Sentences with phrase «video creation myth»

Don't fall into the social video creation myth!

Not exact matches

All Active Learning Apps Assessment Binge Watching Chunking Consumption Correcting Creation Pedagogy Digital Literacy Digital Pedagogy Dopamine Educational Technology Failure Gamification Ipads Labels Motivation Myths Online Teaching Questions Skeuomorphism Social Media Safety Socratic Storification Theconversation.com Universities Video Wikis Writing
The winner of the last Venice Biennale's Silver Lion for best young artist — for her mesmeric video Grosse Fatigue, a rhythmically driven fugue of creation myths, anthropological artifacts, and spoken - word poetry — she recently won the first Nam June Paik award, and she's currently up for the Guggenheim's Hugo Boss Prize as well.
In her video, the 34 - year - old Parisian artist presents footage of these artifacts — and of herself rummaging through the archives — in windows that pop up on the screen (as on a computer desktop) while a voiceover raps out a crazy quilt of creation myths over a drumbeat.
Henrot's most famous work to date, Grosse Fatigue, is a thirteen - minute multimedia narration of Google images, YouTube videos, and a spoken word voice - over that explores the diversity of creation myths and underlines one of humanity's greatest gifts: its ability to tell stories.
Next up is the 1998 piece «The Creation Myth,» a sort cityscape built from scrap wood, folding tables, buckets and mirrors; a toy train outfitted with a fake snake and a live - feed video camera navigates the piece, its findings are projected on monitors.
Dubbed an «art world it girl» last week by the Wall Street Journal and adopted as a style icon in Vogue, Elle, and Vanity Fair, Camille Henrot blazed into view at the 2013 Venice Biennale, when she won the Silver Lion for a promising young artist for her video Grosse Fatigue, an utterly fresh tour de force that melded images of tribal objects, incantatory voice - over retellings of creation myths, and the cut - and - paste visuality of the Internet era.
Concentrating on video derived from performance — most often staged for the camera — «Video Acts» encompasses approaches ranging from structuralist experimentation and more or less overt political statement to the creation of idiosyncratic narratives and the amplification of personal mvideo derived from performance — most often staged for the camera — «Video Acts» encompasses approaches ranging from structuralist experimentation and more or less overt political statement to the creation of idiosyncratic narratives and the amplification of personal mVideo Acts» encompasses approaches ranging from structuralist experimentation and more or less overt political statement to the creation of idiosyncratic narratives and the amplification of personal myths.
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