Sentences with phrase «very white art»

Interview: For Kerry James Marshall, the mission is clear: Bring portraits of black life into very white art museums

For Kerry James Marshall, the mission is clear: Bring portraits of black life into very white art museums

Not exact matches

-LSB-...] Do create the crayon resist secret message I just used a white crayon to write on white cardboard, you'll need to press down very hard and go over it a few times for it to work, like in this guest post we did for Red Ted Art.

Black and White Nail Art Stripes look very pretty.

I love that you used blue and white and the chalkboard art is just so very pretty... you do fabulous chalkboard art!

There was one point when he though of doing it as a black and white, very cheap art house movie with Woody Allen in the lead.

Of course what you're likely looking for is astounding art created within the very tight limitations of the low - res, black and white message board.

For the «Mad Max» lover, the «Mad Max» unfamiliar and even those non-savvy with the art form of cinema, «Mad Max: Black & Chrome» is bound to make you the ultimate Santa of your loved ones» holiday, if for the idea of presenting people with one of the very best films of 2015 or giving them the gift of Doof warrior but in black - and - white.

It was a very large, very white room with just the toilet and a small piece of art.

The predominantly black - and - white - with - splashes - of - color art style isn't much to gawk at, but it's definitely unique, giving the game itself a tone very different, not only from the other Assassin's Creed Chronicles games, but also the majority of games today.

Taking an unusual mix of typefaces, an original approach to layout and a striking colour palette of bright green, black and white; theses designs for the Vilnius City Opera give a rather traditional art form a very contemporary twist.

Henry Louis Gates Jr.'s essay on Frederick Douglass is very empowering, and at the end he says, «Even a lecture about something as seemingly apolitical as photography or art in the end must by definition be engaged within and through Douglass's state of being as a black man in a white society in which one's blackness signifies negation.»

Juni Figueroa arranges clothes in a white window blind system to create a very memorable send up of «high art,» specifically abstract painting, with this «tropical readymade.»

The Baltimore Museum of Art is doing something very similar to that: selling off works in the permanent collection by white males, and replacing them with new art by marginalized persoArt is doing something very similar to that: selling off works in the permanent collection by white males, and replacing them with new art by marginalized persoart by marginalized persons.

Its grounds include a sculpture park and an art gallery — a very tall white cube eighty feet long and thirty - five wide — housed partly underground in what was formerly the vineyard's wine storehouse.

A survey of painter Agnes Martin's work from the 1950s into this century might not sound very goth — Martin is known for her ghostly canvases overlaid with barely perceptible grids — but open your mind to «white goth» and perhaps then, you will find a cosmic emptiness in her canvases which, without figures or forms, point to the disappearance of the self in art.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, Fraart agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FraArt Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

«Even if there is a market, the other structures that make up the «art world» are still also very white and I think people are a little frustrated with that.»

Both of these are white canvases that are also sculptural objects, and the Cattelan has a sort of humor to it, but it also references so much art history — propping pieces by Richard Serra, readymade works by Duchamp; you name it — so there's this very subtle, humorous gesture on Cattelan's part.

The art world is still very, very white.

Instead of delving into some drab real estate as a fixer upper, she sets her attention on the iconic, and very white, canon of art classics.

Having just returned from abroad and immersed himself in the New York art scene, he found himself in a cauldron of ideas about action, process, concept, and nothingness, navigating an artistic landscape that was being redefined through influences such as Cage's intellectual Zen advances, Rosenberg's painting as an action, the Janis Gallery Dada show, and the Stable Gallery exhibition of his very own White Paintings.

When I was starting out as a black - and - white architectural fine art photographer, it was very difficult.

Asher writes: «DeFeo's metaphysical but concrete art functions in much the same way: the act of mirroring, or flipping images over and around, of changing black to white, of cutting through the surface of something, of changing liquid to solid, of waking and sleeping, of returning a different person to the place where you began your journey: such transformations are the very sensibilities of DeFeo's art, not one of mere sentences but one of propositions, abstract, as direct as they are elusive, subtle, alive to indispensable distinctions.»

Thank you to the President's Commission on the Arts and Humanities, the U.S. Department of Education and the White House Domestic Policy Council for choosing our students to take part in this very special program.»

Sheelagh White, Art Teacher - But Over 10 Years In Arts In Many Roles In Uk and Ireland and Feel Very Strongly About This, None at the moment, Dublin

That was a very powerful experience: when you don't think you know anything about art — which I felt I didn't at the time — and you can be excited by white paintings.

The CAFA Museum will present the works of 17 artists in the most extensive display in the group; the Red Brick Art Museum will focus on abstract art from the Germany's post-war era; the Minsheng Art Museum will host German contemporary photography, focusing on works from the Becher School in Dusseldorf, but also by Katharina Sieverding and Andreas Mühe; the Today Art Museum will present video and media art; the White Box Art Center will show select examples of very recent art; and the Yuan Art Museum will juxtapose works by teachers with those of their art studenArt Museum will focus on abstract art from the Germany's post-war era; the Minsheng Art Museum will host German contemporary photography, focusing on works from the Becher School in Dusseldorf, but also by Katharina Sieverding and Andreas Mühe; the Today Art Museum will present video and media art; the White Box Art Center will show select examples of very recent art; and the Yuan Art Museum will juxtapose works by teachers with those of their art studenart from the Germany's post-war era; the Minsheng Art Museum will host German contemporary photography, focusing on works from the Becher School in Dusseldorf, but also by Katharina Sieverding and Andreas Mühe; the Today Art Museum will present video and media art; the White Box Art Center will show select examples of very recent art; and the Yuan Art Museum will juxtapose works by teachers with those of their art studenArt Museum will host German contemporary photography, focusing on works from the Becher School in Dusseldorf, but also by Katharina Sieverding and Andreas Mühe; the Today Art Museum will present video and media art; the White Box Art Center will show select examples of very recent art; and the Yuan Art Museum will juxtapose works by teachers with those of their art studenArt Museum will present video and media art; the White Box Art Center will show select examples of very recent art; and the Yuan Art Museum will juxtapose works by teachers with those of their art studenart; the White Box Art Center will show select examples of very recent art; and the Yuan Art Museum will juxtapose works by teachers with those of their art studenArt Center will show select examples of very recent art; and the Yuan Art Museum will juxtapose works by teachers with those of their art studenart; and the Yuan Art Museum will juxtapose works by teachers with those of their art studenArt Museum will juxtapose works by teachers with those of their art studenart students.

Washington's oldest private art museum located near the White House will have a very different future.

He recently posed for a Burberry ad and, in late 2011, after being courted by a multitude of dealers, surprised many when he joined the juggernaut London gallery White Cube, the emblem of the hard - driving commercial art world, the very name of which seems the antithesis of everything he stands for.

Very Recent solo shows include: Tate Britain, London, Gary Hume: Flashback, Arts Council Collection, touring; The Indifferent Owl, White Cube, London; Structure and Absence, White Cube, London.

He is a very late Conceptualist with no bias against objects, a devotee of the rarefied art - in - the - street tendency of Situationism whose favorite situation seems to be the white cube of the gallery.

Since the very beginning of the movement, Op Art has been known for its use of black and white geometrical shapes that easily fool the viewer's eye, but Anuszkiewicz breaks away from this norm by making color his central theme throughout all of his paintings, a technique he most likely learned from Albers, whose works were equally well known for their use of color as a means of creating optically intriguing specimens.

Inspired by the powerfully spontaneous drawings by Luciano Castelli on view this last November at the special exhibition «From White to White» at the Kaufhaus Jandorf, as well as in the gallery show «Revolving Paintings», we will further explore the theme of black & white with a group show: works by various artists represented by the gallery will introduce different approaches to monochromatic representation in contemporary art, and simultaneously draw a link to the very present medium of film during the Berlinale Film FestWhite to White» at the Kaufhaus Jandorf, as well as in the gallery show «Revolving Paintings», we will further explore the theme of black & white with a group show: works by various artists represented by the gallery will introduce different approaches to monochromatic representation in contemporary art, and simultaneously draw a link to the very present medium of film during the Berlinale Film FestWhite» at the Kaufhaus Jandorf, as well as in the gallery show «Revolving Paintings», we will further explore the theme of black & white with a group show: works by various artists represented by the gallery will introduce different approaches to monochromatic representation in contemporary art, and simultaneously draw a link to the very present medium of film during the Berlinale Film Festwhite with a group show: works by various artists represented by the gallery will introduce different approaches to monochromatic representation in contemporary art, and simultaneously draw a link to the very present medium of film during the Berlinale Film Festival.

Like the Dada - collagist Hannah Höch before her; Kruger's work has a feminist leaning, and is not afraid to bite the hand that feeds it through subversive slogans that often attack the very nature of the institution; including the white cube that displays the artist's work, or at least those who inhabit it — with «Fatuous fools, bloated egos» and «Doers, artists, air kissers» sprawled across Modern Art Oxford's gallery floor.

«It was a very traditional photo program,» she says, «how the history of the medium [is taught], like most or all art histories, is very dominated by white men.

Christian Marclay's The Clock (now on show at White Cube, Mason's Yard) is a twenty - four hour long film which, unlike other very long art films like Douglas Gordon's Twenty - Four Hour...

«The art world was a very deeply segregated and very white society and community — still is,» says Enwezor.

«Art Rosenfeld is pushing very hard for geo - engineering that we all believe will be completely benign and that is when you have a flat - roofed building, make it white,» Chu said.

This very stylish pair of American Art Deco Chrome with milk glass angled boudoir or table lamps are accented with chocolate and white enamel to the base.

After 15 years of working at Style at Home, art director Karen Paddon finally gets her very own white kitchen with an enduring style that perfectly suits her family of four.

Style at Home art director Karen Paddon finally gets her very own white kitchen with an enduring style that perfectly suits her family of four.