Sentences with word «victimage»

Nancy Spero's repertoire of female figures run, dance, crawl, tumble, and strut across the page in the exhibition From Victimage to Liberation: Works from the 1980s & 1990s.

The doctrine of sin must be grounded in the real, active sin of each individual, instead of being watered down and lost in a universal haze of repetitious victimage which absolves everyone of responsibility (even Adolf Hitler!).

Jesus» open proclamation of forgiveness (without sacrifice) before his death and the fact of his resurrection after it are the ways that God reveals and rejects what Girard terms the «victimage mechanism.»

An illustrated catalogue, with an essay by New York Times and ARTnews contributor Hilarie M. Sheets, is published to accompany From Victimage to Liberationand is available for sale at Galerie Lelong.

They reveal the «victimage» mechanisms as the joint root of religion and society — and they reject those mechanisms.

Galerie Lelong is proud to have represented Nancy Spero since 2001, presenting key solo exhibitions such as The War Series, Un Coup de Dent, and From Victimage to Liberation: Works from the 1980s & 1990s.

As a familiar centerpiece of traditional folk festivals, the maypole is presented as a continuation of Spero's interest in «victimage,» a term she coined to describe the transition from victim to protagonist.

From Victimage to Liberation is the first solo presentation of Spero's work in New York since her death in 2009.

The current exhibition of her hand - printed collages from the 1980s and 1990s, From Victimage to Liberation, at Galerie Lelong in Chelsea, is the first show in New York to focus on her work since her death.

Nancy Spero: From Victimage to Liberation: Works from the 1980s & 1990s continues at Galerie Lelong (528 West 26th Street, Chelsea, Manhattan) through February 16.

The sculpture features themes present through Spero's 50 - year career, including her interest in «victimage,» a term she coined to describe the transition from victim to protagonist.