Sentences with phrase «very young artists»

I saw your work this summer in a group painting show at Zach Feuer — two of your bird paintings alongside some very young artists.

It seemed to me that the gallery's history of mostly presenting very young artists who then might go on to greater success and gallery representation was actually a narrative from the 1980s.

That must have been poignant for her as a very young artist, to have that all laid out.

As a very young artist, Gadlin studied drawing and painting at the Art Students League of Denver, where he is currently instructing other artists.

Joan Snyder: As a very young artist I was working for a program out of Yeshiva University that was focusing on the Bedford Stuyvesant area of Brooklyn.

When I was a student at Bennington College in the 1970s and also as a very young artist, Kenneth Noland and Larry Poons visited my studio a couple of times as visiting artists, and these visits were important and helpful.

Not exact matches

It's compelling in the now, and promises for big things from this young, very exciting artist.

At the age of 18, she very well may be the youngest individual Featured Artist to grace the walls of Kerbey Lane!

Both Lillemor and Karin are trained artists and both have been drawing since they were very young.

I knew that I wanted to be an artist at a very young age.

tall - goldenage = blond hear - artist - vagabond - soulmate - buddy - hardvorker / walker / liver / lover / young looking, very far projection till 96 age / veru active at any scope /

I think this is a very important film for young artists, especially writers, to see.

My hope was that through that genre, I could actually say something about being a young artist with huge dreams that don't feel very realistic.

He films her like Renaissance artists represented the very young Virgin Mary.

In my mid-thirties, I spent six years as a youth worker for Melbourne Citymission, where I mentored quite a number of young people, and once again my life experiences and career position afforded me an opportunity to work along side many brilliant mentors, including some top business people and some very successful artists.

1916: Portrait of the Artist as a Young Man, by James Joyce «Once upon a time and a very good time it was there was a moocow coming down the road and this moocow that was coming down the road met a nicens little boy named baby tuckoo...»

Even if you are hiring someone to do art for you, you can get a very good cover from young, hungry artists for no more than $ 200.

The artist was passionate about drawing from a very young age, and as a teenager drew cartoons for a local newspaper.

«It's very young adult literature in a lot of ways,» artist and designer Jay Baylis told the publication.

This activity is super simple and easy for younger artists, but still turns out very cool.

How to draw an elephant is great for younger artists, especially since it uses very simple straight lines... or at least slightly curved straight lines.

We also tried to keep her very easy, so that younger artists can follow along too.

These two lessons are very similar, and we tried to keep if very simple and short... just for young artists.

His hybrid constructions from the 1970 - 2000 appear very fresh today, speaking to a younger generation of artists.

The Swedish Photography presented from a gallery that is based in Berlin was notable as is in SP - Arte in their second year bringing together many young and important emerging artists «We would like to show Brazilians important references from the Swedish photographers like Inka Lindergard and Niclas Holmström, and we are very enthusiastic with the public response» say Dorotheé the project director.

The range is fantastic, and I think indicative of contemporary trends within the medium: angular figures and aggressively colorful compositions in a New Objectivity vein from very young, non-German artists including Anna Navasardian (Armenian but New York - based, showing with Galerie Andreas Binder, Munich) and Pawel Sliwinski (Polish, showing with Beers Contemporary, London); representational works in thick, gestural impasto, both in Kim Dorland's grand, en plein air style (Angell Gallery, Toronto), and in Bobby Mathieson's intimately scaled portraiture (Lyons Wier Gallery, New York); and abstraction both super-reductive (like Clare Grill, showing with FRED.GIAMPIETRO, New Haven) and cosmically colorful (Jennifer Lefort, showing with Patrick Mikhail Contemporary, Ottawa); plus every conceivable style in between.

Although naturalism is associated with landscape artists considerably younger than Guest, his presentation of these non-idealised subjects, in settings lacking any artificial embellishments, seems at the very least conformable with some elements of the Naturalist credo.

In fact, he is confronting the same issues as much younger artists at the very same time.

We've had works by female contemporary artists working today whether it's someone who could have had a long career like Howardena Pindell or artist Kara Walker or someone very young like Xaviera Simmons, the photographer.

When I was young and making a lot of that work, I was having a terrible time as a woman artist on the LA art scene, which was very inhospitable to women.

But he was always very nice to all of my young artists.

Douglas Gordon often dropped by during his DAAD Fellowship and I frequently had coffee there with the (then still very young) Viennese artist Markus Schinwald, who was living in Berlin at that time.

I recall seeing some in reproduction, maybe in the late 60s or early 70s, but as a young artist I seemed to have had very few opportunities to see his work firsthand.

His original concept of the accumulation of same objects» vast quantities, simply launched the young artist to the very top of the artistic world at the time.

The New York — based artist extracted four chapters from her video Mommy (2015), one for each member of the family, and presents each with a personalized display: the magician father who left them when she was very young, the punk older sister, the tragedy of her mother, who immigrated from Taiwan in the early 1970s and died unexpectedly, and the artist herself.

START creates the best possible showcase for young galleries and new artists by providing a very elegant environment with museum - quality spaces.

Some nonpainting efforts come into focus with time, but the first impression is a telling lesson in why painting doesn't die; it is at the very least a good way for young artists to grasp the kind of density of expression that any art medium requires.

Though Jack would have been very surprised that the little girl to whom he had taught the dog paddle, or the teenager he had found so rough and recalcitrant, and the young artist about whose work he had continued doubts, ended up being the one to finally shepherd his writings into print and to create in effect the autobiography he had never written as such.

«Painting / Object» presents the work of five young artists who work in and around painting in very physical ways: Sarah Crowner, Sam Moyer, Julia Rommel, N. Dash and Erin Shirreff (who also has a multimedia solo show at Sikkema Jenkins & Co. on 22nd Street through May 19).

Videos by Kate Cooper, Agnieszka Polska and Sable Elyse Smith are very much in line with Signal's program, which features mostly young artists thinking in post-internet, technology - driven and posthuman terms, possibly within an intergalactic framework.

Kunsthalle São Paulo was founded in 2012 with a very clear task in mind, to present young international artists to São Paulo's art scene.

In addition to being an artist and curator, you are also a very influential teacher at the School of the Art Institute of Chicago, where you play a formative role in helping many of the city's young artists find their paths.

Gradually he worked his way into the New York art world and began to hang out at the Cedar Street Tavern where Willem de Kooning — «very modest, very nice to younger artists» — Jackson Pollock and Franz Kline had drunk.

Coming from a family of artists, art historians and art dealers, he started working in the artworld at a very young age.

At the same time, just as importantly, there is a new generation of dynamic young dealers who are very active in post-war Italian art — doing a lot of research and promoting artists with catalogs, museum shows and major highly focused art - fair booths.

Each of the two shows cast its own spell, one very different from the other, but both seemed to offer one emphatic if understated lesson to young artists: Keep your distance from the art world.

EW: There will always be good artists of a younger generation, as Vicky Usle who was in my Anniversary Show «Silver Lining» recently, or Willa Schwabsky, the very young daughter of critic Barry Schwabsky and artist Carol Szymanski, whom I showed for many years.

Nowadays, Alex is still very active as an author [8] and plays the role of a conceptual guiding star to many younger generation artists such as Elizabeth Peyton and Julian Opie.

When I go to see shows now with very young black artists it's very clear what their goals are: they're commercial, very commercial.»

From the 1930s, Avery spent numerous summers in the company of these younger artists and, during the summers of 1957 to 1961, when Avery, Rothko and Gottlieb vacationed together in the popular artists» colony of Provincetown, on Cape Cod, there was a significant coda to their reciprocal artistic dialogue, with Avery pushing his images towards the very edges of abstraction.