Sentences with phrase «very special film»

Join a very special film club that brings you the best new independent releases for a fiver on a Friday morning.

By default, Ashes of Time falls under those categories, but the film is a representation of those genres as seen through the idiosyncratic lens of its director — which should give an idea of how unorthodox and very special the film is.

It's a very special film, and I'm proud of it,» he told the site.

«So that is a very special film for us and we loved Bigas Luna very much.

«We're generally very selective about our historical dramas; our audience gravitates more towards contemporary portrayals so we have to make sure we have a very special film on our hands for this genre,» noted Lundberg.

In this new Funny or Die video, stars David Koechner, David Hasselhoff, Katrina Bowden, Gary Busey, and others discuss the dedication and craft that went into making this very special film.

Curzon Soho is the home of our Filmmakers Club, a very special film club that allows people in the film industry to see the best new independent releases for a fiver on a Friday morning.

This film demonstrates a new confidence, a new style, and he has delivered a very special film.

«I'm looking forward to seeing how the movie does - like any actor, I'm hoping people go to see it because it's a very special film about an incredible woman,» she told the Herald.

Upon confirming the deal, Spotlight's CEO Matt McCombs commented, «We have been tracking this amazing BITTER HARVEST production for many months and watched carefully as the producers, using the incredible editing and post-production skills of Stuart Baird, honed a very special film.

Yet in the moment I deliver that unstinting endorsement, I feel compelled to add that this is a very special film for a certain, inevitably rather limited audience.

This style is fairly new in cinema and has really defined the 2010s era, to see it combined with something that was so relate - able made for a very special film.

A report on the second day of Ebertfest, which included a massive critic's panel and three very special films.

Not exact matches

At this very special time of year, Wanted Chosen Planned (and my book and film: Expecting Sunshine) will have a butterfly takeover!

During the October half term, Tigger received a very special invitation to take part in the filming for the new Maxi - Cosi Star Wars Rodi car seat.

This whole experience from visiting Morocco again and filming DVF's Journey of A Dress in Morocco feels very special to me since my best friend Jennia filmed it for me (edited by my Wesley Mason) and to think how far I've come.

The special effects are decent, but not remarkable, and the seeds are very clearly planted for an entire Wolverine franchise of films to come.

It becomes very clear through viewing the film and selected extra features later on that Fincher had a very specific vision with this film, and it seems he's taken the opportunity given by this special re-release to go back and right the wrongs of the past.

I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.

Well, there's a lot more to the plot, but I don't want to spoil the great surprises... I will say that... Emily Blunt and a wonderful young actor, Pierce Gagnon, who plays Blunt's very special son, as well as Jeff Daniels, who's an extremely interesting, bad ass gangsta, all play essential roles in this exciting, orginal film.

For a «two - disc special edition» of a celebrated, very much loved film, it seems a little sparse.

Special effects are in abundance, but none of them are very well - produced, much like the film on the whole.

Yes, it has some very genuine moments, the cast is loveable and the animals are the main focus in the film once again, and yes those portions are all terrific, but there is something off the entire time, making it a little distant from what made the first one special.

Actually, first - time feature film director Anna Rose Holmer draws a very thin line between «special» and «disposable.»

The film is very good, great history, very interesting and engaging, special effects and spectacular action scenes, as well as having one of the classic scenes of cinema.

We can consider a number of great directors and their successful films, and how they did very well by keeping special effects at bay.

Freeheld does have the potential to be something very special; Moore's turn last year at TIFF for Still Alice won her the gold, and the relevant topics that the film presents might be too much for critics to ignore.

It transcends merely bad, merely tedious, merely irksome and plummets into that very special category of film, the one that so tries and tortures its audience that, emerging again from the soul - sucking black hole of celluloid disaster, it no longer fears... Read More»

THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 release.

Part of what makes German director Christian Petzold's pulp psychological thriller so special is the way it wrings complex shades of suspense and disquiet out of very basic techniques, and its finale — the most sublime gasp moment of the year in film — is a master class in simplicity of form, cut almost entirely from just two angles and carried by stars Nina Hoss and Ronald Zehrfeld, whose performances have been building to this one exchange of subtleties.

But those very defects give the film a special mood, lucid in its nastiness, but not too far from black surrealism.

It's an actioner with good special effects, and the setting for the flick is outstanding, but Breaking In is just another robbery - gone - bad film at the hands of a very upset mother.

It takes a special kind of film to lose me immediately, and «Paranoia,» a particularly sad espionage thriller with very little espionage and zero thrills, did just that.

This magical family film is based on a popular children's novel of the same name and tells the story of a little boy who receives a very special gift on his ninth birthday — it is a wooden cupboard that can bring his inanimate dolls to life.

Similarly, the 2017 version presents the filming of a very special scene that appears right at the end of the main feature, showing the set up of the set.

The special features like the film is are not very entertaining.

«I'm excited to see all the films in front of Sundance audiences and for our filmmakers to have that experience, because it's a very special one,» says Filmmaker360 director Michele Turnure - Salleo.

While the basic premise is essentially your typical boxing plot, the film turns out to be very special due to the strong writing and superb acting, as well as a nicely paced drama directed by the extremely talented David O. Russell.

Still, in smaller, quieter films, like those by indie director Jeff Nichols (Take Shelter, Mud, Midnight Special), Shannon has been restrained and therefore palatable, his excess reduced to a manageable (and very watchable) simmer.

The special features are very in depth, featuring three separate mini-documentaries on the making of the film.

Home Entertainment has included some oddball special features for this High Definition release, opting for several very short featurettes as well as teasers for the film somewhat disguised under new titles.

Ryan Coogler, Disney, and Marvel have created a very special and one of a kind film.

Finally, this year there is a very special competition with Aer Lingus celebrating the journeys of Irish film.

Evangeline, do you feel you're speaking for all womankind getting their super moment in a very special scene of the film?

What makes this disc essential is its very special supplements: the American home video debut of Peckinpah's 1966 made - for - television drama Noon Wine, an intimate 52 - minute production shot on a combination of film and videotape and broadcast on TV once.

Albeit a little awkward and somewhat hackneyed, this film still has a heart and soul, which makes it a special film, very worthy of the accolades it has received.

He began his career in film criticism with a very positive review of Sylvester Stallone's debut as a director, Paradise Alley (1978), which in itself revealed something of Carax's particular vision, a special feeling of urgency he was demanding from cinema and filmmakers — an embryonic version of the «smile of speed».

If you're thinking this sounds all too familiar, it has a very similar feel to many of the other Marvel films when we got introduced to a new character who is given special powers.

The Killer Elite (Twilight Time, Blu - ray) is included not for the film itself — one of Peckinpah's impassioned expressions of loyalty, betrayal, professionalism, and violence as a way of life hung on a weak scrip — but for its very special supplements: the American home video debut of Peckinpah's 1966 made - for - television drama Noon Wine, an intimate 52 - minute production shot on a combination of film and videotape and broadcast on TV once.

The Age of Innocence was a special film for Scorsese, one that he said he was very passionate about making, and was very special for a personal reason.