A very sharp script, added to the unusual side characters mentioned earlier, show modern indie comedy dramas how it should be done.
Mackenzie Crook, as Paul's cell - phone store boss Braddon, stands - out amongst the supporting cast with some irresistibly funny deliveries of lines from
this very sharp script.
Not exact matches
The
script is
very sharp, and the direction, as I said, gives it a feeling of realism that can be hard to endure, but never exploitative.
Matching big set - piece comedy with small, detailed character writing in a
script as
sharp and genre - savvy as its execution, Spy bodes
very well indeed for Feig's all - female Ghostbusters.
The Skeleton Twins shares plenty of familiar tropes that we've seen in Sundance and indie movies at large over the past decade but thanks to the
sharp script by Johnson and Mark Heyman, along with a superb ensemble, it's able to make its mark in its own
very distinct way and has become one of my favorites of the year so far.
Things could have
very easily lapsed into melodrama, but
sharp wit and a pleasingly weighty
script kept viewers coming back for more.
Whilst the plot is thin, the dialogue is
very sharp in most places, which isn't a surprise considering it's from Eric Darnall, who has looked after previous MADAGASCAR storylines and Noah Baumbach, famous for writing the
scripts for THE FANTASTIC MR FOX and GREENBERG.
O'Connell delivers another «intense and committed performance,» but it's just as impressive a showcase for Demange, who combines gritty docudrama camerawork, razor -
sharp editing and a curious kind of impressionism, brilliantly executing a
very strong
script from Gregory Burke that doesn't «skirt its issues... instead it explodes them to reveal a deeper, wider truth.»