The very tiniest hint of fading along
the very upper edge of the interior arm sleeve - I am being extremely picky but it is noted for accuracy - it is not something that shows once on.
With the gusset at the back, we never once had an experience where the blow - outs even reached
the very upper edge of the back of the diaper, so we didn't have to worry about carefully removing the diaper.
Not exact matches
I felt I had great control in application with the tube style, and I had to do
very little to clean up the
edges of my
upper lip (which I have to do a lot with some kinds of lippies).
Even the standard XLE is able to put drivers in touch with features and fittings as cutting -
edge as the hybrid powertrain concealed beneath the hood, while
upper - level models exhibit the
very latest technology and most indulgent amenities to enhance drives around Elmhurst and Aurora as well as trips far afield.
The back panel is also slightly slanted towards the
upper and lower
edges, which gives the Canvas A116 a
very curvy shape.
One
very small handling crimp along center,
upper image
edge, visible in raking light.
Condition: Deckled
edges, sheet affixed to mat at
upper and side
edges, subtle toning and staining, pale fox marks to l.l., c.l., c.r., and l.r.,
very subtle handling creases to corners.
HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 94/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, old hinge remains in places on the reverse, a pale stain at the reverse
upper margin
edge, otherwise in
very good condition S. 26 x 46 1/8 in.
HELEN FRANKENTHALER A Page from a Book: I - III three etchings with aquatint in colors, 1997, on TGL handmade, all signed and dated in pencil, all numbered 11/60 (there were also 16 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, all with full margins,
very minor surface soiling, a few lightly skinned areas in the margins, one with a
very pale moisture stain at the
upper right margin
edge, otherwise all in
very good condition all P. approx. 4 1/8 x 18 1/4 in.
HELEN FRANKENTHALER Radius (H. 234) woodcut in colors, 1992 - 93, on White TGL handmade, signed and dated» 93» in pencil, numbered 30/30 (there were also 8 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, one small area of surface soiling in the
upper left sheet corner, hinged to the support in places at the reverse of the sheet
edges, otherwise in
very good condition, framed S. 28 x 28 in.
HELEN FRANKENTHALER (B. 1928) East and Beyond (Harrison 41) woodcut in colors, 1973, on Nepalese handmade, signed and dated in pencil, numbered 4/18 (there were also 6 artist's proofs), with the ULAE blindstamp, West Islip, New York, with full margins, a few soft creases in the
upper margin, hinged to the support in two places at the reverse of the
upper margin
edge (slightly showing through), otherwise in
very good condition, framed B. 23 5/8 x 17 7/8 in.
Helen Frankenthaler American, 1928 - 2011 Untitled (Abstract Composition: Blue, Red and Yellow), 1973 Signed Frankenthaler (ll) Glazed ceramic tile 13 1/2 x 17 1/2 x 3/4 inches (34.29 x 44.45 x 1.9 cm) C Property from the Thomas M. Messer Collection Two
very 1/16 inch chips at
upper edge, one aproximately 3 inches from lower right and one 4 inches from lower left.
soft horizontal crease in the
upper left corner, a
very small nick at the lower left sheet
edge, otherwise in
very good condition, framed S. 29 3/16 x 20 3/4 in.
HELEN FRANKENTHALER (B. 1928) Solar Imp screenprint in colors, 2001, on wove paper, signed in pencil, numbered «AP 13/18» (the edition was 126), published by Lincoln Center / List Poster and Print Program, New York, the full sheet, a
very minor scuff at the
upper sheet
edge, otherwise in
very good condition, framed S. 39 1/2 x 30 in.
HELEN FRANKENTHALER Essence Mulberry (H. 57) woodcut in colors, 1977, the colors fresh, on buff Maniai Gampi handmade, signed and dated in pencil, numbered 21/46, published by Tyler Graphics Ltd., Bedford Village, New York, with their blindstamp, the full sheet printed to three sides, soft rippling throughout (characteristic of this paper) stronger along the
upper edge, several vertical hairline fissures in the center of the image (common to this edition), soft crimping at the extreme lower
edge of the sheet, otherwise in
very good condition S. 39 1/2 x 18 3/4 in.