Sentences with phrase «vibrant paintings form»

Unlike Frieburghaus» videos which lead us to reflect on a given moment, Steven Charles» complex, dense and vibrant paintings form a color cacophony comprised of layered and intricate paint, evoking a sense of a nonlinear time and speed.

Not exact matches

The organic shapes, the intermixing of vibrant colors, and the flatness of form, takes us back to the paintings of Matisse and Gauguin.

And he creates a landscape painting out of roofer's tar, mopping the viscous black material onto yellow Naugahyde to form a vibrant sunset.

An unframed, multi-paneled frieze hangs below the ceiling line like an unspooled film revealing an inventory of circular geometries; painted in hues from pastel to vibrant, their forms chart a rhythm across planes of black squares, themselves in motion.

Influenced by a variety of «Masters of Art», from Matisse to David Hockney, (yet also by contemporary photography, television, paintings, and advertisements) Yanai portrays an intimate and personal environment in his paintings that include ordinary everyday items and simplified forms in vibrant colours.

Two unique constructions by Frank Stella join hand - painted abstract 3D - printed forms to create complex and vibrant objects that are reminiscent of his paintings (see John Dorfman, «Working in Space,» Art & Antiques Magazine, October 2013).

Complex and seductive, her paintings layer overlapping, biomorphic forms, vibrant colors, and a diversity of textures.

Jackson, who had begun as a landscape painter, returned to color at the end of the decade, generating a series of vibrant, deeply hued paintings throughout the «70s that play with flat, often - veil like forms, offbeat arrangements, and, often, a sense of lateral or even forward movement, as if projecting off the canvas.

Painted between 1943 and 1978 in Neel's inimitable style — half social realist, half wonky Expressionist — the paintings and drawings of her uptown friends, neighbors, colleagues and fellow travelers form a remarkable montage of the artist's life in a vibrant, multicultural 20th - century New York.

Featuring a vibrant spectrum of colors and abstract, organic forms, these large - scale paintings are all - encompassing.

In the collection, Chéri Samba dissects the world with the 2016 painting J'aime la coleur de la vraie carte du monde (I love the color of the real map of the world); Ahmed Chiha paints vibrant patterns over bamboo sticks, grouping them over a pile of sand; Zbel Manifesto collective collected trash for a week, using it to create an installation that looks like a dining room with Maria Callas's voice singing in the background; and Soukaina Aziz Al Idrissi hangs sheets with different textures together to form a dangling collage.

Calder's moving sculptures in geometric forms and energetic presence are on view at Pace Gallery in Chelsea, while vibrant and night sky - like paintings of Miró are installed at Acquavella Galleries in uptown.

The exhibition features Isabel's remarkable designs that combine innovation of form, material and structure with a keen practicality and Ruben's vibrant drawings and paintings that range from abstractions to astute social commentaries.

In the late 1960s / early 1970s, Bowling's interest in decolonized space turned towards the cartographic, as he began work on his celebrated «maps» paintings — large - scale canvases onto which Bowling would paint the outlines of continents and countries, often stenciling images with personal significance onto the map, and painting over the forms with washes of vibrant color.

Apfelbaum's earlier floor - bound installations incorporate hundreds of pieces of velvet, hand - dyed in bold hues and often arranged in sprawling configurations that appear to be organically inspired or like abstract paintings that melted off the wall, forming vibrant puddles.

These paintings in varying sizes and executed in oil on canvas, employ a variety of brushstroke - like forms in an array of vibrant colors.

Another View from Nowhen comprises two ambitious works that respond to the historic location of the new Bloomberg SPACE: The Barely Perceptible Vibration of Everything, a vibrant, hand - tufted tapestry, and Blind to the Rays of the Returning Sun, a large, open - form painted steel sculpture.

He is best known for his flexible and volumetric forms, vibrant paintings, and abstract linear drawings.

The Fort Wayne Museum, IN, exhibition and catalog of over 50 of her paintings clearly demonstrates that Thomas's work is firmly rooted in the modernist tradition of abstractionAwith emphasis on vibrant colors generating geometric forms set in dynamic compositions.

This large painting is a horizontal frieze with irregular curvilinear forms in four clear, vibrant colours: green, blue, light pink and dark pink.

The work features vibrant, geometric shapes, organic forms, and abstracted elements and patterns, drawn from memories, dreams, and impressions, painted over glimmering panels of mica.

On view are important early sculptures, including Rainbow Picket (1964), which blend minimalist forms and bold color choices, and a range of vibrant paintings and sculptures made with sprayed acrylic lacquer, a material typically used for decorating cars.

Vibrant color painted in geometric shapes on animal hide stretched over trapezoidal forms and ironing boards is the initial entree to an imminent encounter with the unanticipated.

This exhibition does not seek to redefine what can be considered a painting, but rather examines how it endures as a vibrant art form, more than 100 years after it was proclaimed «dead» at the advent of photography.

Garish by comparison with the artist's earlier figure painting, the vibrant colours of Seated Woman overlap to confuse the relationship between the figure and its background, causing abstract sections of colour to protrude and recede independent of the form they describe.

His vast painting Rhythms, 1965 - 66 is a sequence of suspended forms displaying the love of vibrant colour inherent in Frost's painting.

Tai's latest works reinterpret traditional Chinese ink painting through the study of meteorites and reveal an increasingly more vibrant and expressive style than his previous series, Genesis, which explored these traditions through biomorphic forms.

From these vitreous surfaces and the contingent patterns of color they form, Hubbard builds up three - dimensional compositions with vibrant opaque oils and auto - body paint.

In paintings such as Aslantis (1986), Sunstrut (1982), and the title work of the show, A New Slant (1981), Valledor divides his shaped canvases with complex geometric forms painted in vibrant colors that combine to create perceptual depth.

Hofmann continued to paint while he taught, creating vibrant, abstract images that explored «color, light and form in the rhythm of life.»

The central abstract form in these compositions provides the structure for Aho's experimentation with paint texture, surface, and subtly nuanced color, giving these frozen scenes a sense of both austere beauty and vibrant life.

Goldberg maintains a tension in these paintings between their vibrant, energetic and colorful presence and the void and emptiness from floating objects and no recognizable forms that makes them seem mystical and transcendent.

(George McNeil, Expressionism, Exhibition Catalogue, 1984) Here, the vague form of a seated figure emerges from a pattern of rectangles, and the bright colors and thick layers of paint create a vibrant surface over the entire canvas.

The artist who had the most profound effect on Hofmann, however, was Robert Delaunay, whose structural Cubism was giving way to Orphism, a style in which fragmented Cubist forms were painted in vibrant, expressive colours.

Having already mined several art forms including minimalist sculpture, large - scale installation, ceramics and china - painting, textile - based works, performance and even auto body painting, Chicago developed a new painting technique which sought to reproduce the vibrant color and luminosity of the Renaissance precedents.

The diversity of the 1980s can be seen in Dan Christensen's Tuscarora (1980), which belongs to the vibrant and poetic paintings in which the artist furthered his use of experimental methods to include staining on unstretched canvases and calligraphic «drawing» using sticks, brushes, and turkey basters, Friedel Dzubas's Barrier (1983), demonstrating the lyrical and contemplative style of this artist who studied with Paul Klee, and Stanley Boxer's Speckledchant (1988), a work in mixed media that evokes baroque opulence in the way that explosive forms seem compressed within the confines of the canvas.

This exhibition will feature two large paintings, a stunning black «identified form» from 2005 and one of Innes» new works, a large vibrant green painting, where the picture plane is split vertically in half.

Hofmann's abstract paintings celebrate the vibrant tensions possible between color and form.

These large, vibrant, figurative paintings explore the relationship between subject and environment, ultimately the variables that form us as individuals.

Waterlife features Mithila art, a vibrant and delicate form of folk painting from Bihar in eastern India.

Garden art in the form of traditional sculpture, a modern vibrant wall hanging or even a creatively painted fence can keep your garden looking interesting and attractive whatever the season.