A voracious drawer as a child, Tarr advanced to collage, filmmaking and
video documentaries among his many creative interests.
Not exact matches
If you've ever wondered what a conversation between Quentin Tarantino and Brian De Palma would be like, then the
documentary in the
video embedded above has —
among many other things — the answer to such curiosity.
The crispy Arrow
Video 4K remastered limited BluRay edition arrived (
among plethora of other juicy treats) with an ultra-extended version of Paul Joyce's
documentary Sam Peckinpah: Man of Iron, The Director's Cut clocking at more than 10 hours!
Assistant director Terry Sanders, film critic F. X. Feeney, archivist Robert Gitt and author Preston Neal Jones are gathered to provide commentary and the disc offers the original 40 - minute
documentary «The Making of Night of the Hunter,» a
video interview with Laughton biographer Simon Callow, an archival interview with cinematographer Stanley Cortez, a 15 - minute episode of the BBC show Moving Pictures about the film and a clip from The Ed Sullivan Show with Shelly Winters and Peter Graves performing a scene that was cut from the film
among the wealth of supplements.
Also includes the hour - long
documentary A Dying Breed: The Making of The Leopard, featuring interviews with Claudia Cardinale, screenwriter Suso Ceccho D'Amico, cinematographer Guiseppe Rotunno, and Sydney Pollack (who worked with Burt Lancaster on the American dub version)
among others,
video interviews with producer Goffredo Lombardo and Professor Millicent Marcus of the University of Pennsylvania (on the history behind The Leopard), stills gallery, original trailers and newsreels and a booklet.
He describes two «digital textbooks» that he has created to help students develop an understanding of how different texts — poetry, prose,
video documentary, images — work and to help inspire discussions
among students with weak academic skills.
A multi-screen,
documentary - style
video installation, «Question Bridge» presents a dynamic series of «exchanges»
among black men who span generations and backgrounds about a range of contemporary issues particularly relevant to their experiences such as race, identity, faith, family and fatherhood — .
Titles include Boomerang by Richard Serra (1974), featuring Nancy Holt vibrantly experimenting with the then - new and immediate medium of
video; SHEDS (Jane Crawford and Robert Fiore), a short
documentary produced for the 2004 Robert Smithson retrospective at the Museum of Contemporary Art, Los Angeles, that features newly compiled footage of two Smithson works (Partially Buried Woodshed and Mica Spread);
video excerpts from artist Renee Green's Partially Buried gallery installation; and the experimental 16 mm films Monuments by Redmond Entwistle (2010) and Center of the Cyclone by Heather Trawick (2015),
among other titles.
Among them are the gritty
documentary photographer (and gallerist) Jane England, an Australian emigrée who captured London's 1970s subculture, and Volker Eichelmann, an eclectic German artist fascinated by the English aristocracy who works in everything from floral découpage to
video art.
Wu Tsang's installations, performances, sculptures, and
videos move fluidly
among documentary, activism, and fiction.
This captivating, three - channel
video installation encompasses fictional narrative, natural history
documentary, and film essay, referencing Ralph Waldo Emerson, Herman Melville's Moby Dick (1851) and Heathcote Williams's poem Whale Nation (1988),
among others.
From this beginning the exhibition takes in aerial photography, forensic photography, abstractions of landscapes, ruins, postcards and press photos of the American dust storms, artists
videos, film clips,
documentary photography and site specific works, featuring artists like Man Ray, John Divola, Sophie Ristelhueber, Walker Evans, Mona Kuhn, Aaron Siskind, Gerhard Richter, Xavier Ribas, Nick Waplington, Eva Stenram, Georges Bataille, Jeff Wall,
among others.
A multi-screen,
documentary - style
video installation, «Question Bridge: Black Males in America» presents a dynamic series of «exchanges»
among black men, who span generations and backgrounds, about a range of contemporary issues particularly relevant in this post-Obama era and in the wake of Ferguson and countless other police involved killings of African American men that have dominated the news for more than a year now.
They have exhibited at Moderna Museet in Stockholm, V2 Rotterdam, Neuberger Museum of Modern Art, New York, Bitforms in New York, Kassel
Documentary Film and
Video Festival and the New Museum in New York,
among others.