Sentences with phrase «very slapstick»

The humor is very slapstick, and it has to be since there's absolutely no dialogue in the game.

They deliver many comic touches in a very slapstick fashion, reminding one of Keystone Cops.

The tone is very slapstick and childish.

The way they act is very slapstick and reminds me of a certain pantomimic characters which why I think they're the best mascots in the sporting world

Not exact matches

The first Iron Man movie is, among other things, a very enjoyable romantic comedy with a healthy dose of slapstick.

In Strings the sex was played mostly for slapstick jokes, but the sex here is very much in character.

It's not low - brow comedy or slapstick at all, but a very well - written and acted show, which slowly makes you really love the characters, mostly for their flaws.

His very early movies were great fun and laid in the tradition of American slapstick like «The Three Stooges «and The Marx Brothers, and afterwards he changed course and made some extremely profound films in the 60s and 70s.

There is very little slapstick (outside of the daydreaming sequences that is), instead working for the jokes.

But in those the comedy is very lowbrow, slapstick, and often annoying.

Nevertheless, Hathaway is certainly game, as is the rest of a very energetic ensemble of players, who each get their moment to shine with some choice bits of slapstick and witty repartee.

It's been done to death, from dark stripper murdering satire (Very Bad Things) to slapstick throwaway»80s fare (Bachelor Party), and depicting a bunch of men getting drunk can't exactly be done in too many fresh ways.

How this is very much removed from Ron Jeremy being a porn star is beyond me: both play on this fantasy that women like Kunis are available to men like Segel and, therefore, to every schlub sitting in the dark chucking blunt elbows into each other's rib cages at every failed joke and rattle of humiliating slapstick.

This makes Peter Rabbit extremely jealous and sparks full - on warfare, involving lots of very violent slapstick, some explosions and some shock treatment.

«The Prophet» is a very earnest book, and some of the slapstick elements in the framing story feel at odds with its fragile simplicity.

But it's much more fizzy and action - packed than its successor, rife with slapstick comedy and some very broad, uncomfortable racial humor centered on the exchange - student character of Long Duk Dong (Gedde Watanabe).

Unfortunately, the overall quality ends up being about the same as well, with unevenness caused by the juxtaposition of very light slapstick humor with much darker violent undertones.

If the very survival of poise in Lubitsch was always involved with simultaneously fueling and controlling the fires of emotion, in Edwards the impeccable precariousness of comic order often finds expression in thriller elements, as in a masterly post-credits robbery sequence that is tense, fascinating, as beautifully machined as the fantastic caper itself — and funny too, in a thoroughly distinctive alliance of the giddiness inherent in breathbating suspense and the melodramatic effectiveness of slapstick violence.

From its shrug of a title (diluted from its original Bastards), to its two years spent in release limbo, to the writing - directing team - up of Office Christmas Party's Justin Malen and The Hangover cinematographer Lawrence Sher, to a lumpy contrivance of a premise that packs every road - trip comedy cliché into a series of wacky dad vignettes, Father Figures feels very much like the overlooked middle son of a committee — one who's hoping you won't be fully sated on filial slapstick after Daddy's Home 2.

Another theme I found to be very prevalent is the slapstick humor, you an get a tour guide by Conan O'Brian or even play as the Daffy Duck version of the Green Lantern.

It's loaded with very physical slapstick comedy and perfectly ridiculous deadpan humor.

Dumb it may have been, but you couldn't help laughing, and only the very high of brow could resist its slapstick charms.

Overall the game completes very quickly but you get to see some great art and goofy slapstick hijinks along the way.

Yuen Woo Ping, the guy who's directed just about every cool action sequence from the last decade (Kill Bill, The Matrix, etc), is the director and he blends the action and the obligatory slapstick comedy very well.

The slapstick is the only real comedy that works, and even that is very miss and rarely hit.

While it's often very funny, it's also among the Coens» more thoughtful affairs, with the slapstick quality of their other musically - themed picture, «O Brother Where Art Thou,» a long way away.

The problem is that the splatter scenes juxtaposed with slapstick makes for a very disjointed final product.

But one wonders if writer - director Paul King has consciously decided to avoid the criticism Richard Curtis regularly receives for all - white casting; there are also very decent cameos for Richard Ayoade, Sangeev Bhaskar and Meera Syal and much diversity among the minor roles.Prettily made with some nifty animation and some very enjoyable slapstick gags, Paddington 2 is ultimately an insidious advert for the capital.

If you come in with no real expectations, as I did this time around, you may very well spot the film's transparent design and be bothered by its obnoxious execution of country songs, slapstick gags, and belches.

But such a description hardly accounts for the Stephen Chow - worthy moments of CGI slapstick, the body horror played for insane laughs, or the way this very strange movie frequently flirts with going indie - movie maudlin on our asses, before another loud blare of escaping gas snaps us back to crazy town.

Two history - engaging, European - inflected, cerebral yet very material shows in New York right now take Conceptualism from the droll (Marcel Broodthaers) to the slapstick (Fischli / Weiss), with various stops along the way.

Polke, who encountered Fluxus at the very start of his career, relished the slapstick side of Conceptual art, as epitomized by «Higher Beings Commanded,» a 1968 edition of lithographs he made with Christof Kohlhöfer.

Curtin, in turn, testified that he is a «by - the - book» officer and does not find slapstick humor very funny — nor, for that matter, he added, did he ever find the professional performances of Soupy Sales very funny.»