Sentences with phrase «vibrant paintings line»

Not exact matches

It reminded me of a Kandinsky painting with vibrant colors and bold lines on a white canvas.

If the painted road lines are well - defined and vibrant, the car has no problem playing the role of chauffer.

The exterior's sharp, sculpted lines give it a strong stance, while the newly developed, premium Red Diamond5 paint radiates vibrant color.

With Schulz's full blessing, Everhart began creating vibrant, larger - than - life paintings based on the lines and characters in Peanuts.

Among the second group of abstract paintings at Firestone are works such as «Thunderbird» (1970), where a geometric cluster of blue lines, each about the width of standard masking tape, floats on a vibrant, flat red field.

An unframed, multi-paneled frieze hangs below the ceiling line like an unspooled film revealing an inventory of circular geometries; painted in hues from pastel to vibrant, their forms chart a rhythm across planes of black squares, themselves in motion.

Often using vibrant colors and fine line painting techniques, Superwaxx is better known for her collective works which display her signature style while incorporating cartoon like aesthetic to narrate various subjects and topics often pertaining to historical or personal events.

The artists in Outside the Lines create paintings that are visually vibrant, physically unruly, and utterly surprising.

Haggerty's vibrant wall paintings conjure nostalgic associations from the mustard yellow and avocado décor of the 1960s and 1970s, to optical art, to the precise lines of sugar icing on pastries.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

One of Australia's foremost contemporary artists working today, Barton's distinctive use of line across painting, illustration, video and collage creates a vibrant figurative dream world, rich with personal references and poignant juxtapositions.

Park's paintings evolved from a use of shallow cubist space, often in black and white, to the rhythmic lines and vibrant color of her later work.

Her large - scale paintings unite the intimacy of hand - drawn line - work with pulsating activity and vibrant colors, alongside the complexity and depth of a diorama.

SCAD Art Sales, the university's full - service art consultancy, introduces new works by SCAD alumni artists Christopher Paul Dean (M.F.A., sculpture, 2016), Cory Imig (B.F.A., fibers, 2008) and Britt Spencer (professor of illustration; M.F.A., painting, 2011; B.F.A., illustration, 2005)-- three artists who, like Cruz - Diez, use vibrant color, pattern and crisp lines as primary elements in their compositions.

Danny Simmons» abstract expressionist paintings and works on paper combine color, rhythm and line in an intricately vibrant style.

Danny Simmons» abstract paintings and works on paper combine color, rhythm and line in an intricate and vibrant style.

Mr. Twombly painted vast canvases marked by smears of paint, half - erased graffiti, random scratches and occasional lines of poetry that evoked a connection between the world of classical mythology and the vibrant street culture of modern life.

Her vibrant paintings blur the lines between figurative and abstract, depicting raucously joyful scenes with seemingly contradictory titles that hint at an unseen darkness.

Funny how things work: His layered prints, planes of color barely contained by bold, stylized lines, are richer and more vibrant than the paintings exhibited in an adjacent gallery.

While his early pieces were black and white, as in the series «Linienbildern» (Line Paintings)(1966 - 69), he began to explore vibrant, saturated color in 1974 with his friend and classmate Blinky Palermo, to whom he would dedicate «24 Farben für Blinky» («24 Colors for Blinky»)(1977), a series of brightly colored irregular shapes.

Powerful brushstrokes and lines, and a vibrant palette provide a precursor to her later figurative paintings, which explore the artist's perception of her own body.

All created with Sperling's original technique of stretching painted canvas over stacked wooden shapes, Sperling's newest sculptural paintings now playing with texture, transparency and more complex shapes, while keeping the striking effect of clean lines and vibrant colors.

The combination of the pale pastels and the more vibrant pinks and oranges along with the playful fleeting lines give this painting its charm and dreamy quality.

Using the surrounding influences of this vibrant scene as a catalyst, he developed a distinct style that straddled the lines between Op, Pop, Abstract Expressionism, Minimalism, and Color Field painting.

The line comes in 10 vibrant colors and can be diluted with a splash of water down to a gel, stain, glaze, or tint - making it perfect for simple painting projects, or something more complex like refurbishing old furniture.