Sentences with phrase «very recent paintings»

He showed me some very recent paintings of Brian O'Doherty's that were hanging in his back room.

His first solo exhibition at Hosfelt Gallery will consist of very recent paintings on canvas and watercolors on paper, contextualized with work from the past decade, as a means of exploring the evolution of his lexicon and style.

On display is a selection of over a hundred paintings and drawings, including several rarely shown collages from her early work and a few very recent paintings.

Not exact matches

The enhanced industrial paint used in both public urination - plagued cities is called Ultra-Ever Dry, the very same nanotech coating that made Nissan's recent self - cleaning car prototype possible.

«Iron Path» evokes the photographs of the railyards at Auschwitz, and like most of Kiefer's recent paintings, it is very large.

While many contend that the earliest cognitive deficits are caused by damage to the striatum — a structure deep in the brain known to be severely affected in HD — recent evidence suggests that this claim may paint an incomplete picture of the widespread changes occurring in the brains of HD patients during the very early stages of the disease.

In a recent post on her app, Kendall Jenner explained why she decided to paint her living room a very specific shade of pink.

Make sure your photo is recent and paints a very accurate picture of what someone could expect if they saw you in person.

They paint a very different picture of ALA than the one that has emerged from public meetings staged by the charter school operators or during the Roundup's recent tour of two ALA campuses in Queen Creek in the Valley.

-- Jonathon Wood looks at some upmarket Hillmans and Humbers — better known as Sunbeam - Talbots / Books For Christmas — The Automobile's guide to the very best of festive old - car reading / Cars In My Life — Chris Gordon concludes his motoring memoirs / Six Of The Best Norman Painting on Morris's first off - roader / Deep South — Michael Worthington - Williams heads off to the land of cotton on the trail of the Hanson / Italian High Performer — Part One of Edward Eve's reassessment of Alfa Romeo's immortal six - cylinder power plant / By Nash To Merano — Mike Bullett and Sandy Burnett report on the recent Alpine Raid by Frazer Nash enthusiasts.

This is a nicely restored cloned ss nova with very few miles on recent restoration including new paint, new interior (carpet, seats, headliner) and a rebuilt 327, along with many other new parts installed during restoration process.

Interactive Brokers» latest trading metrics and recent investor presentation paint a very interesting picture of how they continue to grow market share with active DIY investors — a highly prized segment in the online brokerage market.

Radisson Blu is further growing the European portfolio — recent highlights include the very first Radisson Blu hotel in Madrid, and flagship of the year 2010 will be the Radisson Royal Hotel Moscow which is scheduled to open in May: Also known as «Hotel Ukraina» the building is part of Stalin's legendary Soviet skyscrapers «Seven Sisters» and will offer 506 luxurious rooms and suites as well as 38 apartments, world class restaurants including dinner river cruise boats, and a unique art collection featuring 1,200 original paintings by leading Russian artists of the early XX.

This is very different from the tack taken by Eric Fischl, whose recent paintings of collectors at art fairs talking on their cell phones feel so false — and not just because they are so badly painted.

MARLèNE MOCQUET: RECENT PAINTINGS This young French painter presents small, vaporous, psychologically charged canvases — occupied by hapless, mostly hybrid beings — that might be called illustrational, not the least for the way their titles narrate very specific events.

While some of his recent comments about female artists struck many as upside - down in a different way («women don't paint very well»), this show is still required viewing.

Interestingly, marks very similar to the 1970s Brushstroke paintings showed up in Reed's exhibition of recent work at Peter Blum Gallery in New York in 2016.

This recent group of volumes has been a pleasure as I play with illusionism, very different from most of my other textile work and closer to my painting.

Richter's more recent work has transformed into more recognizable narratives, a kind of contemporary history painting: «When I changed to narration it was also an urge that had to do, on a very simple level, with reality... I felt the desire to paint things that related to what I saw in the world.»

2007 Existencias, Musac, Museo de Arte Contemporáneo de Castilla y León, Léon Some kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA Size Matters: XS, Recent Small - Scale Paintings, HVCCA, Hudson Valley Center for Contemporary Art, Peekskill, NY Joy Feasley & Clare Rojas: Pow - Wows or The Long Lost Friend, Locks Gallery, Philadelphia, PA Silly Adults, Galleri Nicolai Wallner, Copenhagen Very Abstract and Hyper Figurative, Thomas Dane Gallery, London Panic Room, Works from The Dakis Joannou Collection, Deste Foundation, Centre for Contemporary Art, Athens In The Fullness of Time: The Luggage Store 20 Year Anniversary Exhibition, San Francisco, CA

I did my recent paintings specifically in response to a very particular history of painting.

While most recent painting has drifted toward a formalist abstraction that offers almost nothing to talk or write about, that very emptiness has recently become notable, as the new demand for these young, meaningless abstractions continues to redefine huge segments of the contemporary art market.

In a recent interview with DER SPIEGEL, the German artist Georg Baselitz said «women don't paint very well.

In some of the recent work the paint seems very thick; the brush strokes are extremely visible and present.

This Kent Place Gallery exhibition is a carefully selected timeline, including strong pieces from all periods, reaching back to a few very early works from 1976 and concluding with recent paintings.

It also includes 27 very recent works made since 2002, including his series of glass constructions; the Silicate series; all six Cage Paintings; and his iconic painting «September,» a powerful depiction of the terrorist attacks on the World Trade Center in New York in 2001.

Clearly then, when Russell Ferguson, senior curator at the Hammer Museum in Los Angeles, chose «The Undiscovered Country» as the title for a recent survey of representational painting at the institution, he had a very different view.

Their expressive, very subjective pictures seem to be trapped in paint, while Karin Davie's recent neoprene twists are three - dimensional translations of the sweeping gestures of her painting.

Girolata (named after a creek in Corsica, but after the picture was painted), one of the most beautiful of Joan Mitchell's recent paintings, is a large triptych which does look very much like a fairly literal impression of the face of a cliff pocked with crevices and littered here and there with vines and messy vegetation.

Her painting, which has been rediscovered beyond Turkey and Jordan in recent years at biennials and international exhibitions, synthesizes a wide range of influences, which relate to her multicultural and very eventful life.

Chabet's recent installation, 10,000 Paintings I Must Paint Before I Die (2009), shown in April at Mag: net Gallery — an artist - run space in Quezon City — was very much a reflection on the history of Modernism, but with a conceptual edge unique to the artist.

Sarah Morris's recent paintings of midtown Manhattan buildings are very New York indeed: stylish, hip, loud, reflexive, and assured.

2007 Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, New York, NY Hammer Contemporary Collection - Part I, The Hammer Museum, Los Angeles, CA L.A. Desire (Part 1), Galerie Dennis Kimmerich, Dusseldorf, Germany Like Color in Pictures, Aspen Art Museum, Aspen, CO Painting as Fact - Fact as Fiction, de Pury & Luxembourg, Zürich, Switzerland Warhol and..., Kantor / Feuer Gallery, Los Angeles, CA The Complexity of the Simple, L&M Arts, New York, NY Past, Present, Future Perfect: Selections from the Ovitz Family Collection, H&R Block Artspace, Kansas City Art Institute, Kansas City, MO Very Abstract and Hyper Figurative, Thomas Dane Gallery, London, UK Zbigniew Rogalski «Air», Galerie Almine Rech, Paris, France

Opening the 1990 - 91 season at the Frumkin / Adams Gallery will be a one - work exhibition of Robert Arneson's most recent sculpture - a very large ceramic and mixed media work based on the Jackson Pollock painting, «Guardians of the Secret II» in the collection of the San Francisco Museum of Modern Art.

Other recent exhibitions include Collection 2 — Focus on Recent Acquisitions, National Gallery of Osaka, Japan (2010); Resonance, Suntory Museum, Osaka, Japan (2010); East End Academy: The Painting Edition, Whitechapel Gallery, London (2009); M25 Around London, CCA Andratx Art Centre, Majorca, Spain (2008); Busan Biennale, South Korea (2008); Very Abstract and Hyper Figurative, curated by Jens Hoffmann, at Thomas Dane Gallery (2007); and solo exhibitions at Chisenhale Gallery, London (2007) and Kunsterverein Freiburg (recent exhibitions include Collection 2 — Focus on Recent Acquisitions, National Gallery of Osaka, Japan (2010); Resonance, Suntory Museum, Osaka, Japan (2010); East End Academy: The Painting Edition, Whitechapel Gallery, London (2009); M25 Around London, CCA Andratx Art Centre, Majorca, Spain (2008); Busan Biennale, South Korea (2008); Very Abstract and Hyper Figurative, curated by Jens Hoffmann, at Thomas Dane Gallery (2007); and solo exhibitions at Chisenhale Gallery, London (2007) and Kunsterverein Freiburg (Recent Acquisitions, National Gallery of Osaka, Japan (2010); Resonance, Suntory Museum, Osaka, Japan (2010); East End Academy: The Painting Edition, Whitechapel Gallery, London (2009); M25 Around London, CCA Andratx Art Centre, Majorca, Spain (2008); Busan Biennale, South Korea (2008); Very Abstract and Hyper Figurative, curated by Jens Hoffmann, at Thomas Dane Gallery (2007); and solo exhibitions at Chisenhale Gallery, London (2007) and Kunsterverein Freiburg (2006).

There was medieval painting, an asparagus still life by Monet, and Pop Art, which at that time was very recent.

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

Julian Hatton's recent paintings speak to a healthy self - confidence not only in his artistic process, but also in the very enterprise of abstract painting.

especially the Wall of Light series, and that the earlier paintings look so very different to the more recent ones was more of a surprise than I expected.

Regarding the recent paintings and drawings of artist David Humphrey, they are very curious indeed.

His recent paintings too - weird pixilated abstracted canvases - are very typical of what painting is doing these days in that it is not so much about anything other than the language - it does not even matter how it is arranged, it is almost symbolic.

If figurative work has been unstylish in recent years within the micro-trending art world in favour of more lazy conceptual and minimal works, then let this show serve to reassert the things viewers could never really get rid of liking anyway, like skill and sincerity and immediate, emotional, gutsy work; thoughtful and intense and odd works, rendering and likeness and oil paint, works that may even celebrate that very un-cool topic, beauty.

A very recent success is that the Armand Hammer Museum (possibly my favorite museum), acquired my painting «Surrender».

Overall, this recent series of still life paintings demonstrates a symbiosis of abstraction and represenation that has been at the very core of Resika's oeuvre.

For all their individual magnificence, however, no one of these paintings eclipses any other; the huge, exhilarating spacious canvases of recent years cast their radiance over the blunt and earthbound quality of the very earliest paintings; this, in turn, resonates throughout Still's mature work with a persistent undertone of epic heroism.

For Katz's latest exhibition in London, gallerist Timothy Taylor has chosen to bring out some very early pencil and ink drawings made by the artist on the New York subway during his student days and to show these alongside recent landscape paintings and sculptures.

At your recent talk there was a lot of discussion about light in abstract painting which I thought, along with others, was very confused.

At the same time that some critics are preaching the funeral of the movement, Tworkov's recent work clearly demonstrates that, as an approach to painting, abstract expressionism is still very much alive.