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The winner of the last Venice Biennale's Silver Lion for best young artist — for her mesmeric
video Grosse Fatigue, a rhythmically driven fugue of
creation myths, anthropological artifacts, and spoken - word poetry — she recently won the first Nam June Paik award, and she's currently up for the Guggenheim's Hugo Boss Prize as well.
In her
video, the 34 - year - old Parisian artist presents footage of these artifacts — and of herself rummaging through the archives — in windows that pop up on the screen (as on a computer desktop) while a voiceover raps out a crazy quilt of
creation myths over a drumbeat.
Henrot's most famous work to date, Grosse Fatigue, is a thirteen - minute multimedia narration of Google images, YouTube
videos, and a spoken word voice - over that explores the diversity of
creation myths and underlines one of humanity's greatest gifts: its ability to tell stories.
Next up is the 1998 piece «The
Creation Myth,» a sort cityscape built from scrap wood, folding tables, buckets and mirrors; a toy train outfitted with a fake snake and a live - feed
video camera navigates the piece, its findings are projected on monitors.
Dubbed an «art world it girl» last week by the Wall Street Journal and adopted as a style icon in Vogue, Elle, and Vanity Fair, Camille Henrot blazed into view at the 2013 Venice Biennale, when she won the Silver Lion for a promising young artist for her
video Grosse Fatigue, an utterly fresh tour de force that melded images of tribal objects, incantatory voice - over retellings of
creation myths, and the cut - and - paste visuality of the Internet era.
Concentrating on
video derived from performance — most often staged for the camera — «Video Acts» encompasses approaches ranging from structuralist experimentation and more or less overt political statement to the creation of idiosyncratic narratives and the amplification of personal m
video derived from performance — most often staged for the camera — «
Video Acts» encompasses approaches ranging from structuralist experimentation and more or less overt political statement to the creation of idiosyncratic narratives and the amplification of personal m
Video Acts» encompasses approaches ranging from structuralist experimentation and more or less overt political statement to the
creation of idiosyncratic narratives and the amplification of personal
myths.