Sentences with phrase «video artist feels»

Not exact matches

Jordan Ekeroth writes about the tension Christians feel toward video games — either to dismiss them or over-spiritualize them — and how artists can move past that.

Alongside paintings, caricatures and cartoons by such well - known artists as Marcin Bondarowicz of Poland and Lee Won - soo of Korea, the exhibition also presented heart - felt artwork by young students and informational videos on desertification and desert - restoration activities.

Michael Patterson, a New York City — based makeup artist who works with M.A.C., posted pictures and a video on Instagram this week of a liquid eyeliner that doesn't have a typical felt or brush tip.

Some feel faithful to the point of being literal - it's the bolder, looser interpretations such as those from video artist Shaun Gladwell and Stephen Page (Bangarra Dance Theatre) that help to energise the film.

To better get across the «old - timey arcade action» feel he was going for, lead technical artist Julian Love came up with the demonstration you see above (fast - forward to 9:04 if the video doesn't start at the appropriate segment).

Cineapolis (2007), by Brooklyn - based artist Alex Hubbard, is a ruinous slapstick video painting in two minutes, a performance impelled by the cathartic concept of if it feels good, do it.

This exhibition features newly - commissioned work from artist collective the Institute for New Feeling (IfNf), including the video nominated by Ballroom Marfa for the 2016 season of Artists» Film International (AFI).

In this exclusive video, Laurie Anderson presents her prizewinning virtual reality work from 2017: «I wanted to see what it would be like to travel through stories, to make the viewer feel free,» the legendary multimedia artist says.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

The impact that Swiss video and installation artist Pipilotti Rist has made over the past two decades or more is hard to overestimate, as her influence is felt in the work of a host of younger artists, as well as in videos by mainstream pop stars like Beyoncé.

As the video is spurred by a childhood memory of being submerged in the Mediterranean Sea, the Israeli artist seems to have used the ubiquitous imagery to ignite a subjectivity we all have; the memory of floating, of feeling weightless, of resisting the wave or accepting its sudden shifts.

One big decision the curators agonized over was whether to dispense with the traditional museum practice of devoting separate galleries for drawings and prints; paintings and sculpture; photographs; and film and video — in part because they felt that artists today think and produce across different media.

The artist is Martin Creed, who in 2001 was handed the Turner prize by Madonna for a piece that superficially involved the turning on and off of some lightbulbs, and who has produced and numbered hundreds of deeply felt, lighthearted, intensely vague, mildly specific conceptual works across paint, sculpture, video, installation and music.

Famous modern installation artists include: Joseph Beuys (1921 - 86) the war - scarred ex-Professor of Monumental Sculpture at the Dusseldorf Academy, whose lard and felt installations, extensive use of found objects, bold lectures on art and creativity and career long dedication earned him a retrospective at the Guggenheim Museum in New York; Italian Arte Povera artists Mario Merz (1925 - 2003), Michelangelo Pistoletto (b. 1933), Jannis Kounellis (b. 1936), and Gilberto Zorio (b. 1944); the German multi-media artist Rebecca Horn (b. 1944), noted for her performance films, her kinetic installations, and her Guggenheim retrospective which toured Europe in 1994; Judy Chicago (b. 1939), noted for her installation of feminist art - The Dinner Party (1979, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York); Bruce Nauman (b. 1941), noted for his neon light sculpture and video installations; and the Frenchman Christian Boltanski (b. 1944), famous for his installations of photographs, sometimes with lights.

Containing works that mostly relate to the Cremaster series of video pieces that the artist is best known for, this gallery definitely felt like an institutional presentation of «our» culture, art that we are told we should admire.

The low - point of this show is the video You Made Me Feel Like This (2017), which dully records the artist writing and reading a letter, alongside some shots of graveyards and cranes.

Another highlight is the large - scale painting I am not ready... by Li Shurui from her «Light» series works that reproduce the look and feel of light in different environments, from arctic landscapes to nightclub, also in a screening room features a wide range of new video works, including Huang Ran's Blithe Tragedy and Fang Lu's Lovers Are Artists (Part One).

This is not a quote from an essayist on the work of Bridget Riley, but Riley herself, writing on a video installation by Bruce Nauman, an artist we might hardly expect her to find fellow feeling for.

«I feel weird about this exhibition,» said artist Zhao Bandi, «Almost all the contemporary Chinese photography and video works have been collected by foreigners.»

Joan Jonas: The Shape, the Scent, the Feel of Things On view January 23 — May 1, 2011 Joan Jonas: The Shape, the Scent, the Feel of Thingspresents a complex five - channel video installation by this seminal video and performance artist.

But as far as video is concerned, you would be the exceptional first artist making that space look and feel so intimate.

In his VALIS opera, which premiered at Paris» Centre Georges Pompidou with installations created by video artist Catherine Ikam, Machover tried to get that feeling artistically across, and you can hear it free on Spotify.

Some of these images are related to the video that the artist created for the song «The Troubles» on U2's most recent album, in which he extended his iconographic repertoire with new figures that touch on reflections about the cycle of life, personal relations in today's world, and the feelings that this tumultuous time evokes in us.

Occupying three floors of the New Museum, and fully energizing exhibition spaces that can ordinarily feel disproportionate, «Anri Sala: Answer Me» traced the reorientations within the Albanian - born video artist's practice.

Elle Burchill and Andrea Monti, both practicing digital media artists, opened their space with the intent of exhibiting artists they felt were underrepresented by commercial galleries — namely, those working with moving image and time - based arts, including sound, performance, video, and other digital technologies.

Artist Emily Jacir's «Material for a film» (2005 - ongoing) is an installation comprised of photographs, text, video and sound pieces, is currently featured in the exhibition entitled Think with the senses - Feel with the mind as part of the 2007 La Biennale di Venezia.

Art - artist revelations of an angry voice demanded to be heard — being raped at thirteen and suicide attempts referred to in selected drawings and monoprints, a period of sexual consumption afterwards via Why I never became a dancer (video, 1995), and two abortions in How it feels (video, 1996).

It's felt like a wildly pluralistic moment because, as you say, there was the emergence of video and the emergence of performance artists like Joan Jonas alongside formalist object - maker like Richard Serra.

A Hoyland abstract has been hanging in his office for the past six months, he said in the video, and he chose to open with the artist because he felt the paintings would «set the space off brilliantly» and vice versa.

In Austin, Texas, Cathy Byrd meets seminal video and performance artist Joan Jonas about how context affects each presentation of The Shape, The Scent, The Feel of Things, a project commissioned by Dia Beacon in 2004.

Feeling compelled, like so much of the art world, to throw aside ordinary business and respond to the recent election, Petzel collected work by 40 artists, as well as a hundred - odd videos submitted by the public, for a compelling group show whose success is well encapsulated in its title.

I have just renewed my 6 month subscription to Art Tutor as I feel it is good value for money, I learn a lot from seeing the work of the various artists and there are new videos every week for instruction.

Accentuated by the hall of mirrors the artist has constructed inside the gallery space, the video creates a alienating effect, the feeling of being awash in technologic constructs we are inventing faster than we can fully comprehend their effects on communication, knowledge or expression.