Sentences with phrase «very small exhibition»

The Turner Prize exhibition with Emin's unmade bed surrounded by the debris of her life had just 1,201 visitors a day, though Mr Ward pointed out that it was a very small exhibition.

2001 Small, Very Small Exhibition, Anatomy and Its Expressions, Fukui City Art Museum, Fukui, Vision, Selected Works from the Collection, Toyota Municipal Museum of Art, Aichi, Japan Permanent Collection Hiroshima City Museum of Contemporary Art, Hiroshima Enlarged Exhibition from the Museum Collection Site of Thought, Iwaki City Museum of Art, Fukushima, Japan Shuzo Takiguchi Floatage in Dreams, Toyama Citizens» Hall Art Museum, Japan Try, Letters Exhibition from the Collection of Hakodate Museum of Art, Hokkaido Kushiro City Museum of Art, Hokkaido, Japan Invitation to Contemporary Art Japanese Avant - garde in 1960s, Tottori Prefectural Museum, Japan Permanent Display Ⅰ, Niigata City Art Museum, Niigata, Japan Permanent Display II, Niigata City Art Museum, Niigata, Japan

Not exact matches

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»

Both parts of this exhibition of fifteen small paintings by Eilshemius and twenty - two by Thompson are very interesting.

In an interview with Marshall N. Price that is in the exhibition catalogue, the artist states: «I recently made a large body of small paintings (16 × 12 inches) and the act of making these was really movement - oriented, and very involved with the materials in a physical way.

The title of the exhibition refers to the very small and incidental things that make up larger and seemingly more significant things.»

Similarly, Eric de Chassey, in the catalogue that accompanies the exhibition «Alex Katz: Small Paintings,» begins his essay by informing us that «Alex Katz is one of very few artists working today capable of creating works that can be reconciled with the world, without seeming anachronistic.»

The patterns which emerge through tearing, pasting and scraping are as much reminiscent of works by Kurt Schwitters or Robert Rauschenberg as they are evocative of Francis Rose's predilection for minor vandalism when surreptitiously removing small samples of particularly attractive wallpapers from French chateaux and English country houses to fashion his very own take on the livre d'or in the 1930s: a scrapbook of wallpaper fragments (acquired by the Whitworth Art Gallery after Rose's 1988 retrospective exhibition at England & Co).

2007 Existencias, Musac, Museo de Arte Contemporáneo de Castilla y León, Léon Some kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA Size Matters: XS, Recent Small - Scale Paintings, HVCCA, Hudson Valley Center for Contemporary Art, Peekskill, NY Joy Feasley & Clare Rojas: Pow - Wows or The Long Lost Friend, Locks Gallery, Philadelphia, PA Silly Adults, Galleri Nicolai Wallner, Copenhagen Very Abstract and Hyper Figurative, Thomas Dane Gallery, London Panic Room, Works from The Dakis Joannou Collection, Deste Foundation, Centre for Contemporary Art, Athens In The Fullness of Time: The Luggage Store 20 Year Anniversary Exhibition, San Francisco, CA

Intriguingly, the curators include a small detail towards the end of the show about Houghton's immaterialised ambition of organising a group exhibition of Spiritualist artists, which very much leaves the metaphorical door open to ensure this work is neither forgotten nor left dormant in archives.

The title of the exhibition is from a BBC art historical documentary, where a very serious learned professor suddenly broke character when describing a painting including small cherubs, he said... «but of course, everybody loves angels».

This exhibition will feature paintings ranging from small to very large - scale, and a selection of sculpture meticulously carved from elemental materials such as graphite, pewter and salt.

He added that while the public appetite for temporary exhibitions has grown, the audience for serious art has shrunk, and that the financially interested people like collectors and dealers are a very small group.

A very exciting video project with a filmmaker I know, some large canvasses, a new series of small paintings that will be available as prints for sale in my online shop soon, and hopefully an exhibition in a marquee in my garden as part of ArtHouse Open Studios in Richmond upon Thames, in the summer.

The views of a charming Venetian piazza, of the artist's garden, or of boats rocking in a harbour, the nude models, faithful hounds and snoozing cats are all back in the Royal Academy for the 244th year of the world's oldest and largest open art exhibition — it's just that this time they're very, very small.

Last chances: «Particle and Wave,» an intriguing look at light as a tool of art (at Hosfelt Gallery through Saturday, March 19) features strong works by Jay DeFeo, Adam Fuss, Gay Outlaw and a dozen others... «Eleven Etchings by Leonardo Drew,» a small exhibition of very large prints recently produced at the incomparable (in San Francisco, at least) Crown Point Press, continues through April 2.

It could be told very differently and surely will be in exhibitions to come, though it is thanks to big thinking on the part of an adventurous small museum that the possibility for retelling is even there at all.»

This auction was curated very specifically, with small, strong selections of European Avant - Garde books and prints, fine illustrated books, and works by artists featured in major museum exhibitions this year.

Our goal is to maintain a biannual exhibition schedule, at the very least, with many smaller events between.

The London exhibition of work by Paul Klee in 1945 seems to have had a big impact, with Pasmore's first 1948/9 abstract works of small coloured triangles and squares looking very similar to Klee's painting from two decades before.

The Mini Galerie proudly presents Small Works, the very first exhibition by Clemens Behr in The Netherlands.

Because this show is only a small selection of works based on the gift to the Met of Gigantomachy II (1966), the exhibition itself has a fitting fragmentary - yet - unified feel that mirrors Golub's very process.

This small Inglewood artist - run space has a very intriguing exhibition on view by historian Moi Medina.

By financing the exhibition catalog and promotional efforts, including a podcast on the artist, Terra has helped the very small museum stretch in a new way, said Julie Rodrigues Widholm, the museum's director and chief curator.

The quirky exhibition space is strategically sited, as the gallery is at a very short distance from one of Berlin's most populous art hubs, where Supportico Lopez, Blain Southern, Thomas Fischer, Arratia Beer, Guido W. Baudech, Tanya Leighton, and the small project space Insitu are all based, spending their free time sharing schnitzels at the local German - food standby Joseph Roth Diele.

As we've been preparing the first exhibition with Doug Ischar — a very large exhibition of photographs — we're realizing just how accustomed we were to that small bedroom space, where you could hang one, two artworks that totally overpowered the room.

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects.

I am reminded of the small painting by Rae that I saw at that Lion and Lamb exhibition, Party Time is Coming, it might even be here already, and it's not necessarily a good thing, even though I do think Rae's paintings are a very good thing!

, Gallery Joe, Philadelphia, PA 14th Annual Inliquid Benefit Auction, Gallery Joe Booth, Icebox Project Space, Crane Arts, Philadelphia, PA 2013 In Front of Strangers, I Sing: 72nd Annual Juried Exhibition, Woodmere Art Museum, Philadelphia, PA 2012 Transformations, Philadelphia Episcopal Cathedral, Philadelphia, PA All About Etchings, Chris Neptune Gallery, Washington, DC 2011 Something French, Art Gallery at City Hall, Philadelphia, PA Exhibition of Select Prints, Wayne Art Center, Wayne, PA 2010 Prints by Gallery Artists, Gallery Joe, Philadelphia, PA Selections from C.R. Ettinger Studio, 2000 - 2010, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2009 50 very small drawings, Gallery Joe, Philadelphia, PA 2008 The Figure Today, Jenkins Johnson Gallery, New York, NY The Figure Today, Jenkins Johnson Gallery, San Francisco, CA Fantastical Imaginings, Delaware Center for Contemporary Art, Wilmington, DE Group Show, Loyola University, Baltimore, MD 2007 Magical Realism, Abington Art Center, Jenkintown, PA 2006 Art on Paper 2006, Weatherspoon Art Museum, Greensboro, NC 2005 Telling Stories: The Narrative in Contemporary Art, Pennsylvania College of Art and Design, Lancaster, PA Collaboration As a Medium, Edison Gallery, Washington, DC (traveling Art Place, Baltimore MD and more sites) 2004 Figure Out: Drawing as Narrative, Gallery Joe, Philadelphia, PA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY 2001 Ten Contemporary Artists, 5 x 2, Allentown Art Museum, Allentown, PA 2000 Drawing With Color, Mangel Gallery, Philadelphia, PA When Reason Dreams: Drawings Inspired By the Visionary, the Fantastic, and the Unreal, Philadelphia Museum of Art, Philadelphia, PA Body Dismorphia, Hicks Art Center, Bucks County Community College, Newtown, PA curated by Jeanne Jaffe Allentown Art Museum, 27th Annual Juried Exhibition, Allentown, PA (Juror: Judith Tannenbaum, Curator, Rhode Island School of Design, Providence, RI) 1999 Biographies: Philadelphia Narratives, Institute of Contemporary Art, Univ. of Pennsylvania, Philadelphia, PA (catalog) Biographies: Philadelphia Narratives, Freedman Gallery, Albright College, Reading, PA (Nov. - Dec.)