Sentences with phrase «video and sculpture on»

Not exact matches

Today's Daily Briefs: Nintendo financial results, latest Otomon video for Monster Hunter Stories, Rayman on the SNES, Off - Camera Secrets — Resident Evil 4, latest Mario Kart 64 TAS, hidden coin in Super Mario 64, trailer for the Monster Strike movie, and Star Fox sculpture!

As it turned out, we were treated to a wonderfully rich Socratic Seminar on the virtues of the space race, a culminating activity for the module that began six weeks ago with Galileo and, during the intervening weeks, had students read Brian Floca's Moonshot and Robert Burleigh's One Giant Leap (both award winners) while exploring a NASA video, mixed media fine art, sculpture, JFK speeches, and more.

Despite the R - Rated label on this video, there's nothing too unsafe for work here, unless your boss really frowns on the destruction of sculptures and general weirdness.

Today's Daily Briefs: Nintendo financial results, latest Otomon video for Monster Hunter Stories, Rayman on the SNES, Off - Camera Secrets — Resident Evil 4, latest Mario Kart 64 TAS, hidden coin in Super Mario 64, trailer for the Monster Strike movie, and Star Fox sculpture!

That led to an interest in contemporary photography, which, in turn, led to purchases of contemporary paintings, sculptures, works on paper, and video.

On view here will be sculptures, videos, documentation, and scores related to Moorman's performances.

The sculptures on view will continue changing over the course of the exhibition's run, and will be accompanied by a video Canell made with Robin Watkins about slugs.

All of the works featured in the exhibition — ranging from video games, single channel video, kinetic sculpture, and prints, to pen plotter drawings — have been created by means of technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within culture at large.

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizatVIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizatvideo, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

Featuring 13 works by New Jersey - based Willie Cole, including a site - specific installation, video, and sculptures composed of discarded water bottles, found wood, and one of his signature source materials, previously owned shoes, this exhibition was organized by the David C. Driskell Center where it was on view last fall.

A self - described «big, big, big fan of painting,» Miller believes a true collection should have representation across a range of mediums, toward that end, he also owns photography (including Gordon Parks, Hank Willis Thomas and Lyle Ashton Harris) and is on a mission to acquire more video and sculpture.

From the outset, the gallery featured the work of international emerging and established artists working in painting, sculpture, photography, works on paper, and video, and emphasized pioneering women and LGBT artists on its roster.

From installation and video to sculpture, painting and photography, the variety of work on display reflects the diverse perspective of the artists featured in the exhibition.

The exhibition focuses on this most saccharine hue in various media including: painting, sculpture, photography, video, drawing and assemblage by both established and emerging artists.

Published to accompany Nari Ward's mid-career retrospective, the largest - ever survey of his work, «Nari Ward: Sun Splashed» documents the artist's work since the 1990s, an innovative series of sculptures, videos, works on paper, and installations.

The Hessel Collection is international in scope, with paintings, photographs, and works on paper, sculptures, videos and video installations from the 1960s to the present including notable representations from many of the foremost movements in contemporary art; Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media, among others.

The diverse meanings placed on the horizon — which includes a symbol of longing, containment or desire — radiate across the additional works in the exhibition that include painting, sculpture, drawing, video, and installation.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

Indeed, Liu, who will open a new solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for working within a variety of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner of materials, letting the concept dictate the form a piece will ultimately take.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.

In his sculptures, videos, and works on paper, Dean often approaches color with a scientific perspective.

Curated by Indira Cesarine and Coco Dolle, the exhibit will be on view from May 3 -21, and includes works of photography, painting, sculpture, mixed media and video.

Published on the occasion of Grabner's career survey at MOCA Cleveland, the book documents works from the last 20 years, including paintings, drawings, prints, videos, and sculptures, positioning the studio as core to the artist's remarkably diverse output.

NEW YORK — Opening Thursday, March 28 at the Studio Museum in Harlem, David Hartt: Stray Light is a presentation of color photographs, sculptures and a video installation by Chicago - based conceptual photographer David Hartt (b. 1967) reflecting on the iconic headquarters of the Johnson Publishing Company in downtown Chicago.

Alongside a series of abject ink - jet prints that looked as if they were plastered in bumper stickers purchased from an early 2000s Spencer Gifts and his 2012 video Raspberry Poser, in which animated renderings of a condom and the HIV virus dance through the streets of New York City while Beyoncé and Mazzy Star play at an intoxicating volume, he showed the animatronic sculpture (Female figure), a scuffed - up woman impaled on a stripper pole who speaks in Wolfson's voice and makes eye contact with viewers.

Over 20 artworks will be on view, including paintings, photography, mixed - media sculpture, drawings, video, and installation.

Artists and artist teams are invited to submit proposals for sculpture, installation, video or performance to be exhibited on the historic grounds of the Carving Studio and Sculpture Center in West Rutland,sculpture, installation, video or performance to be exhibited on the historic grounds of the Carving Studio and Sculpture Center in West Rutland,Sculpture Center in West Rutland, Vermont.

Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.

All media are represented: painting, sculpture, photography, works on paper, installation, decorative arts, craft, design and film and video.

Curated by Indira Cesarine, the exhibit will be on view from June 27 — August 5th and will include works of painting, drawing, photography, printmaking, pottery, sculpture, collage, mixed media and video.

Over his thirty - five year career, he worked in every conceivable medium — drawings on paper, sculpture, performances, music, video, photography, and painting.

Located at the Fashion Industry Gallery — adjacent to the Dallas Museum of Art in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artists.

Spanning both galleries and encompassing works in a wide range of media — including paintings, new bronze sculptures, works on paper, neon texts and a video — the exhibition reveals the most recent developments in Emin's intensely personal yet profoundly universal oeuvre.

Francie Bishop Good and David Horvitz have a collection of over 500 works including photography, installation, painting, drawing, video, sculpture, works on paper and mixed media.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Presented on the third and fourth floors of the Museum, this comprehensive survey will bring together over 115 works, including paintings, sculptures, drawings, wallpapers and prints, early computer - based art, videos, and 16 mm films.

Courtney Malick is a writer and curator whose work focuses on video, sculpture, performance, installation and the intersections therein.

Though her mother has since recovered and is now cancer - free, this decisive moment in Reidel's personal life unifies the wide - ranging works of painting, digital prints, video, sculpture, and installation on view at -LSB-.....]

In this new body of work consisting of sculptures, works on paper, and video, Ward articulates a dialogue surrounding the idea of support — physical, spiritual, social, and judicial — while introducing contemplation of everyday objects.

Marshall Harris: Death Do Us Part The Fort Worth - based winner of the 2013 Hunting Art Prize makes his solo debut with a selection of graphite - on - Mylar drawings, photography, cast - resin sculpture and video work.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Sept. 10 — Oct. 18, 2014 DERRICK ADAMS at Tilton Gallery New York Screen images from situation comedies, music videos and stand - up comedy inspired New York - based artist Derrick Adams to create a new series of faceted wood sculptures and colorful mixed - media collages that appear to be framed in vintage televisions on view in «Live and in Color.»

The wonderfully prolific artist, who communicates his vision through a variety of media, including sculpture, hand carved masks, paintings on canvas, gouache and watercolors on paper, and even short video, made advocating for the natural world the main focus of his narratives.

An En - Tele - Shit of the Specular Image Separated from the Truth for a Better Dispossession of Yourselves (Installation project), six - second color video loop with sound projected on a home television set, cardboard sculptures of a television and skull, paraffin arm: cardboard, plastic and dyed paraffin.

Also on view will be new wall - mounted sculptures and the video Raspberry Poser (2012), shown in New York for the first time.

The gallery was established 2005 by Martin Asbæk (b. 1975) and focuses on contemporary Scandinavian as well as international art by well - established and up - coming artists who work in a wide range of media; painting, drawing, sculpture, photography, video, embroidery.

Its principal focus is on the representation of contemporary artists whose diverse practices include painting, drawing, sculpture, video, and photography.

Stretched over 500m2, the museum has at its disposal one of the largest archives in the world, which includes more than 1000 metres of archive material (files, newspaper cut outs, videos, posters, photographs, paintings, sculptures and so on).

McCarthy's performative practice (both live and video — not included in this exhibition) encompasses violent and carnal outbursts, but here has gradually shifted to kinetic (Alpine Man, 1992) and static sculptures (White Snow, Flower Girl, 2012 — 13) as well as works on canvas (SC, ECK, 2014), works that have been previously exhibited at Hauser & Wirth London in 2014.

In «Petrit Halilaj: RU,» Halilaj presents a new video work, several large fabric sculptures, and an extensive environment that draws on his research into the flight patterns and habitats of migratory birds.