In these opening rooms, the rather
vague claims of Macel's Venice Biennale to being about artists, for artists, begin to take (
very literal) form.
If project meetings are held, say, weekly, show up roughly every five weeks or so to make
vague, unsubstantiated
claims about how the losers who have time to show up weekly (and on time) have completely screwed up this project (not generally, but in a
very personal way, for you).