Not exact matches
The
very first image we see announces Chazelle's grand ambitions: we see a black - and - white square frame — the old pre-1953 Academy
aspect ratio of 4:3 — with the word CinemaScope framed in the center, its right and left syllables cut off, which suddenly expands to the
wider aspect ratio that the word implies (in this case, 2.55:1), gaining color at the same time.
by Bryant Frazer An Actor's Revenge, director Kon Ichikawa's colourful melodrama depicting an elaborate revenge plot by a Japanese onnagata — a kabuki actor trained to play exclusively female roles — begins, appropriately enough, in the Ichimura Theater, where the
very first shot illustrates that a panoramic
aspect ratio is a perfect match for the
wide proscenium.
There is the fact that the movie was created in CinemaScope, the
wider aspect ratio with which film responded to television, a screen format briefly
very popular, mostly in the middle of the 1950s.
The Lookout is appropriately presented in its
very wide 2.40:1
aspect ratio and enhanced for 16x9 displays.
As you might expect, there is healthy VR support for the upcoming HTC Vive and Oculus Rift (and various controller support), as well as support for «
very wide screen
aspect ratios.»
The regular Mate 10's sharper 16:9 screen makes for an unusually proportioned device, albeit one that'll probably work well for YouTube and other casual video watching — it feels
very wide in the hand, but the combination of a huge, standard
aspect ratio screen with slim bezels lends a distinctive heft.