Sentences with phrase «video exhibition exploring»

Moving Image: Performance, the related video exhibition exploring the relationship between the camera and the action it records, on view through July 24, 2017

In conjunction with FotoDC, Fathom Gallery presents This Must Be The Place, a photo and video exhibition exploring a story about finding those moments in time, like tears lost in the rain.

Not exact matches

A new exhibition explores their treasures.This video was reproduced with permission and was first published on May 18, 2016.

Joy says the «Schiaparelli and Prada: Impossible Conversations» exhibition at the Met is brilliant, and encourages everyone to explore all the images and video and audio files on the website.

The 2016 award winners were announced at the annual PAX Australian video game exhibition in Melbourne, following a panel discussion exploring the educational benefits game - making.

Its upcoming show, for example, will explore the theme of desire through photo and video work from 14 international, contemporary artists; previous exhibitions have documented the gay subculture that thrived around the Hudson River piers, focused on the works of Paul Thek and his associates, and highlighted the stitched works of John Chaich.

Featuring 42 contemporary artists from around the world whose work spans painting, sculpture, photography, and video, this exhibition explores issues of politics, religion, and racism.

Video installations throughout the exhibition task the viewer in exploring the works as both observer and participant.

The exhibition features recent videos by acclaimed international artists who use their work to explore the spectacle of nature and the sense of cosmic stupor that captures humans when faced with the sublime vastness of our planet.

Body Language is a group exhibition in video format that focuses on two emerging artists whose video works explore the ways in which language determines and is eluded by our relationships to our bodies.

Featuring photographs, manuscripts, correspondence, source material and two early video works from the Larry Rivers Papers, the exhibition explores the ways in which the archives contextualize Rivers's multi-dimensional artistic career.

Spanning painting, photography, graphic work, drawing, sculpture, video, documents, and the critical responses generated, the joint exhibition explores the idea that there are no clean boundaries between art, culture, and geography, and deconstructs how such notions are formed and disputed.»

This spring, the Serpentine presents the first European solo exhibition of American artist Sondra Perry (b. 1986, Perth Amboy, New Jersey), who explores the intersection of black identity, digital culture and power structures through video, media, installation and performance.

The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.

In this final exhibition, the four members — Ximena Izquierdo Ugaz, Julia Mata, Bryan Rodriguez Cambana, Eduardo Restrepo Castaño — display recent work in a variety of media, including video, photography, textiles, and painting that explore personal histories through an understanding of time, horror, and mood.

Among the exhibition's highlights are a photographic installation in which Waters explores the auras and absurdities of famous films, their directors, and actors; a suite of photographs and sculpture that use humor to humanize dark moments in history from the Kennedy assassination to 9/11; and Kiddie Flamingos, a 2014 video work of children reading a G - rated version of Pink Flamingos (Waters» notorious 1972 celebration of all things outsider and extreme).

The video, sound and drawings in the exhibition explore flocking or swarming behavior, and suggest the potential and perils inherent in group action.

Recently published, «Carrie Mae Weems: Kitchen Table Series,» explores one of the photographer's early and most acclaimed bodies of work, and the exhibition catalog «Carrie Mae Weems: Three Decades of Photography and Video,» coincided with her mid-career survey at the Guggenheim Museum and includes full - color images of works from throughout her career and contributions by Henry Louis Gates Jr., Franklin Sirmans, Robert Storr, and Deborah Willis.

In 2010, for Location One Gallery in New York, Saro - Wiwa produced and co-curated the group exhibition Sharon Stone in Abuja, which explored the narrative and visual conventions of the Nigerian «Nollywood» video - film industry through Saro - Wiwa's video installations and works by Wangechi Mutu, Mickalene Thomas, Andrew Esiebo and Pieter Hugo.

The exhibition explored the representation of labor and production in the photographs and videos of 14 international artists.

The exhibition will encompass the wide range of diverse mediums that Piper has explored for over 50 years: drawing, photography, works on paper, video, multimedia installation, performance, painting, sculpture, and sound.

Families are invited to explore the exhibition Cory Arcangel: Pro Tools, featuring video games, video projections, sculptures, and more.

In the exhibition and residency «Shabby but Thriving,» A.K. Burns premieres a newly commissioned two - channel video staged within an installation that explores the subjugation and agency of various bodies.

She currently has a solo show at Trøndelag Senter for Samtidskunst (until 20 December) as well as a fascinating video piece in «Meshes of the Afternoon `, a strong group show exploring landscape at Kunsthall Trondheim's temporary exhibition space (until 13 December).

«Smile Orange» was a group exhibition of painting, photography and video works that explored dynamics of identity formation (and their reliance on history and memory) from a personal, communal and national perspective.

Titled This Is The Sea and curated by Mohammed Salemy, the exhibition is inspired by Hito Steyerl's video Liquidity Inc, exploring several metaphoric imports of the concept of the sea.

In the video, Jacky explores one of art's greatest rivalries — JMW Turner and John Constable, who were born just a year apart — through two fantastic exhibitions of their late works.

This new solo exhibition uniquely presents a selected survey of rarely seen experimental short films and video installations by Weerasethakul, alongside his photography, sketches and archival materials that explore threads of socio - political commentary.

with works in video, photography, sculpture and painting, this exhibition explores existentialism amid the artifice of contemporary society.

Janet Biggs: Echo of the Unknown is a multidimensional exhibition combining video, sound, and objects that explore the role of memory in the construction of identity.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

This program, presented in conjunction with the Experiments in Form: Sam Gilliam, Alan Shields, Frank Stella exhibition (currently on view at the Block Museum), showcases a 60 - year range of films and videos that explore handmade and cameraless approaches to abstraction.

This November in London, the international contemporary art exhibition «Here Today...» explores the current state of our environment through diverse perspectives and media: painting, installation, wallpaper, sound, video, dance, music, sculpture and photography.

Individually, much of the émigré work feels appropriated — Li Yongbin's video imposition of one face on another, Zhang Hongtu's Berlin Wall comment, and a forged invitation to participate in an exhibition were first explored in the west.

With the Watercolour exhibition going on at the moment at Tate Britain at Millbank in London, watercolour expert Mike Chaplin has just produced a series of videos looking at Turners work where he breaks down some of the thought processes that went behind Turners paintings, and explores some of the techniques that he used to such good effect.

The exhibition, «Voice of Images», curated by Caroline Bourgeois, brings together videos, films and installations that explore this particular form of artistic expression, from the 1970s to the present day.

Through drawings, photographs, video, installations, and architectural models drawn from MoMA's collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways.

The exhibition presents a selection of contemporary authors, including some of the internationally most acclaimed artists who in their work explore the phenomenon of models and modelling — either constructing 3D models, or using models to create paintings, photographs and videos...

[1] To that end, this exhibition explores the expanded field of painting through a wide range of works in a variety of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning of painting and painterly practices in contemporary art today.

The exhibition presents approximately 375 artworks, including five large - scale installations at P.S. 1, and explores the full range of Roth's creative accomplishments: paintings, drawings, graphic works, books, sculptures, installations, and film and video works.

Three exhibitions: Video installations by Slater Bradley and Aïda Ruilova and a group exhibition exploring the language of cinema by young artists of the United Kingdom, the United States, and Europe called Sodium Dreams.

The exhibition selects from nine important bodies of work that reveal Moffett's sustained political engagement and explore how he interrogates and blurs the definition of painting, incorporating nontraditional materials such as video and photography.

For this new exhibition modern and contemporary painting, sculpture, installation, and film and video works are brought together to explore how our experience of the present is influenced by the juxtaposition between the archaic, or the obsolete, and an imagined future.

The exhibition will encompass the wide range of diverse mediums that Piper has explored for over 50 years: drawing, photography, video, multimedia installation, performance, painting, sculpture, and sound.

The exhibition features documentary material that underscores Benglis's interest in exploring and subverting gender roles as well as pioneering video works which tackle themes of gender politics and experiment with the formal and performative potential of what was then a new medium.

Inclusive of photographs, installation, sculpture and video, the works in this exhibition seek to unpack cultural objects, complicate their own narratives, and explore the multiplicity of subjectivity.

From March 15 through April 16, A.I.R. Gallery will present a video program exhibition titled Skin.Cells that explores health and care through the concepts of permeation and membrane.

Opening March 2016, the exhibition will feature films, works on paper, installations, video and sound works exploring the politics of American identity

Exploring the role of sound in contemporary video, the exhibition will feature new and reworked music from Kendrick Lamar, Aretha Franklin, Sonic Youth, Jeremy Deller and more, described by Hayward Gallery Director Ralph Rugoff as both «soulful and audacious», where «all the work raises the hair on the back of your neck».

Expanding beyond the rhinestone embellished paintings for which she is recognized, Mickalene Thomas continues to explore new mediums with her first exhibition of photographs at the Aperture Foundation and a presentation of film and video work at the Aspen Art Museum.