Sentences with phrase «video artist bill»

展览时间 ： 2009年3月27日至5月30日 开幕酒会 ： 3月27日 ， 周五 ， 晚6 - 8点 画廊地址 ： 上海市岳阳路170弄1号楼1楼 James Cohan画廊很荣幸地宣布 《 事关信念 》 将在其上海空间展出 。 该展览包括了德国画家安塞姆 • 基弗 （ Anselm Kiefer ） 、 录像艺术先驱白南准 （ Nam June Paik ） 、 美国录像艺术家比尔 • 维奥拉 （ Bill Viola ） 、 以及来自上海的观念艺术家徐震的作品 。 艺术家总是变化的代言者 。 参加展览的这批艺术家来自东西方各国 ； 他们援引各自地域传统里的图像 ， 再现其文化中的神话和隐喻 ， 从而指涉了神圣与精神的层面 。 当转换于当代艺术的框架之中 ， 这些符号与图像幻化出了一个宽容 、 怜悯与和谐共存的世界 。 在基弗的绘画 《 Palmostern （ 2006 ） 》 、 《 Domenica delle Palme （ 2006 ） 》 里 ， 艺术家使用浸渍在石膏里的棕榈叶 ， 将之拼贴于由铅和泥创作而成的画面上 。 棕榈叶是基督教里同圣枝主日与复活节联系在一起的传统图案 。 棕榈树被认作是不朽之树 ， 因为它永不凋零 ， 常能新陈代谢 、 自我再生 ---- 新叶生于断枝之处 。 其被早期的基督教义视作是基督战胜死亡的符号 ， 并成为常见的关于殉难的象征 。 由此 ， 基弗以圣枝主日为符号体现了基督的受难与复活历程 。 美籍韩国录像艺术家白南准的创作中 ， 其代表性的装置作品 《 微观启示 （ 1994 ） 》 最显豁地再现了佛教 、 冥想与电视的三者关联 。 作品里 ， 一件铜制佛像端坐在闭路电视前 ， 望着屏幕里自己的影像 。 通过揭示电子媒介和传统信仰 （ 诸如佛教 ） 的同一沟通方式 ， 白南准在作品里睿智地总结了两者间的共性 。 眺望未来 ， 他觉得我们的文化很容易被 «科技 «侵蚀 ， 因此他用艺术促使我们质疑我们的信仰 ， 以善意的怀疑主义审视 «技术» 。 比尔 • 维奥拉的录像 《 显灵 （ 2008 ） 》 出自其最近项目 《 变形记 》 系列 。 这件展示于垂直等离子屏幕的录像作品里有一对黑白 、 飘忽的人影 ， 忽前忽后 、 虚虚实实 ， 最终穿过一道无形的水柱进入了彩色的光影世界 。 停息片刻后 ， 人影再度折回其来处 。 作品将观者带至了生死交汇以及循环往复的变形过程 。 展览中的另外一件录像 《 «浮现 «习作 （ 2002 ） 》 系洛杉矶盖蒂博物馆的委约之作 ， 出自维奥拉的 《 受难 》 系列 。 两位妇女坐在庭院大理石水池两边 ， 沉默不语 ， 耐心等待 ， 只有偶尔才会注意到对方的存在 。 其中较年轻的妇女突然侧身 ， 打断了她们的守灵 ， 她看着水池 ， 诧异地发现一个青年男子的头从水池里冒了出来 。 随着他身体上升 ， 池水逐渐外溢至池底和庭院地面 。 两位妇女随即见证了这神奇的一幕 。 上海的观念艺术家徐震为展览委约创作了 《 无题 （ 2009 ） 》 。 这件形似布达拉宫的雕塑作品由三千余幅扑克牌搭建而成 ， 欲图打破 《 吉尼斯世界纪录 》 。 作品延续了这位年轻艺术家对日常 / 常识中物件的直观再现 ， 它立在圆形展厅正中 ， 沐浴在静谧的阳光下 ， 简约的材质渲染出的肃穆庄重同雕塑本身精巧奇趣的搭建生成了缄默的对话 ， 言简意赅却又不乏机智戏谑之笔 。 更多信息 ， 请联系 ： Jane Cohan [email protected] 或 许先生 Leo Xu [email protected] March 27 through May 30, 2009 Opening reception: March 27, 6 - 8 pm James Cohan Gallery Shanghai is pleased to present Matters of Faith, a group exhibition featuring works by German painter Anselm Kiefer, video pioneer Nam June Paik, American video artist Bill Viola and Shanghai - based conceptual artist Xu Zhen.

James Cohan presents Inverted Birth, the gallery's seventh solo exhibition by internationally acclaimed video artist Bill Viola, on view from December 10, 2015 through January 30, 2016.

Last year it was the ultra weird (and visionary) video artist Bill Viola.

James Cohan is pleased to present Inverted Birth, the gallery's seventh solo exhibition by internationally acclaimed video artist Bill Viola, on view from December 10, 2015 through January 30, 2016.

Video artist Bill Viola spent two years in the late»90s participating in a Getty Research Institute project on representations of human passions.

Figures including renowned Pop artist James Rosenquist and video artist Bill Viola pulled out of planned exhibitions.

In Madison Square Trapezoids, acclaimed American performance and video artist Bill Beirne, in his role as The Vigilant Groundsman, turns the quotidian acts of horticultural maintenance and wildlife documentation into aesthetic actions by performing absurdist variations of these routines centered around specially - designated zones of artistic inquiry: the Madison Square Trapezoids.

Blain Southern have teamed up with Vinyl Factory to debut never - before - seen works from trailblazing video artist Bill Viola's early career.

In this video we attend the press conference of video artist Bill Viola's solo exhibition at the Grand Palais in Paris.

This last Saharan phenomenon has wowed everyone from Aldous Huxley, who described them in a Vogue essay as being «furred with a bright saline efflorescence,» to video artist Bill Viola, whose 1979 short on the largest flat, Chott El Djerid, is in the Museum of Modern Art film collection.

Says video artist Bill Viola near the end of the movie, «Cinema is an image that moves too fast to be seen but fast enough to be believed.»

Not exact matches

Prominently billed to director David Meyers, the video sees the two artists singing (and in Legend's case, tickling the ivories) amidst golden sparkles in the castle from the film.

St Muncie, IN About Blog Oil painting sales, commissions, techniques & free art instruction videos from an award winning artist Bill Inman who shares with you the secrets to become a professional artist.

«Here and Elsewhere,» opening at the New Museum July 16, is billed as a major survey of contemporary art from the Arab world and includes figures such as Emirati conceptual artists Hassan Sharif and Abdullah al Saadi and Moroccan video artist Bouchra Khalili.

The 2017 «Genius» Grant awardees join an illustrious cohort of former Light Work and Urban Video Project affiliated artists, including Robert Adams, Wendy Ewald, LaToya Ruby Frazier, Ann Hamilton (UVP), Alfredo Jaar, Inigo Manglano - Ovalle (UVP), Fazal Sheikh, Cindy Sherman, Bill Viola (UVP), Carrie Mae Weems, and Deborah Willis.

The Icelandic artist's work gives performance art, and contemporary art in general, a good rep.. His actions, musical scores, films and paintings are reminiscent of the repetitious, contemplative tone of Bill Viola's video work as well as Anselm Kiefer's multimedia, existential reflections on the creative «self» and on cultural inheritance.

Widely recognized as the leading video artist of our time, Bill Viola employs sophisticated state - of - the - art technologies to create installations that envelop the viewer in image and sound.

Cecilia Vicuña's exhibition «About to Happen» at the Contemporary Arts Center New Orleans is billed as the first major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific installation.

Electronic musician and sound artist Stephen Vitiello, who uses atmospheric noises from his surrounding environment in his soundscapes for films, videos and art installations, shares the bill with Byron Westbrook and Andrea Parkins on Thursday evening.

Bill Viola (b. 1951, United States) is internationally recognised as one of the leading artists of our time, an acknowledged pioneer in the medium of video art.

In addition to Clark and Francis, and soon new Contemporary Curator Richard Armstrong, the space was also programmed by Film Curator Bill Judson, who introduced video installations by artists such as Paul Glabicki and Rita Myers.

In the Romantic theater, as still seen today on video by Bill Viola or Tacita Dean, nature stands apart, waiting for the artist to heed its call.

New Museum's Pixel Forest is billed as the most extensive representation of Pipilotti Rist's career in the U.S. Swiss artist's immersive hallucinatory video installations, often times projected at grand scales to cover entire interiors, gloriously blend technological means and phantasmagoric fluxes of color.

BILL COOLEY, BEN STAMPER AND JOSH STAMPER featured three artists in three mediums — Bill Cooley's photographs of snow, Ben Stamper's abstract video pieces and Josh Stamper's live performance of songs from his new album Interstitials, featuring a wind and horn ensemble, May BILL COOLEY, BEN STAMPER AND JOSH STAMPER featured three artists in three mediums — Bill Cooley's photographs of snow, Ben Stamper's abstract video pieces and Josh Stamper's live performance of songs from his new album Interstitials, featuring a wind and horn ensemble, May Bill Cooley's photographs of snow, Ben Stamper's abstract video pieces and Josh Stamper's live performance of songs from his new album Interstitials, featuring a wind and horn ensemble, May 11th

««Bill Viola: The Moving Portrait» — the National Portrait Gallery's first exhibition entirely devoted to media art — offers a new interpretation of the work of the pioneering video artist as a career - long experimentation with portraiture.

While researching artists who would fit the bill, a surprising number of artists at the forefront of video art had ties to Long Island, said Mugaas in a phone interview.

The museum also regularly partners with other leading art institutions to co-curate and produce exhibitions, such as the collaboration with Deutsche Bank and the Yokohama Museum of Art for Still Moving: A Triple Bill on the Image; Museum of Contemporary Art Tokyo for Trans - Cool TOKYO (highlighting works by Japanese artists such as Yayoi Kusama and Yasumasa Morimura); and Video, An Art, A History with the Pompidou Center (Bill Viola, Jean - Luc Godard, Bruce Nauman).

The collection reflects the broad range of artists and collectives Hanhardt has worked with closely including: Nam June Paik, Charlotte Moorman, Peter Campus, Francesc Torres, Dan Graham, Juan Downey, Bill Viola, Chris Burden, Paul Sharits, Peter Campus, Hollis Frampton, Stan VanDerBeek, Max Neuhaus, William Anastasi, James Benning, Susan Pitt, Paper Tiger Television, Ed Emshwiller, Meredith Monk, Shigeko Kubota, Newsreel, Alphons Schilling, Warren Sonbert, Dieter Froese, Andy Warhol, AIDS Activist Videos, Marlon Riggs, Shu Lea Cheang, Tom Sachs, Beryl Korot, Buky Schwartz, Pepon Osorio, Robert Breer, Yvonne Rainer, Eleanor Antin, Adrian Piper, Joan Jonas, Bill Fontana, Roger Welch, St. Claire Bourne, Ken Jacobs, Gary Hill, Dara Birnbaum, Mary Lucier, Robert Watts, and many others.

The show is curated by a team of Hadar mentors, including video and performance artist Bill Beirne, independent curator Erin Donnelly, and educator Beth Rosenberg.

Oguri — Dancer & Choreographer — Venice, CA Okwui Okpokwasili — Performer & Choreographer — Brooklyn, NY Allison Orr — Choreographer — Austin, TX Bill Shannon — Performance & Video Artist — Pittsburgh, PA Amara Tabor - Smith — Dancer & Choreographer — Oakland, CA

In Cao Fei's 2007 video i.Mirror, the artist isn't billed as the director.

Being & Time focused on a curated selection of six artists working specifically in video projection — Willie Doherty, Gary Hill, Bruce Nauman, Tony Oursler, Diana Thater, and Bill Viola.

In the 1970s, the museum branched into video art, sourcing works by European artists like Gilbert & George and Dibbets, Bruce Nauman and (later) Nam June Paik and Bill Viola.

Like Manzoni, who was preoccupied with the artist's breath, Bill Viola's Nine Attempts to Achieve Immortality (1996) is a black and white video in which the artist holds his breath for as long as possible, nine consecutive times.

She built an essential context for the visionary statements being made internationally in video and media art by multi-cultural voices, emerging talents, and more established artists such as Laurie Anderson, Gary Hill, Mako Idemitsu, Joan Jonas, Shigeko Kubota, Nam June Paik, Bill Viola and Zhang Peili.

BILL VIOLA Nine Attempts to Achieve Immortality, 1996 Sound and video installation Edition of three and one artist proof

Participating artists are: Justin Baker, photography; Milt Connors, photography; Tara Fracalossi, photography; Kyra Garrigue, video; Richard Garrison, painting; Benj Gleeksman, graphic design; Monica Bill Hughes, painting; William Jaeger, photography; Thomas Lail, collage; Jean O'Malley, photography; Julie Pamkowski, photography; Ryan Parr, painting; G.G. Roberts, painting; Linda Ryder, prints; Jason Kates van Staveren, photography, and Jacqueline Weaver, installation.

Classified, along with Bill Viola, Bruce Nauman, Gary Hill and the like artists, among the most outstanding video creators, he has employed this technique in a totally different manner.

An indispensable instrument in understanding video art, this volume offers a panoramic view of the history of this medium and the major artists in the collection active on the international scene, including Joseph Beuys, Fluxus, Bruce Nauman, William Kentridge, Tony Oursler, Martha Rosler, Sophie Calle, Bill Viola, Robert Wilson, to name a few.

Born in New York in 1951, Bill Viola is internationally recognised as one of the most important contemporary artists, producing video installations, sound environments, and performances that offer the public profound experiences of immersion in space, image and sound.

Swedish artist, Johanna Billing's videos reflect routine, rehearsal and ritual with an emphasis on the fragility of individual performance and the power of collective experience.

The child of two painters and WPA artists, and educated as a painter at the Rhode Island School of Design and the Art Students League, Sheer pioneered in making video art in the 1970s, running the «Egg Store» video facility in Manhattan where his many clients included Twyla Tharp, Yoko Ono, Nam June Paik, Bill Viola and Merce Cunningham.

This autumn, Yorkshire Sculpture Park (YSP) will present a significant exhibition by pioneering American video and installation artist, Bill Viola.

Self portrait — Submerged, San Piero Scheraggio, Uffizi, Florence, IT Bill Viola: The Encounter, Galleria Civica D'Artemoderna e Contemporanea (GAM), Turin, IT Resonance: Audible Silence in Portraiture, Fine Arts Center Gallery, University of Arkansas, Fayetteville, US Bill Viola: Early Video Works 1979 - 1986, National Museum of Art, Osaka, JP Artist Rooms: Bill Viola, Wednesbury Museum & Art Gallery, Wednesbury, UK Bill Viola: Point of Departure, Parque de La Memoria, Buenos Aires, AR Bill Viola: The Return, Art Gallery of South Australia, Adelaide, AU The Chapel of Frustrated Actions and Futile Gestures, Blain Southern London, UK Bill Viola: Three Women, Puertas de Castilla, Murcia, ES

1984 La Zattera di Babel Festival, Van Abbemuseum and the Stadschouwburg, Eindhoven, NL Editions (Objects, Photoworks, Special Editions of Books), Galerie A, Amsterdam, NL First Anniversary, A Pierre Et Marie, Paris, FR Idea, Tanja Grunert, Stuttgart, FR Entendons..., Ghislain Mollet - Vieville, Paris, FR 1984 im Toten Winkel, Kunstverein Hamburg, DE El Arte del Siglo XX en un Museo Holandes: Eindhoven, Fundacio Juan Miro, Barcelona, ES Drawings by Sculptors, Two Decades of Non-Objective Art from the Seagram Collection, Montreal Museum of Fine Art, Montreal, CA; Vancouver Art Gallery, Vancouver, CA; The Nickle Art Museum, Calgary, CA; The Seagram Building, New York, US From the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, MiddelburVideo Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburvideo magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburg, NL

Aitken's work draws on many other artists — text and image paintings by Ed Ruscha; video ruminations on animal intelligence by Diana Thater (Aitken's fellow student at Art Center College in the late 1980s); Bruce Nauman's insistent demand to audiences to «Please Pay Attention,» repeated in an Aitken light - box; Bill Viola's technical video - theatrics; Jack Pierson's faded wall texts composed from scavenged commercial signage; the mirrored sculptures of Robert Smithson, avatar of entropy; Yayoi Kusama's infinity chambers, and more.

Mary, the second permanent large - scale video installation for St Paul's Cathedral created by the artist Bill Viola, will be inaugurated in the North Quire aisle of the cathedral on 8th September.

BILL VIOLA: THE ROAD TO ST PAUL»S is a powerful, moving portrait of the world's most influential video artist and his wife.

The works will be a mix of painting, sculpture, video, drawing and graphic art, by artists such as Dürer, Munch, Rembrandt, Tony Oursler, Rineke Dijkstra and Bill Viola.

Mary, the second permanent large - scale video installation for St Paul's Cathedral created by the internationally acclaimed artist Bill Viola, has been inaugurated in the North Quire Aisle of the cathedral