Sentences with phrase «video director whose»

Before delving into this project, Wolfe was already an award - winning music video director whose credits included The Shoes» «Time to Dance,» featuring a murderous Jake Gyllenhaal, as well as the intensely cinematic video for Paolo Nutini's «Iron Sky,» in which there are a number of aesthetic similarities to Catch Me Daddy.

That's what Aaron Eckhart will soon learn in The Expatriate, a thriller he just signed to star in directed by Philipp Stolzl (a music video director whose last feature was the 2008 film North Face) from a script by by A.E. Amel.

Not exact matches

About halfway through the video, originally published by BuzzFeed, it is revealed that Obama had actually not uttered those words and that they were actually said by «Get Out» director and writer Jordan Peele, whose voice and mouth had been digitally inserted into an original — much less scandalous — video of the former president.

Phillie's guests at the moment include Michael (Kevin Pollak), a sleazy director and producer of porn videos who is attempting to persuade Loretta (Caroline Dhavernas), a pretty young waitress at a nearby diner, to star in his latest series of adult movies; Denise (Anna Friel) and R.J. (Kristen Holden - Reid), a drug - addled couple struggling to regain custody of their child; Henry (Peter Keleghan) and Lily (Wendy Crewson), whose marriage is already starting to crumble before temptation presents itself to Lily; and Boris (Damir Andrei), the Niagara's short - tempered owner.

Fincher, whose work in the music video field is readily apparent here, is a powerful director when he's given half a chance, and Seven is a perfect showcase for what he can do without benefit of MTV (although the unnerving main and end titles, set to music by Nine Inch Nails and David Bowie, respectively, could have come, part and parcel, from that unholy network).

The Young@Heart was approached by the MullenLowe advertising agency two months ago for the job and worked closely with them and film directors Jonathan Dayton and Valerie Faris, whose credits include «Little Miss Sunshine», «Battle of the Sexes», and numerous music videos for the Red Hot Chili Peppers.

The Midnight Madness section's strongest entries included Afflicted, the latest iteration of the found - footage horror subgenre, in which writer - directors Derek Lee and Clif Prowse play Canadian students Derek and Clif, whose video documents a not - so - excellent European vacation, and Lucky McKee and Chris Sivertson's playful pastiche All Cheerleaders Die, in which the tangled intrigue around a high - school cheer squad turns lethal — call it When Witchcraft - Resurrected, Life - Force - Sucking Mean Girls Attack.

Included are video interviews with director Mike Leigh (whose film Topsy Turvy dealt with the original genesis of «The Mikado») and with Gilbert & Sullivan scholars Josephine Lee and Ralph MacPhail Jr..

Much of the blame for this deadly comedy must rest on the shoulders of director, co-writer and co-producer Rick Friedberg, a one - time documentarian whose previous claims to fame were the rent - a-car commercials he did with Nielsen and the music videos he directed for Kenny G and Van Halen.

Toss in an incredibly bad ending and annoyingly excessive use of shaky hand - held camera work that some directors feel compelled to use in the guise of presenting reality and you've got a product whose home video incarnation provides an excellent opportunity to save money.

For the inaugural video in our new series Under the Influence, Barry Jenkins — whose sophomore feature, Moonlight, won big at last night's Gotham Awards and just garnered best director and best supporting actress from the National Board of Review — stopped by the Criterion library to share his passion for the films of Wong Kar - wai.

In the latest episode of my new Deadline video series Behind The Lens, in which I explore the art and style of directors in one - on - one conversations, I talk to a relative newcomer to helming, Stephen Chbosky whose third feature film, Wonder, has turned into an out - of - the - b0x hit for Lionsgate since it opened in November, so far grossing well over $ 100 million domestically and going strong.

This is the English language feature debut of German director Philipp Stölzl, whose credits are likely unknown to you with the possible exception of some millennial music videos for the likes of Madonna and Evanescence.

The video highlighted Greta Gerwig, the fifth woman to ever be nominated for best director, Yance Ford, the first transgender nominee for «Strong Island,» Dee Rees, whose «Mudbound» scored a historic cinematographer nomination and the Pakistan - born Kumail Nanjiani, nominated for «The Big Sick.»

The territory seems like a perfect fit for director / producer Jonathan Hock, whose previous credits include playground highlight videos and the 2000 IMAX film Michael Jordan to the Max.

John Cooper, director of the Sundance Film Festival introduced a performance by Fitz and the Tantrums (whose Moneygrabber video was directed by Sundance alumni Mike Mohan and produced by Sundance Creative Producing Fellow Jennifer Cochis).

There's no reason to expect anything more out of a low - budget Canadian movie from a director whose directing has been limited to television and three direct - to - video Hellraiser sequels,

A cast of unknowns, an obscure brother directors team (the Brothers Krause) whose previous work consists of music videos and special effects work for X3 and a Canadian shooting location.

As expected, Warner Home Video has released a wonderful two - disc set with extraordinary picture and sound quality, but lacking a commentary track from director Cuaron — whose comments surely would have been more interesting that anything Columbus had to say.

The numbers just aren't as dynamic as we might have hoped for from director Trish Sie, whose credits include alt - rock act OK Go's «treadmill video» and other addictively innovative shorts.

The two hour lecture was headed by Square Enix Visual Works General Manager and Chief Creative Director, Kazuyuki Ikumori, whose work spans across Final Fantasy, Tomb Raider, Deus Ex, and Hitman video games.

Highlights of Broad MSU exhibitions in 2015 include: Trevor Paglen: The Genres, the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; The Broad Gift, an exhibition of 18 works generously given to the Broad MSU by founding patrons Eli and Edythe Broad; Moving Time: Video Art at 50, 1965 — 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materVideo Art at 50, 1965 — 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and matervideo art from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials.

Melinda Hunt is director of the Hart Island Project, and a visual artist whose works include drawing, video, photography, installation, and public art.

Featuring live music accompaniment by Brian Kelly, whose music is featured in the film's soundtrack; dance performances by The Love Show; and interludes of video remixing by Little Cinema's founder and creative director, CHNNLS.

Highlights of recent Broad MSU exhibitions include: Trevor Paglen: The Genres; the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; Moving Time: Video Art at 50, 1965 - 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artVideo Art at 50, 1965 - 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artvideo art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artists.

Jay Kinney is an Art Director whose film and video projects include Ellen Cantor, Pinochet Porn (2008 - 2016), John Brattin, The Triumph of Night (2006) and Eros Is Sick (2008), Mindy Vale, The Beads that Bought Manhattan (2013), and ioulex, for Justin Vivian Bond's, American Wedding (2011).

When Emma Dexter, then director of exhibitions at the Institute of Contemporary Arts in London, was planning a show about music videos, Mr. Brown suggested she speak with Mr. Leckey, whose proposal became the «Fiorucci» film, featuring images of British nightclubs from the 1970s to the»90s.

I»M JUST A SLAVE TO THE TRUTH; as His Hard - Hitting New Film Hits Cinemas, Director Steve McQueen Tells Julia Molony of the Traumatic Real - Life Story Behind It Belfast Telegraph; January 11, 2014; Molony, Julia; 700 + words Film by film, Steve McQueen is surely and steadily building a case for the crown of most important... as a reverential film school graduate but as an already feted, Turner prize - winning video artist, whose vision had not yet been blunted...

Curated by Klaus Biesenbach, Director of MoMA PS1 and Connie Butler, Chief Curator at Large at The Museum of Modern Art, the roster includes plenty of artists whose work incorporates performance, installation, photography and video, but only nine thirteen painters: Tauba Auerbach, Kerstin Brätsch, Leidy Churchman, Caleb Considine, Franklin Evans, Alex Hubbard, Alisha Kerlin, Tala Madani, Nick Mauss, Dave Miko, Adam Pendleton, Zak Prekop, Amy Yao

Intellectual Asset Management magazine (available on newsstands all over Alexandria, Va.) has posted a video of an exclusive interview with Patent and Trademark Office Director David Kappos (pictured, left, looking like a cross between comedic actor Rob Corddry and that character actor who always plays the hapless corporate or governmental lackey, whose name escapes me right now).

And Stoneman Douglas alum Matt Deitsch, who served as community outreach director for March for Our Lives and whose brother Ryan still attends the school, suggested that activists request town halls in person at elected officials» offices, video recording their answers.