Not exact matches
While the layered pigment renders every crease and crevice of clothing and flesh, the
colors also work to create
vibrating relationships that define the mood of the figure they make.
In a review of her 1963 show at the Feiner Gallery, ArtNews called her canvases «marvelously
colored» and «constantly expanding» concluding the review with an encapsulation of the writer's experience as follows: «Shapes sink and rise like drum beats leaving other spots in a dead space long enough to
vibrate, and then the
relationship moves on catching other lights from other places.
Kenneth Noland was known for his simplified, abstract forms such as chevrons and followed an «interaction of
colors» mantra, relying on associations between contrasting and complementary
colors to create
vibrating edges and dynamic
relationships.
Because of their sequential arrangement and the
relationship of their
color values, these patterns create optical sensations of rhythmically
vibrating surfaces.