Sentences with phrase «video artist nam»

Other artists also frequently performed Cage's works at the MCA, notably the pioneering video artist Nam June Paik and cellist Charlotte Moorman in a 1969 program titled «Mixed Media» that featured Variations III and 26» 1.1499» for a String Player.

Two works by pioneering video artist Nam Jun Paik, one a robotic sculptural installation including various screens, the other a subtle video manipulating images of The Beatles, fail to captivate when set amongst the work of the other more contemporary artists who seem to whiz and bang comparatively.

With encouragement from the pioneering video artist Nam June Paik and support from the New York State Council for the Arts, Hocking moved the organization to downtown Binghamton.

Famous Neo-Dadaists included Robert Rauschenberg (1925 - 2008), Jasper Johns (b. 1930), Larry Rivers (1923 - 2002), the modernist composer John Cage (1912 - 92), the metal sculptor John Chamberlain (b. 1927), the Performance artist Allan Kaprow (1927 - 2006), the «Happenings» pioneer Jim Dine (b. 1935), the Nouveau Realiste Yves Klein (1928 - 62), the Fluxus leader George Maciunas (1931 - 78), the Pop sculptor Claes Oldenburg (b. 1929), the collage artist and father of mail art Ray Johnson (1927 - 95), the Japanese concept artist Yoko Ono (b. 1933), the video artists Nam June Paik (1932 - 2011), and Wolf Vostell (1932 - 98), and the installation artist Joseph Beuys (1921 - 86).

Not exact matches

An iconic video installation by media artist Paik Nam - june (1932 - 2006) has been turned off due to safety concerns, the National Museum of Modern and Contemporary Art said Thursday.The MMCA said it has unplugged the late visionary artist's video work titled «The More The Better» after a safety check by the Korea Electrical Safety Corporation warned of a fire risk.

The winner of the last Venice Biennale's Silver Lion for best young artist — for her mesmeric video Grosse Fatigue, a rhythmically driven fugue of creation myths, anthropological artifacts, and spoken - word poetry — she recently won the first Nam June Paik award, and she's currently up for the Guggenheim's Hugo Boss Prize as well.

Select group exhibitions and biennials featuring her work include Virtual Views: Digital Art from the Thoma Foundation, Knoxville Museum of Art, Knoxville, TN (2017, forthcoming); Nature Morte: contemporary artists reinvigorate the still - life tradition, Bohusläns Museum, Uddevalla, Sweden (2016); Momentum: An Experiment in the Unexpected, San Jose Museum of Art, San Jose, CA (2014); Turning Inside Out: Video Art by Nam June Paik, Joan Jonas, and Jennifer Steinkamp, Sheldon Museum of Art, Lincoln, NE (2012); Blink!

Having graduated from Syracuse University in the state of New York, he landed a job as a technical director at the pioneering video - studio Art / Tapes / 22 in Florence, where he encountered video artists such as Nam June Paik, Bruce Naumann and Vito Acconci.

Additionally a new video installation The Destruction quartet 2006 will be launched at this exhibition: it includes fragments of symbolic and real - life destruction acts that Jonas Mekas witnessed and filmed through the years: Nam June Paik destroying a piano; Australian based artist Danius Kesminas» fire piece in New York in 1983; the destruction of the Berlin Wall in 1990; and 9/11.

It was the first museum dedicated to the work of living American artists and the first New York museum to present a major exhibition of a video artist, Nam June Paik in 1982.

The CCA's inaugural exhibition presents three major video works by the artists Fiona Tan (Disorient, 2009), Zarina Bhimji (Yellow Patch, 2011) and Trinh T. Minh - ha (Surname Viet Given Name Nam, 1989) under the title Paradise Lost.

He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum.

MOVING TIME: VIDEO ART AT 50, 1965 - 2015 The scholar and curator Michael Rush, who died earlier this year, initiated this exhibition surveying video from Nam June Paik and Joan Jonas to younger artists like Michelle HandeVIDEO ART AT 50, 1965 - 2015 The scholar and curator Michael Rush, who died earlier this year, initiated this exhibition surveying video from Nam June Paik and Joan Jonas to younger artists like Michelle Handevideo from Nam June Paik and Joan Jonas to younger artists like Michelle Handelman.

The show includes a wide range of objects, videos and documentary materials that trace the career of an artist known for her scandalous performances, often in collaboration with likeminded provocateurs like John Cage, Nam June Paik and Joseph Beuys.

Tags: Alexis Rockman, Andrew Lord, Anri Sala, Christian Jankowski, Craigie Horsfield, Diana Thater, Ed Eberle, Edgar Arceneaux, Forum exhibitions, Georg Herold, James Welling, Jeff Wall, Jon Kessler, Meg Webster, Nam June Paik, Omer Fast, Paul Glabicki, Rita Myers Posted in Exhibitions, History of Carnegie Museum of Art, Pittsburgh, Pittsburgh Artists, Video, Visiting Artists No Comments»

Although Nauman wasn't the first to use video as a serious art medium (that honor is usually given to the Korean artist, Nam June Paik, who made art with the new SONY Portapak equipment as early as 1965), he employed it early enough for his work to profit — and suffer — from the unfamiliarity of the medium.

Nam June Paik (1932 - 2006) worked with a variety of media and is consiered to be the first video artist.

If early efforts by video pioneers such as Nam June Paik, Bruce Nauman and David Hall took the definition of an art object beyond its conventional parameters as a static entity produced for visual consumption, perhaps the greatest strength of video art triumphed in this show is the unprecedented potential of experiential interactivity between artist, installation and spectator.

Other highlights from the sweeping exhibition include Romare Bearden's Jazz 1930s — The Savoy (1964), South Korean artist Lee Lee - Nam's digital video Early Spring Drawing - Four Seasons 2 (2011), a pair of Lakota gauntlets (ca. 1890), photography by Manuel Álvarez Bravo, Roy DeCarava, and Gertrude Käsebier; paintings by Emile Bernard, Ed Blackburn, Archie Scott Gobber, and Albert Bloch, sculptures by James Henry Haseltine and Tip Toland; works on paper by Kara Walker, George Copeland Ault, Miguel Rivera, and Jules Olitski; and decorative arts including a Christopher Dresser claret jug and umbrella stand, a frame by Archibald Knox, and jewelry by the late artist Marjorie Schick.

Widely considered to be the founder of video art, the South Korean born artist, Nam June Paik, was also an instrumental part of the Fluxus movement.

In 1965 Nam June Paik was the first artist to see the potential of a small portable video camera.

Collaborating on music projects and performing with Pauline Oliveros, Ryuichi Sakamoto, Scanner, Machinefabriek, Yasunao Tone and visual artists including Tony Oursler, Joan Jonas and the late, great Fluxus artist and «Father of Video Art» Nam June Paik, Vitiello has composed for independent films, experimental video projects and art installations for more than two decVideo Art» Nam June Paik, Vitiello has composed for independent films, experimental video projects and art installations for more than two decvideo projects and art installations for more than two decades.

The collection reflects the broad range of artists and collectives Hanhardt has worked with closely including: Nam June Paik, Charlotte Moorman, Peter Campus, Francesc Torres, Dan Graham, Juan Downey, Bill Viola, Chris Burden, Paul Sharits, Peter Campus, Hollis Frampton, Stan VanDerBeek, Max Neuhaus, William Anastasi, James Benning, Susan Pitt, Paper Tiger Television, Ed Emshwiller, Meredith Monk, Shigeko Kubota, Newsreel, Alphons Schilling, Warren Sonbert, Dieter Froese, Andy Warhol, AIDS Activist Videos, Marlon Riggs, Shu Lea Cheang, Tom Sachs, Beryl Korot, Buky Schwartz, Pepon Osorio, Robert Breer, Yvonne Rainer, Eleanor Antin, Adrian Piper, Joan Jonas, Bill Fontana, Roger Welch, St. Claire Bourne, Ken Jacobs, Gary Hill, Dara Birnbaum, Mary Lucier, Robert Watts, and many others.

Followers of Nam June Paik will be able to see «Imagined Future» — showcasing works by the «father of video art,» and also be able to catch early Hong Kong video works inspired by the artist.

Taking over two floors of the Museum's Zaha Hadid - designed building, Moving Time: Video Art at 50, 1965 - 2015 traces the impact various artists have had on the art form — from its birth in the 1960s with artists Andy Warhol and Nam June Paik, to the performative work of influential women artists such as Joan Jonas, to the lesser - known works of international emerging artists continuing to push the medium forward today.

As a pioneer of Video art, the artwork and ideas of Nam June Paik were a major influence on late 20th - century art and continue to inspire a new generation of artists.

In the 1970s, the museum branched into video art, sourcing works by European artists like Gilbert & George and Dibbets, Bruce Nauman and (later) Nam June Paik and Bill Viola.

The Whitney was also the first New York museum to stage a major showing of a video artist (Nam June Paik, 1982).

She built an essential context for the visionary statements being made internationally in video and media art by multi-cultural voices, emerging talents, and more established artists such as Laurie Anderson, Gary Hill, Mako Idemitsu, Joan Jonas, Shigeko Kubota, Nam June Paik, Bill Viola and Zhang Peili.

Video artist, performer and composer Nam June Paik (1932 - 2006) was one of the most innovative artists of the twentieth century and is widely considered to be the first video artist, paving the way for the «MTV generation&raVideo artist, performer and composer Nam June Paik (1932 - 2006) was one of the most innovative artists of the twentieth century and is widely considered to be the first video artist, paving the way for the «MTV generation&ravideo artist, paving the way for the «MTV generation».

British artist Clare Goodwin, creates large cardboard sculptures with reference to the avant - garde TV installations of celebrated Korean artist Nam June Paik, regarded as the father of video art.

It was the first museum dedicated to the work of living American artists and the first New York museum to present a major exhibition of a video artist (Nam June Paik in 1982).

Assistant Professor Hye Yeon Nam is a digital media artist whose interactive installations, performance videos, speculative designs, and experimental games have been exhibited internationally.

This is certainly true, as from the 1960s onward, artists as diverse as Nam June Paik, Vito Acconci, and Joan Jonas deliberately explored and exploited the raw visual quality of early video, doing so in the context and service of wide - ranging aesthetic, conceptual, and political endeavors and ends.

Nam June Paik is widely credited as the founder of video art and among the first artists to envision the radical implications of an «electronic super highway» and cybernetics.

The child of two painters and WPA artists, and educated as a painter at the Rhode Island School of Design and the Art Students League, Sheer pioneered in making video art in the 1970s, running the «Egg Store» video facility in Manhattan where his many clients included Twyla Tharp, Yoko Ono, Nam June Paik, Bill Viola and Merce Cunningham.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Hye Yeon Nam is a digital media artist working on interactive installations and performance video.

The program consists of 12 videos — ranging from 1972's Marcel Duchamp and John Cage, which documents a chess game between the two smartypants artists, to 2006's Winter in Miami 2005, a stirring tribute to her husband, the influential artist Nam June Paik, who died in 2006.

They include giants like Braque, Miro, Jasper Johns, Georgia O'Keeffe and Edward Weston; video - art pioneer Nam June Paik; contemporary German sculptor Katharina Fritsch; Bay Area sculptor Gay Outlaw; and young artists whose careers may get a boost from this show.

This new anatomy of word and image is often produced through transparency effects and electronic techniques that bypass the typical reliance on collage in the work of video artists such as Nam Jun Paik.

James Cohan Gallery is pleased to present the multi-monitor, sculptural installation M200 / Video Wall, (1991) by the visionary and peripatetic artist Nam June Paik, along with selected works from the early 1990s.

Another innovative artist is the musician and artist Korean - American Nam June Paik (1932 - 2006), who started out in performance art before working with video, and thereafter installations.

Highly influential, one 1961 show, ZERO: Edition, Exposition, Demonstration, held both inside and outside Galerie Schmela in Düsseldorf, in which performers marked out a «Zero zone» with white paint around other participants, blew bubbles and launched a balloon into the night sky was witnessed by artist Joseph Beuys — who had his first one man show that year and started to give action - performances in 1963 — and Nam Juin Paik, Korean founder of video art.

★ Smithsonian American Art Museum: «Nam June Paik: Global Visionary» (through Aug. 11) Including a large and fascinating trove of material from the Nam June Paik archive, acquired by the Smithsonian from the artist's estate in 2009, this survey of the avant - garde musician, multimedia wizard and video art pioneer (1932 - 2006) looks startlingly current despite the preponderance of analog televisions and other obsolete hardware.

Most surprising, welcomed, and seldom seen, is a mixed media / installation / video work by Korean artist Nam June Paik, who is represented by his single - channel masterpiece, «TV Buddha» (1989).

Over a period of 30 years the BIM has brought together the very best in video art, showing works by artists such as Bill Viola, Gary Hill, Steina and Woody Vasulka, Robert Filliou, Chris Marker, Guy Debord, Vito Acconci, William Wegman, Bruce Nauman, Chantal Akerman, Rebecca Horn, Jean - Luc Godard, Andy Warhol, Philippe Garrel, Nam June Paik, Laurie Anderson, Artavazd Pelechian, Harun Farocki, Matt Mullican, Anri Sala and the Straub / Huillet duo.

In the 1970's Tarr worked with video shaman Nam June Paik on various projects and gallery installations while assisting @ Anthology Film Archive's guest video artist program.

Piano Destructions (2014) is a video installation that repurposes the documentary history of mostly male artists (Joseph Beuys, Nam June Paik, Ben Vautier) attacking pianos: an avant - garde gesture that is also an (inadvertent) assault on the gendered history of the instrument.

Nam June Paik (1932 — 2006) was one of the most innovative artists of the twentieth century, and is widely considered to be the first video artist.