just a fun 2D Platformer overall, the only DOWNSIDE is the Difficulty can be very frustrating at times, i recommend getting a Pro Controller, it works much better then the gamepad, also the game does nt really use gamepad other then off screen play, but still a

ill start off by saying that the graphics are gorgeous, the gameplay is pretty similar to donkey kong returns, the game is just a fun 2D Platformer overall, the only DOWNSIDE is the Difficulty can be very frustrating at times, i recommend getting a Pro Controller, it works much better then the gamepad, also the game does nt really use gamepad other then off screen play, but still a great Platformer

My personal issues aside, this is very much a film worth watching, especially on the big screen which should do the grand vistas justice.

Under The Skin is very much a film critic movie; while it has an oblique nature that provides a barrier to entry for the general public (six walk outs in the first 40 minutes of my screening, all people presumably brought in by the promise of Scarlett Johansson naked.

We do get a few newer characters such as Thranduil (Lee Pace), the elf king and father of Legolas, but he is really just a big cliche in terms of the «villain that you know you can't trust and has way too much power and seems evil just for the sake of being evil,» But again, he doesn't get a whole lot of focus, and to be honest, how he is portrayed is not very interesting, the character has this interesting backstory that is somewhat brushed over, and again, he doesn't get a whole lot of screen time.

Personally, I love the Gamepad, and even if I only get off - screen play with the majority of games, I'm very much ok with that, even if it doesn't help to sell the system to the unwashed masses.

Last night, my wife, daughter and I took in Black Narcissus at the AFI Silver and enjoyed it as much as we always have (only more so because it was in the gorgeous main theater projected on a huge screen) and afterwards I started thinking about movies with very famous scenes, so famous that most casual film goers might know it (or have a vague sense of familiarity with it) even if they don't know the movie.

Given the right material, Long can be very funny, but when given free reign and far too much screen time, it's a chore to watch him.

In the case of Nebraska, while it's no journey to Mt. Doom or Battle Royale, Woody Grant (Bruce Dern)'s mission to get to Lincoln, Nebraska to claim his prize money of one million dollars in any way possible is very much a moving story that uses actors who don't necessarily jump off the screen but are perfect fits for the narrative at hand.

Amanda and Natalie (Natalie Hall), Donut's future wife, are rarely on screen, but they're very much understood to be present in the minds of Eric and Donut, especially when the men are stuck in potentially deadly circumstances.

There's Malcolm (newcomer Shameik Moore), who's trapped in the»90s with his flat - top haircut and loud clothing; Diggy (22 - year - old Kiersey Clemons in her first big screen role), a lesbian who cares not for what anyone thinks about her preference for dressing a little differently; and Jib (The Grand Budapest Hotel «s very own Tony Revolori), who may seem like a misfit but his 14 % African blood speaks for itself, thank you very much.

Lars von Trier) Cast: Charlotte Gainsbourg, Stellan Skarsgård, Shia LaBeouf, Uma Thurman, Jamie Bell Even aside from the whole persona non grata that resulted after his ill - advised comments while promoting «Melancholia» at the festival two years ago (and there have been some suggestions that Lars von Trier «s work is still welcome at the festival, just not so much the filmmaker himself), it's very unlikely that von Trier's latest will be on the Croisette this year, for the principal reason that it's not ready: the film's producer indicated that the two - part movie just wouldn't be prepared in time to screen for contention.

The film feels very much like a low - budget version of another big screen Star Wars - tinged film based on existing franchises, Flash Gordon, with its cheesy sets and costumes, and juvenile presentation.

The same can be said for lighthearted turns from Chloe Grace Moretz and an especially appealing Sam Rockwell, who seems very much at home in this kind of comedic wounded bird persona, masking his inner remorse with a sense of humor, he has cultivated for quite some time on screen.

That was a exercise in paranoia that felt aptly stagey and claustrophobic on screen; this is much more opened out, with a fine eye for apocalyptic urban wreckage - the very nastiest kind of car park.

Judging by this brief screen of a town, coach travel is very much still a thing.

He seems very much a white guy, and maybe that makes him the most badass white Rastafarian screen criminal since Gary Oldman in True Romance.

Something dawned on me as Schumacher ripped off entire sequences from The Killer and La Femme Nikita (and, before my very eyes, wondrously sucked them dry of their excitement and kineticism): the reason these idiots on screen were having so much trouble finding the bomb was that they were too busy starring in it.

After surviving a night in the woods for an experiential screening (event recap, review) of Trey Edward Shults» sophomore feature It Comes at Night, we sat down with him to discuss the very personal nature of the film, his approach to making such an atypical horror film, the very interesting backstory behind the house featured in the film, and much more.

The themes of the Captain America 2, previously described as a «political thriller» by Marvel Studios boss Kevin Feige, are very evident in the teaser trailer and fans — much like the characters on screen — don't know who to trust.

Described by Sky One's head of comedy Jon Mountague as a «blue sky show» with a «Post-Trumpian» message, Living The Dream will at the very least bring some much - needed sunshine to our screens.

Filmmaker Alex Garland's take on Jeff VanderMeer's book — the first of an alliterative sci - fi trio known as the Southern Reach Trilogy that also includes «Authority» and «Acceptance» — is very much on the «loose» end of the adaptation spectrum, which suits the movie well: There's a lot about the novel, which is rich in ideas but intentionally vague about certain details, that would have been exceptionally difficult translate to screen.

The die hards have been out in force long before the latest Marvel / Disney heroes got on to the big screen, with race very much a motivating factor in some cases.

He does a very good job at providing just enough on - screen darkness that viewers can sense the dread and horror of the situations, but not too much that it proves too difficult to stomach.

Considering its length and the fact that it's very much a film that should be seen in a theater, Fincher's film plays extremely well on the much smaller screen in my living - room.

As I don't travel much and I have very little interest in looking at a screen when I'm out...

Instead, even with the melange of technological and geographic razzle - dazzle at the crew's disposal, there is very little joy in this film; the overall effect on screen bears more than a passing resemblance to what might have occurred with a hypothetical pairing of James Cameron and John Calvin; the decision to eliminate over seventy - five per cent of the cast within the first forty minutes doesn't help the situation very much.

Kill Your Friends isn't a film you can like very much, but the slime seeps off the screen impressively.

Essentially, Frailty is a very graphic story, but Paxton has the good sense to keep much of the carnage off - screen, where the audience can imagine the views without being thrown - off of the central story.

«I shot for a day, and I enjoyed it very much, and then I received a phone call from [Marvel Studios President] Kevin Feige... who said, basically, in test screenings, audiences had sort of overemphasized Loki's role.

For as much as the characters on screen are fooled by their affiliations and disappointed by betrayals, they hang on to the very idea of parties and sides, generational or political, gendered or classed or sexed.