It reminded me of Moon, another small budget modern classic that has a smart script, takes place in a confined space, has
a very small cast, and was skillfully made by a first - time director (Duncan Jones).
-- Courtney Small [LOVED] The plot plays out very much like a play, with the film only focusing on
a very small cast of characters.
Not exact matches
Abortions in cases of deformity, etc., are a
very small fraction of the total and, because they introduce special factors, do not
cast light on the direction of our culture as do abortions of healthy pre-borns performed for convenience.
So after dough proofed for 20 hrs, I figured out I dd not have the right cooking container... Living n a
very small town I went to 2 second hand stores and the pharmacy... No
cast iron Dutch oven.
Use a
very small amount of vegan butter to oil a
cast iron frying pan or griddle.
At that moment I started using it in a
very small amount but still the whitish
cast was there.
And speaking of the rest of the
cast... Ving Rhames (in some slick spectacles), Don Cheadle (good funny / scary), Albert Brooks, Steve Zahn (
very funny, here), Catherine Keener, Luis Guzman, Dennis Farina... and
smaller appearances by Michael Keaton, Nancy Allen, Viola Davis, and Samuel L. Jackson.
«This is one of the
very few
small films that is totally financed by the market because of
cast [in Europe],» said Gillibert.
The film has
very much the feeling of a Kammerspiel, with a
small ensemble
cast and a somewhat episodic structure.
The supporting
cast is lined up with name actors who do
very fine work in
small roles, highlights coming in the form of Viggo Mortensen as the William S. Burroughs surrogate, Kirsten Dunst as one of Moriarty's scorned lovers, and Amy Adams, giving a performance
very far removed from her usual routine.
For what amounts to a bottle episode of a television show (featuring
very limited locations and a relatively
small cast of characters), «Gravy» moves around enough to not get boring.
But while those are obvious comparisons, they aren't inaccurate; the film, with it's super
small cast and minute - by - minute struggle, really feels in line with the
very first episode of The Walking Dead, which featured primarily one man coming to grips with his harrowing reality.
Jean - Pierre & Luc Dardennes)
Cast: Marion Cotillard, Fabrizio Rongione Belgian writer - directors Dardenne Brothers are such Cannes mainstays that we're surprised no one's named a street after them so far: every one of their films since 1999's «Rosetta» has premiered at the festival, and they've in the
very small club of those who've won the Palme D'Or twice (for «Rosetta» and 2005's «The Child»).
The directors
cast the rest of players wisely, with the aforementioned actors all
very good (Mulligan is perfectly acidic and bitter) and even
smaller parts for John Goodman, Garrett Hedlund (nearly dialogue free), Adam Driver (who was part of one of the biggest laughs at the Cannes screening) and Alex Karpovsky, aren't just
cast for cameo purposes, but really enliven what would otherwise be throwaway roles, creating a rich world for this movie to take place in, and for Llewyn to interact with.
Based on what we know so far, however, Crimson Peak could end up being a
very self - contained movie with quite a
small cast.
There's one
very small — but crucial — mistake that too many actors make when putting themselves on tape for a
casting director.
Stiller and Baumbach don't have Roger slip into cute expressions of his anxiety and emotional problems and social awkwardness, but even if he is far more than simply a collection of tics and regret and reflexive OCD impulses, it fails to get
very far under the skin, perhaps because of the
small universe of
cast.
Cast: Bill Murray, Karen Allen, Alfre Woodard, Bobcat Goldthwait, John Glover, John Forsyth, David Johansen, Carol Kane, John Murray, Robert Mitchum, Michael J. Pollard, Mabel King
Small role: Brian Doyle Murray, Jamie Farr, Robert Goulet, Buddy Hackett, John Houseman, Lee Majors, Pat McCormick, Mary Lou Retton, Miles Davis, Paul Schaffer, Larry Carlton, David Sanborn, Solid Gold Dancers, Richard Donner Director: Richard Donner Screenplay: Mitch Glazer, Michael O'Donoghue (based
very loosely on the novel, «A Christmas Carol» by Charles Dickens) Review published January 1, 2013
Director Leda Hoffmann has chosen wisely in all aspects of this staging: a shortened version of a
very long tale (150 minutes including intermission), well - placed staging given a
small stage and a 17 - member
cast — a
very solid ensemble with a number of standout performances.
The rest of the supporting
cast have such
small roles in the film that they're hardly worth mentioning, save for a
very young Forest Whitaker as Cronauer's right - hand man, Pfc. Edward Garlick.
McQueen has assembled a big
cast of heavy hitters, many of whom have
very small parts.
Robot & Frank is a well - made, solid movie, one shot in
very few locations with a
small cast that includes, in addition to Langella, Marsden and Sarsgaard, Susan Sarandon, Liv Tyler and Jeremy Sisto.
Body of
small green leaves, veined,
very thin, its fins painted in light
cast from elsewhere, but from his eye out his long snout, an eruption of galaxies without foreign source, born in the fish itself.
I made the models to scale before they were
cast in bronze — it was
very important for me to see them actual size, rather than making them
smaller and then having them enlarged.
«With the watercolor, in the quickest way, I can shape a volume,
cast a shadow, indicate the direction of the sun in a
very small format,» he has said by way of explaining his chosen medium.
«It was basically a
very small domestic space, and I showed the
cast of the inside of a dressing table, the underside of a bed, the inside of a wardrobe and a hot water bottle.