Sentences with phrase «vibrant paintings later»
1640) emerged during a turbulent period in Japanese history to create bold, vibrant paintings later called the rinpa style.
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Claude Munson's latest entry to his «impressionist folk» catalog leaves its mark, using washed - out synth and hazy vocal reverb to paint a vibrant picture.
Vibrant late fall colors painted across the trees and hillsides, the worn exterior of ancient stone buildings, awe - inspiring views from medieval walled cities, the mystical white horses on the plains of the Camargue, a...
Claude Munson's latest entry to his «impressionist folk» catalog leaves its mark, using washed - out synth and hazy vocal reverb to paint a vibrant picture.
Forty - four sumptuous canvases, along with related objects, trace the artist's journey from painting still lifes in intimate interiors in the late 1920s, to vibrant, large - scale spaces in the 1930s, to more personal interpretations of daily life in the 1940s.
16 years later, she has assembled a new oeuvre of vibrant paintings, drawings, and cut - outs while living and working in her Brooklyn home with her husband, fellow impassioned artist and professor Bill Jensen.
The artist, famously as emotional as his vibrant works, only started to earn acclaim in his 60s — and two decades later, paints more passionately than ever
Murray studied painting in the late 1950s and early 60s in Chicago and San Francisco, two regions with their own idiosyncratic and vibrant art scenes.
«There's a weird culture where works on paper aren't respected the same way as paintings are,» said Keltie Ferris, walking through her latest exhibition at Mitchell - Innes & Nash, which pairs vibrant mixed - media canvases with more intimate body - prints.
This beautifully designed exhibition catalogue explores the optically vibrant paintings of the late nineteenth - century Italian Divisionists, examining, for the first time, their relationship to Neo-Impressionism.
Park's paintings evolved from a use of shallow cubist space, often in black and white, to the rhythmic lines and vibrant color of her later work.
From as early as the 1980s, photography and video art have found their place in the German Pavilion, side by side with painting, sculpture and installation: the works of Bernd and Hilla Becher, Thomas Ruff, Candida Höfer, Katharina Sieverding and Rosemarie Trockel — all of them protagonists in the vibrant art scene at the Düsseldorfer Akademie in the late 20th century — were followed by the actions and films of Christoph Schlingensief and Romuald Karmakar, along with the documentary approaches of the Indian artist Dayanita Singh and the South African photographer Santu Mofokeng.
Her late paintings, dating from 1985 to 1992, are replete with vibrant colours, energy and excitement, combining Mitchell's admiration of the work of Van Gogh and Monet, her interest in nature and her adept skill at expressing emotions and memories.
In the late 1960s / early 1970s, Bowling's interest in decolonized space turned towards the cartographic, as he began work on his celebrated «maps» paintings — large - scale canvases onto which Bowling would paint the outlines of continents and countries, often stenciling images with personal significance onto the map, and painting over the forms with washes of vibrant color.
By the late 1970s, Bearden began to use more vibrant and intense colors in his paintings, perhaps as a direct result of numerous trips to St. Martin in the West Indies, which is his wife's family home.
This must - see exhibition reassesses the work of the English painter and explores his method in extraordinary detail, comparing vibrant en plein air sketches, full - scale paintings and later mezzotint prints.
When they were first exhibited in the late 1960s, Frank Bowling's immense «map paintings» were widely celebrated for their vibrant color and subtle modulation of the painted surface.
In the next room two early paintings by Marlene Dumas in vibrant reds, oranges and pinks, are dynamically juxtaposed with a late painting by Francis Bacon.
A great admirer of the late American artists Gene Davis, known for his»70s paintings of vertical strips of vibrant color, and Morris Louis, one of the earliest exponents of color - field painting, Trevino paints thin stripes in a wide spectrum of colors, with special emphasis on magenta, umber and sienna, and lime green and ultramarine blue.
Working since the late 1970s with constant use of vibrant color and thick impasto, Baribeau's paintings beckon for visual evaluation and discovery.
Powerful brushstrokes and lines, and a vibrant palette provide a precursor to her later figurative paintings, which explore the artist's perception of her own body.
The sleek, glossy sculptures of the late Westcoast artist John McCracken look like they came straight from a factory floor but the vibrant leaning planks, plinths, and wall - mounted rods were painstakingly sanded, painted and glossed to perfection by hand.
Tai's latest works reinterpret traditional Chinese ink painting through the study of meteorites and reveal an increasingly more vibrant and expressive style than his previous series, Genesis, which explored these traditions through biomorphic forms.
Nowhere in his work is this more clear than in the regimented pools of individual colours in the Spot Paintings, where no single colour is repeated on the same canvas, creating a vibrant yet disciplined visual effect that would later be brought into three dimensions in his vitrines filled with individual pills.
In her latest work, Coulis presents a series of vibrant paintings that traverse the traditional genre of still life painting, and delight in the geometry of the everyday.
There and in Cologne, she saw up close a vibrant painting scene, particularly through the work of Immendorff, Albert Oehlen, and the late Martin Kippenberger, whose «anarchistic approaches to painting,» she recalls, «really rocked my understanding of what painting can do — this idea that it's not just a nicey - nice thing but that it could actually be aggressive.»
The exhibition features paintings ranging from the late 2000's, highlighting Saito's use of vibrant color, calligraphic gestural abstractions, and rhythmical brushstrokes.
This vibrant country hallway with red painted panelling is decorated with a large wall clock, barometer and thermometer, ensuring you'll never be late or forget your brolly again!