Sentences with phrase «vibrant colors field»

McMahon's effect is striking; her works are layered with vibrant color fields and shapes, with paint that is delicately and lightly applied, but manage to provide tremendous depth.
Lauren Cornell: All of your works bring figures to life: be they busts dissolving into vibrant color fields, as in your paintings, Sascha; or a couple in the throes of a wild embrace in yours, Avery.
In an outpouring of her own experience and imagination, Bernhardt embeds this hodgepodge of loosely rendered objects within a vibrant color field, creating an imprecise pattern.

Not exact matches

We enjoy an idyllic Mediterranean climate with spring - time fields of wild flowers, hot summers cooled by ocean fog, rich autumn light on vibrant harvest colors, and wet, green winters.
The Sea - viewing Wide Field - of - view Sensor, or SeaWiFS, another satellite - borne NASA instrument, transmits images in true, vibrant colors and provides global coverage every 48 hours.
What Lee has accomplished with single lines transforms inanimate, everyday inks into vibrant fields of color with trailing edges that sway through a luminous atmosphere, seemingly with no top or bottom.
She favors optical activity over conceptual rigor in «pencil paintings» from 1968, where diagonals in several colors of pencil on acrylic create a single vibrant field of blue - gray.
Marcus uses traditional perspective here to simulate the scene captured by the camera's lens, which contrasts starkly with the rest of the painting's shallow depth of field and its vibrant colors and bold patterning.
Featuring hues of vibrant blue, green, lavender, pink and black, this abstract, color field landscape is based on a low - country marsh.
An early and influential pioneer of Color Field painting, Louis gained renown for his innovative method of staining raw canvases with washes of pigment to create vibrant, large - scale works.
Here, the artist became enchanted by the bucolic surroundings, and his response to the fields, blooms, patterns, and colors around him began to manifest in vibrant compositions.
As vibrant swatches these photographs remind addition to the Color Field painting of the 1950s and avant - garde compositional schemes.
However, we might consider Wilson's formally controlled but vibrant compositions as a minimalist distillation of Wayne Thiebaud's rainbow - hued outlines or Richard Diebenkorn's big California color fields.
Black sculpts vibrant fields of color in large floor works comprised of a powdered plaster that combines domestic products with traditional art - making materials.
Instead of the vibrant palette featured in his last exhibition, Reveles» recent paintings display a much more subdued range of color, as grey and light blue linear masses hover over dark fields of black.
Another major breakthrough for him came with the landmark, mural - scale 1971 painting Railroad Horse (now in the collection of the Museum of Fine Arts, Boston), featuring cascades of vibrant, poured pigment, Poons then came to be regarded as one of the foremost Color Field painters.
From the vibrant explorations of Expressionism and Fauvism, new intellectual points of view of Cubism and Constructivism, the political stance of Social Realism and the rebellion of Dadaism, to the frenetic action painting, the re-invented return of Realism, the sensational Color Field painting or the mind - boggling Op Art, the powerful simplicity of Minimalism and the celebratory critique of Pop art, to say that the century behind us was artistically exciting is a great understatement.
Fusing the visual idioms of graffiti, Abstract Expressionism, and Color Field painting is no mean feat, but Curry seems to have accomplished it here in vibrant paintings such as Command Minus and Head Trip.
In a process of welding the artist's vision to technical necessities, industrial materials are transformed from ordinary «workaday» existence into lyrical multi-dimensional expanses that immerse the viewer in vibrant fields of color.
In the CANADA exhibition, the colors are much more vibrant than anything found in Minimalism or Arte Povera — often applied through staining in the manner of the Greenbergian Color Field painters — and the supports are mostly unstretched sheets of fabric (including a striped dishcloth) pinned to the wall.
During the last decades of his career, Francis worked with vibrant colors and large scale, closely associated with Color Field paintings.
At the Neuberger Museum of Art's «Color Field and Solid Grey,» Liza Lou — who divides her time between Los Angeles and South Africa — presents her largest sculpture to date: a 1,400 - square - foot expanse of vibrant grass - like blades, woven from stainless steel threads and millions of glass beads.
In 2014 she created For the Love of Gene Davis, which encased a room in vibrant striped rugs and artist - designed wallpaper in homage to the Color Field painter's 1972 landmark outdoor painting, Franklin's Foothpath.
A great admirer of the late American artists Gene Davis, known for his»70s paintings of vertical strips of vibrant color, and Morris Louis, one of the earliest exponents of color - field painting, Trevino paints thin stripes in a wide spectrum of colors, with special emphasis on magenta, umber and sienna, and lime green and ultramarine blue.
He balances the glitter against vibrant fields of color, collaged images, and fearless gestures.
They filled the walls with lushly colored flowers exploding from vibrant vases or teeming in pulsating fields, along with dozens of friendly critters: rabbits, butterflies, an array of birds, a pair of squirrels daydreaming about acorns, a ladybug labeled «Madame Bug.»
This special exhibition offers prime examples of Sultan's style, characterized by stark, black forms amid vibrant fields of color.
She developed a consistent compositional form of floating «islands» in the early 1960s, in which she placed patches of color amid monochromatic fields of vibrant hues applied in thin layers allowing the surface of the canvas to remain visible.
Black Adder (from V Series)(1968) and Rayy Sketch (1970) are classic Stella with their distinct, vibrant - but - muted color fields, bold symmetry, and absence of distinct subject reference.
Goodnough, a painter whose stylistic evolution from vibrant, Cubist - inspired abstractions to Color Field canvases made him one of the least definable members of the second - generation Abstract Expressionists, died on Oct. 2, 2010 in White Plains.
Some feature soft - edged color - field blocks resting against one other, others vibrant gestural abstraction — and at least two appear to be palm tree sunsets slapped obliquely over older collaged works.
Using the surrounding influences of this vibrant scene as a catalyst, he developed a distinct style that straddled the lines between Op, Pop, Abstract Expressionism, Minimalism, and Color Field painting.
The color fields are shot through with fragments of text (the character for «fire» is among the few that are decipherable), misshapen ripostes to his family tradition of orderly calligraphy that place this free spirit on the same stage as de Kooning, one of Abstract Expressionism's most vibrant rebels.
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