Not exact matches
I'm
very sad that the most amazing story I've heard in a long time, about Ted Bundy, was cut out of the
film.
I am
very much
sad and
very much offended / angry on the act of making such a
film against Our Beloved Prophet (PBUM).
This is a
very raw,
sad, and beautiful
film about faith and fatherhood, and it feels just as grounded and big - hearted as the other
films Nichals has made.
the rest of the
film is just a series of events, from the horribly disturbing and
sad, to the
very funny and entertaining.
All in all, Thomas Newman's terrible Skyfall score is a
very sad day for
film music and those that enjoy listening to it and an equally
sad day for the Bond franchise.
None of which stops While We're Young from being a
very sad and
very funny
film.
Though a feisty Indian character in the
film does constantly berate England for its colonizing ways, there is something
very sad about watching Abdul being so passive and mistreated.
Some
very sad news: gifted Toronto stage and
film actress Tracy Wright passed away Tuesday.
It takes a special kind of
film to lose me immediately, and «Paranoia,» a particularly
sad espionage thriller with
very little espionage and zero thrills, did just that.
l loved the way the director moved between each character showing their foibles and lies and sense of self destruction.The 13 year old is the star of this
film with her
sad, cold desperation but allied to a
very sharp intelligence..
Although it is a
very funny
film, there is also much sadness to About Schmidt, because Warren is a
sad person deep down, and we feel sympathy, and want happiness for him.
The mean one is Betty (Kirsten Dunst), the promiscuous one is Giselle (Maggie Gyllenhaal), the plain one is Constance (the
very pretty Ginnifer Goodwin), and the brilliant one is Joan (Julia Stiles)-- one gets unhappily married, one gets happily married, one gets
sad over an ill - conceived dalliance, and one gets a shot at happiness against all odds (because she's «ugly»); when the
film deposits them in a secret society where libations are indulged and secrets spilled, what begins as tedious becomes a death march.
This is a
film I was
very sad to miss at Sundance, and I'm happy to get a new look at it.
The script, cowritten by Iannucci with David Schneider, Ian Martin and Peter Fellows, doesn't so much joke about dictatorship as find the
very existence of authoritarianism to be one of humanity's sickest,
saddest, oldest jokes — a fine distinction, but an important one, because it prevents the
film from feeling exploitative, instead lending it the feeling of a lament in which the storyteller laughs so that he won't cry.
As all good franchises come to a
sad end, it seems, off late, the studios are increasingly unwilling to let them go
very easily, dissecting one short book into 2 and 3
films — The Hobbit — The Deathly Hallows.
Laurie Anderson's undeniable knack for beautiful lyricism and turns what could've been a
very pretentious
film into an unspeakably
sad yet hopeful meditation on love, life and what may come after it.
Set in the punishing, rootless world of the rodeo circuit, this is one of Ray's
very best
films, and Robert Mitchum's Jeff McCloud is its
sad, busted, but still beating heart.
In the same manner, Zhang Ziyi said that she thought a scene in which she expressed her inner loneliness was
very sad but
very powerful would be kept in the
film.
* It must be noted that, at no point during the actual
film does anyone call Devereaux «The November Man»; it's only name - dropped at the
very end by the
film's villain, a
sad - looking Bill Smitrovich, visibly thankful to have such a big part in a studio
film despite half his dialogue being clumsily misogynistic cracks like «Show me your tits»).
DU: We are extremely
sad for your loss but so
very happy you made that choice as the horror
film community needs you big time.
And yes, it is
sad that Bong Joon - Ho's Mother did not make the cut, as it is a
very strong
film with a fabulous central performance.
And at the Tribeca Film Festival this week, lots of filmmakers have tackled the elusive subject — including two
very different
films that took an episodic approach, and found common ground mostly in their depiction of love as a messy,
sad and formidable struggle with occasional moments of transcendence.
Some
very sad news rippled across movie Twitter last night when the news broke that prolific
film director Curtis Hanson died at the age 71.
This
film was
very sad, indeed.
Whatever the case, the movie presents us with a motley crew of
very sad and depressed characters and as the
film progresses, each of these already tragic people faces a crisis.